GreenSpur and McAllister Architects imagined a cabin sided with Cor-Ten steel, glass, and shou sugi ban–treated cedar for a wooded property outside of Washington, DC.

The colorful concept shop that faces Rue Yves Saint Laurent is the third piece of 33 Rue Majorelle’s tripartite design experience.

The W.W. Stool by Philippe Starck.

The steel fireplace in the dining area is framed with rescued stones from the dismantled garage during the original remodeling of the home.

The courtyard is a secure space with a double-height window that offers seamless interior-exterior connection. “It gives a nice sense of containment and peace, while still engaging interior spaces,” says Cashman.

Steel strips form a security screen on the street side of the scullery. One can also hang pots and pans from them. A skylight filters illumination through glass block flooring to the basement below.

The kitchen is accessible from a raised courtyard across from the main living space. “The double exhaust hood looks like an old industrial gantry,” remarks Cashman. Sandblasted brick and sandstone from the original warehouse dialogue with floating white and grey cabinetry.

“The biggest design challenge was the facade,” says architect Mark Cashman. “It had to step back from the street and recede to give prominence to the heritage status warehouse facade.” Above the translucent bedroom level, a balcony with a herb garden steps back further. From the rooftop garden, downtown Sydney comes into full view.

Simultaneously sculptural and pragmatic, the undulating form of the W Magazine Stand’s molded plywood is both pleasing and useful. It’s compact enough for small spaces, though you may be loath to cover up the figurative grain pattern of the walnut with your magazines.

The master bedroom features wallpaper by Erika Wakerly. The glass tables next to the Croft House bed were gifts.

The shop’s co-owners Yehia Abdelnour and Monique Bresson.

Designer Lucia DeRespinis at age 33. The photo was taken by George Nelson’s son while they were working in Moscow on the American Exhibition.

This 2'5" by 3'3" rug is an improvised interpretation of crazy quilt designs.

A secondary bedroom meant for a child has a partially translucent, curved glass wall.

A pivoting Gyrofocus fireplace, staircase, and elevator shaft organize the social space. Lighting throughout the house is mostly ambient, supplemented by task-oriented lighting.

Based in New York, photographer Brian W. Ferry regularly shoots portraits, travel, interiors, and design stories for international clients and publications including Condé Nast Traveler and WSJ Magazine. For this issue, he captured “Outside Providence,” a story about a coastal Rhode Island getaway. “I was blown away by the skylights throughout the home,” he says. “Watching the light and colors change slowly over the course of the two-day shoot was a real treat—it was like a private James Turrell exhibition.” What’s your favorite city to visit in the USA? “I frequently travel to Los Angeles for work and pleasure, and I enjoy every visit. There’s a wonderful art scene, great food, and the ability to spend time outdoors year-round.”

A New York–based photographer who shoots for clients including Condé Nast Traveler and the Wall Street Journal Magazine, Brian W. Ferry loves the perks of Dwell assignments. In one week, he shared lunch alfresco with the owners of the Stanfordville, New York, outbuilding and pizza and wine in São Paulo with the owner and architect of the Jardins apartment.

Tucked away in a corner of Makati, W-17 is an elegant warehouse space showcasing luxe home wares from the Philippines and beyond. Catch Carabao (Philippine water buffalo) horn salad servers, elegant wood serving bowls trimmed in gold, locally crafted dinner ware, and antique Chinese furniture, along with rugs from New York-based Filipino designer Inigo Elizalde.

Style: "Portrait B&W"

From the transitional space between the living area and courtyard, the TV room is visible.

The reflective marble in the reception area and new Lobby Bar recalls a runway, according to Meyer, injecting life into the entryway while drawing the focus to the bar and the small, circular pods, curtained-off areas where guests can congregate. The reception area also boasts a white spray can mural that plays up a little-known historical fact—the aerosol cans were invented in Chicago in 1883—while referencing the city's spray paint ban.

Ideal for magazines or paperwork, the W Molded Ply Magazine Stand ($149) is equally at home in the living room or the office.

Inga Sempé, W103c light, 2010.

Bookmark your reading materials by perching them on the detachable birch resting pole.

CURRENT, the redesigned restaurant, focuses on straight lines and soft tones to amplify the view of the lake.

According to Jacobs, the design philosophy was about having a point of view and not necessarily trying to be a perfect fit for everyone.

The interiors reformulated as part of the W Chicago Lakeshore’s redesign used glass and metal elements to reflect the lakefront and reference the city's burly skyline, according to Will Meyer of interior design firm Meyer Davis.

Located in Germany’s Upper Bavarian Inn Valley this holiday home by architects Christine Arnhard and Markus Eck is only 3.3 foot wide. Half-offset, interconnected stacked rooms are spread over the interior volume, and doors to the property’s two floating terraces can be opened to connect the interiors with the outdoors.

The home resides in Villamil, a satellite city of Guayaquil with a population of 33,560.

A sculptural bench from the Future Perfect and a circa-1950s vintage blown-glass, brass, and enameled metal Kalmar Tulipan chandelier invite guests through the entry. The space flows into the kitchen, where meals unfold on a built-in banquette upholstered in SH Frank leather by Geremia Design, or CH33T chairs underneath an Atelier Rich Tegelaar Open Meshmatics pendant.

Wästberg introduces the w153 lamp by Inga Sempé, a multipurpose little LED number that can be clamped, placed on a flat surface, or mounted on a wall.

Studioilse w084 by Ilse Crawford for Wästberg, $625 A dimmer and a semi-translucent shade add extra warmth to this unpretentious task lamp. Crawford has equipped the work tables in her London studio with the design—a ringing endorsement indeed.

A mirror measuring 8.5 by 3.3 feet makes the renovated kitchen feel more expansive. Photo by: Jonas Ingerstedt

Ludovica Serafini and Roberto Palomba, who work as Ludovica+Roberto Palomba, commissioned a dining table of their own design from Exteta and paired it with Abanica chairs by Oscar Tusquets for Driade. The ceramic centerpiece is by Emilia Palomba, Roberto’s aunt.

The house exclusively uses water harvested from the roof and stored on-site in a 33,000-gallon cistern.