Hadid’s expressive design wraps around the adjacent lounge and invites visitors to relax.

The installation is a large-scale version of her silver jewerly cuff for Georg Jensen.

Inspired by natural forms, the collection aligns effortlessly into Hadid’s architectural vision.

2000: Zaha Hadid Hadid’s design, the inaugural Pavilion piece, played with materials and meaning, brining an airy white tent made out of steel to the park.Photograph © 2000 Helene Binet

Furniture: Liquid Glacial TableZaha Hadid's table appears to undulate in subtle waves and ripples created by the embedded surface complexity and refraction within the design. Photo by Jacopo Spilimbergo.

Zaha Hadid, The World (89 Degrees), 1984. Aerial view; compilation of projects to date.

Aldo Bakker and Louise Campbell collections for Georg Jensen. See it at Rossana Orlandi, Via Matteo Bandello 14-16.

The Danish brand Georg Jensen extends its existing collections to include porcelain and glass—a first for the company that earned its stripes working with metal. The tableware and glassware boast an organic, wave-like form.

Architect Bergendy Cooke, who worked for Zaha Hadid and Peter Marino before returning to her home country in 2007, is an admirer of the strong, sculptural architectural forms that appear in Japanese and Spanish architecture. Outside Queenstown, she put her ideas into practice in a home that would be the benchmark for bc+a studio, her own venture. The combination bunk bed and playhouse is a whimsical gesture the architect designed specifically for her two daughters. The spaces are organized in such a way that they can play independently or together.

Maxxi Diptychon, Zaha Hadid, 2009, silver gelatin print.

Maxxi Diptychon, Zaha Hadid, 2009, silver gelatin print.

In 2001: A Space Odyssey (1968), crew members ate with cutlery designed by Arne Jacobsen for Georg Jensen.

Volu Dining Pavilion by Zaha Hadid and Patrik Schumacher One of the first unveiled designs features curvy wood dining furniture nestled inside a metal structure in the shape of an oversized open clamshell. Backlit by purple-toned LEDs, Volu embodies the sci-fi effect typical of Hadid’s work. Each Volu Dining Pavilion, to be be produced in an edition of 24, will go for $480,000.

Rosenthal Center for Art, Zaha Hadid, 2003, silver gelatin print.

ZAHA HADID "Zaha describes herself as a gypsy, of no fixed abode. Her memories lie in her childhood home in Baghdad, but she now lives in an open space in London, as dazzling as her smile. Light filters in from a skylight, flooding the space, even on rainy day. Some of her early designs, inspired by the revolutionary Russian artist El Lissitzky, hang on the walls. Then there is a multitude of portraits, pieces of furniture and objects, shapes that define the space, marking out a new avant-garde, Zaha Hadid’s style." Photo by Davide Pizzigoni.

Architect Georg van Gass adds a delicately poised cantilevered exterior wall that appears to slice the deck in half. Photo by: Elsa Young

Fudge Hair Pop-Up Salon (London, United Kingdom: 2012) Created for London Fashion Week, this gorgeous black-and-white space by Zaha Hadid was a perfect setting for the brand to play up an edgy, angular style. A massive, white sculpture resting in the corner looked like a jagged glacier. Photo by Zaha Hadid Architects

Zaha Hadid, Series ZH door handle, 2007.

Designed inside and out by Zaha Hadid, the penthouse features the famed architect's signature curves throughout. Each level is united by a sculptural white staircase.

Danish-British designer Louise Campbell in her studio in Copenhagen. Photo by Neel Munte Brun.

Tea with Georg is a 2013 collaboration that Scholten & Baijings did with revered Danish silversmith Georg Jensen. The collection combines old craft techniques (hand metalwork, fine surface finish) with digital design (gradients and grids applied as pattern on porcelain and etched onto stainless steel).

In Kathryn Tyler’s finished home, a palette of wood, concrete, and painted brick forms a neutral backdrop for vintage treasures, including a $30 dining table, $3 poster, and a set of 1950s Carl Jacobs Jason chairs she snagged on eBay for $400.

The Dwell Store Pop-Up, the first-ever physical manifestation of the Dwell Store, will offer Dwell-favorite designs, including an exclusive jewelry stand by Zoë Mowat (pictured). Meanwhile, select exhibitors will have products for sale through the Cash & Carry program. The Dwell Bookstore by Skylight Books will be stocked with architecture, design, and sustainability titles, and feature book signings all weekend.

Envisioning the collection as a modern tool kit, Louise Campbell designed her Georg Jensen cutlery collection with a contemporary fabrication method that also references the company's past: Handcrafted forms are created by first modeling freely in clay, then by cutting, gluing, folding and grinding multiple layers of paper. The pieces are rendered as 3D plastic prints before they are brought to life in stainless steel.

Louise Campbell's 15-piece stainless steel cutlery collection for Georg Jensen was also shown at Rossana Orlandi. After three years of research into utensils and tableware tools, Campbell devised a versatile collection in which "pastry forks double as children’s forks, spoons take you effortlessly from starter to dessert, and indispensible teaspoons double as children’s spoons." And in case you should need them, lobster and cold-cut forks, pushers, and sauce and salad spoons round out the series.

Five-Piece Cutlery Set by Arne Jacobsen for Georg Jensen Designed to fit naturally in the diner’s hand, this sculptural flatware from 1957 trades ornamentation for svelte, minimalist shapes in matte steel.

11th Anniversary: Steel Pitcher by Aldo Bakker for Georg Jensen Living, $380

Tea with Georg Line Kitchen and Household by Scholten & Baijings, produced by Georg Jensen.

Prolific midcentury designer Harry Bertoia experimented with jewelry throughout his career. "He did more detailed things with his jewelry, because it is smaller scale and more easily manipulated," his daughter Celia says. "Also, his jewelry is quite playful in a way that neither the chairs nor the sculpture is."

Every lady in the Dwell office has admired the Arbor Jewelry Stand by Quebeçois designer Zoë Mowat more than once. $425

Traditional veneered jewelry chests feel stale. Freshen up the modern boudoir with the Arbor Jewelry Stand by Quebeçois designer Zoë Mowat. A detachable dowel supports hanging necklaces and bracelets while snug colored platforms keep tiny pieces safe. $425 from the Dwell Store

A pin by Harry Bertoia.

Jewelry, Mana Bernardes

Reproductions of Bertoia's jewelry, like this ring design, can be purchased at harrybertoia.org.

The Papilio ring retains the same architectural gestures as the nylon pieces, but is rendered in polished sterling silver.

Bertoia did much of his experimentation with jewelry while he attended Cranbrook in the 1940s. "I think the jewelry was really his foundation and his learning process, to get the understanding of metal that he needed," Celia says. Some of the pieces appear to be precursors to his later work. "There were some brooches that were wire, like wire cages with pebbles inside, or gems. And in some ways those remind me of the chairs, because of the wire construction," Celia says.