Runa Klock is a versatile designer and doesn’t stick to just products and objects. She also designs events, food and spaces, as well as organizes and participates in various inter-disciplinary projects and workshops. She loves playful designs, but also the Scandinavian aesthetic of simplicity and functionality.

Nhận định Inter là một nguồn tài liệu quan trọng giúp người chơi hiểu rõ về nhận định bong da đội bóng Inter Milan, qua đó giúp cho việc cá cược hiệu quả hơn.

RPTECTURE is the culmination of Reference Point Architecture - the multi-faceted, multi-disciplinary practice with a strong belief that design, aesthetics and environment sustainability inter-twines together in a dynamic way to form the best of architecture.

KoolSmartLearning is the best e-learning platform that enables student fraternity to enrich their knowledge. We offer Maths Videos on all topics for students of grade 7 to 10, General Aptitude and Aryabhatta Inter-School Mathematics Competition.

Independently of the function of a building Architekten Wannenmacher + Möller has always seen its aim as developing architecture to suit the task in the area of tension between social responsibility and individual client wishes that is also convincing from a design point of view. Good architecture can only be created if we constantly succeed in uniting all those affected by the planning and the experts who are involved in the planning of a building in mutual work and consensus. The inter-personal qualification and skills of the planner are required here in order to settle any conflicts and to find solutions that visibly express the demand for a wholly convincing architecture. The path to this point is long and thorny. But if it is successful then all the effort has been worthwhile and the motivation is renewed to continue along this path with conviction.

MIT-educated architect and Inter-national Style acolyte Gordon Bunshaft brought modernism to corporate America when in 1952 he designed the Lever House, a 24-story glass-clad office building, in New York City. A career-long architect at Skidmore, Owings & Merrill, Bunshaft was also responsible for one of the most sensitive and beautiful modern buildings ever built, the Beinecke Rare Book and Manuscript Library at Yale University.

Scott, Rich & Victoria are an inter-disciplinary design partnership of New Zealanders Scott Fitzsimons and Richard Hartle, who began working together in London in late 2007. The pair later combined their talents to establish their international creative studio in September 2009, based in both London and Auckland, accessible to international manufacturers across Europe and the Asia-Pacific regions. The studio works on a diverse range of projects encompassing furniture, lighting, interiors, exhibitions and product based experiments. In 2010, Scott, Rich & Victoria continue to establish their unique furniture collection – simple, refined furniture and lighting pieces, each with their own creative and playful individuality.

Knud Holscher Design create products,graphics and strategies in respectful cooperation with our clients. Our starting point is to get to know ourclientwell, to figure out how we - with our individual benchmarks in view - can buildup a product scenery, that will create amutual beneficial partnership. The Knud Holscher Design team is a groupof innovative people with architectural background. Over the years, our assignments havebeen varied from large scale architecture to tiny details in product design. This has given us solid experience within a wide variety of competences. Our goal is to create products, thatrespectfully correspond with both the nearest surroundings, the end consumer and our environment. Our coorperation with Danish, and inter-national clients have over the past 35 years led to a number of commercially successful products, that are frequently awarded.

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Robert Solomon r.rmsolo@verizon.net robertmsolomon.com 215-850-5384 artsy.net; artslant; saatchiart; inliquid Robert Solomon Bio Robert Solomon, artist and designer, was born and raised in Philadelphia, PA, where he lives and works. Robert earned his Bachelor of Arts from Pennsylvania State University, and has completed graduate work in Architecture at University of California (Los Angeles), as well as graduate work in Sculpture at Tyler School of Art, Temple University (Philadelphia). He has exhibited widely across the United States, particularly along the east coast, and has had several one-person shows, most notable and recent of which were at bahdeebahdu in Philadelphia, PA, Lawrence Gallery of Rosemont College in Bryn Mawr, PA, and the Grand Opera House in Wilmington, DE. Robert’s work has been included in several private collections and public institutions, and he has participated in several residencies such as the Directors Workshop Residency in Spoleto, Italy, the Vermont Studio Center, and the BAU Institute in Otranto, Italy. Robert has been an active member of several artist organizations in Philadelphia, including InLiquid, Da Vinci Art Alliance, Center for Emerging Visual Artists, and SAGE Projects, and was an original member of Nexus Gallery, as well as the founder and artistic director of Advocates for Public Art, LLC. He has curated exhibitions at Nexus Gallery, SAGE Projects, and Rowan University Art Gallery, among others. Robert’s furniture design work has been licensed to EuroPine, Ltd, and Roche Bobois, and his professional studio art practice continues to thrive alongside his evolving repertoire with work in inter-disciplinary art such as his recent venture into directing a collaborative dance adaptation of "Red Riding Hood” at the Neighborhood House in Philadelphia. Robert Solomon is an active member of The Painting Center, NYC. October, 2017. My artistic painting practice is rooted in process, materiality, and experimentation, and my paintings often cross the boundaries into (or spring out of) printmaking and photography methods. Over the years, I have found that while my interests and influences remain relatively consistent, it is the means through which my materials (such as but not limited to: water based emulsions, pigment, dye, modified plaster, stain, rope) function – both singularly and together – that keeps my work in a constant state of flux and evolution, which I find to be lively, freeing, and guided by intuition. Materiality guides me consciously, while my interests guide me subconsciously. Landscape, architecture, calligraphy, and pattern making are examples of influences which cause my paintings to oscillate between the organic and geometric. These dichotomies are the most consistent aspects of my work over time, but I don’t pursue them consciously. Instead, as I work, I experiment with materials both new and old to my process, I create rules which I inevitably break due to the nature of my materials. My recent work is gestural with the barest of preconceived subject matter. The diptych paintings use a format that encourages a heightened awareness of orientation and movement: the right and left sections must somehow be reconciled to my physical handedness. I believe technique is important but a secondary concern to the finished work, much like a director not getting in the way of the narrative, allowing the visual experience to be completed in the mind of the viewer.