Inspirational spaces
Inspirational spaces
The W.W. Stool by Philippe Starck.
The W.W. Stool by Philippe Starck.
British artist Hannah Sawtell and technologist Avi Flombaum created sawbaum.com, where users can create visual collages using multiple vine streams. "We wanted it to look like a visual comic book, with overlapping panels," said Flombaum. "And we wanted it to be fun!" Photo courtesy Rhizome.
British artist Hannah Sawtell and technologist Avi Flombaum created sawbaum.com, where users can create visual collages using multiple vine streams. "We wanted it to look like a visual comic book, with overlapping panels," said Flombaum. "And we wanted it to be fun!" Photo courtesy Rhizome.
The courtyard is a secure space with a double-height window that offers seamless interior-exterior connection. “It gives a nice sense of containment and peace, while still engaging interior spaces,” says Cashman.
The courtyard is a secure space with a double-height window that offers seamless interior-exterior connection. “It gives a nice sense of containment and peace, while still engaging interior spaces,” says Cashman.
Steel strips form a security screen on the street side of the scullery. One can also hang pots and pans from them. A skylight filters illumination through glass block flooring to the basement below.
Steel strips form a security screen on the street side of the scullery. One can also hang pots and pans from them. A skylight filters illumination through glass block flooring to the basement below.
The kitchen is accessible from a raised courtyard across from the main living space. “The double exhaust hood looks like an old industrial gantry,” remarks Cashman. Sandblasted brick and sandstone from the original warehouse dialogue with floating white and grey cabinetry.
The kitchen is accessible from a raised courtyard across from the main living space. “The double exhaust hood looks like an old industrial gantry,” remarks Cashman. Sandblasted brick and sandstone from the original warehouse dialogue with floating white and grey cabinetry.
“The biggest design challenge was the facade,” says architect Mark Cashman. “It had to step back from the street and recede to give prominence to the heritage status warehouse facade.” Above the translucent bedroom level, a balcony with a herb garden steps back further. From the rooftop garden, downtown Sydney comes into full view.
“The biggest design challenge was the facade,” says architect Mark Cashman. “It had to step back from the street and recede to give prominence to the heritage status warehouse facade.” Above the translucent bedroom level, a balcony with a herb garden steps back further. From the rooftop garden, downtown Sydney comes into full view.
Simultaneously sculptural and pragmatic, the undulating form of the W Magazine Stand’s molded plywood is both pleasing and useful. It’s compact enough for small spaces, though you may be loath to cover up the figurative grain pattern of the walnut with your magazines.
Simultaneously sculptural and pragmatic, the undulating form of the W Magazine Stand’s molded plywood is both pleasing and useful. It’s compact enough for small spaces, though you may be loath to cover up the figurative grain pattern of the walnut with your magazines.
The master bedroom features wallpaper by Erika Wakerly. The glass tables next to the Croft House bed were gifts.
The master bedroom features wallpaper by Erika Wakerly. The glass tables next to the Croft House bed were gifts.
Currently the home and design editor at Departures, Dan Rubinstein lives in New York City. He penned the cover story for this issue, featuring Nicolas Roche’s kaleidoscopic Parisian home. “Roche’s apartment truly encapsulates the virtues of any design lover: rare and bizarre vintage finds, shots of quirk and color, and some good old-fashioned problem-solving. I remain utterly fascinated with his Bond-style, mega-groovy bed of unknown origin.”

Favorite piece of furniture: His Vegetal chair from Vitra in black. “I’m a big fan of using outdoor furniture indoors when appropriate.”
Currently the home and design editor at Departures, Dan Rubinstein lives in New York City. He penned the cover story for this issue, featuring Nicolas Roche’s kaleidoscopic Parisian home. “Roche’s apartment truly encapsulates the virtues of any design lover: rare and bizarre vintage finds, shots of quirk and color, and some good old-fashioned problem-solving. I remain utterly fascinated with his Bond-style, mega-groovy bed of unknown origin.” Favorite piece of furniture: His Vegetal chair from Vitra in black. “I’m a big fan of using outdoor furniture indoors when appropriate.”
A secondary bedroom meant for a child has a partially translucent, curved glass wall.
A secondary bedroom meant for a child has a partially translucent, curved glass wall.
Dan designed the office seating with the capacity to double as overnight accommodations.
Dan designed the office seating with the capacity to double as overnight accommodations.
A pivoting Gyrofocus fireplace, staircase, and elevator shaft organize the social space. Lighting throughout the house is mostly ambient, supplemented by task-oriented lighting.
A pivoting Gyrofocus fireplace, staircase, and elevator shaft organize the social space. Lighting throughout the house is mostly ambient, supplemented by task-oriented lighting.
Based in New York, photographer Brian W. Ferry regularly shoots portraits, travel, interiors, and design stories for international clients and publications including Condé Nast Traveler and WSJ Magazine. For this issue, he captured “Outside Providence,” a story about a coastal Rhode Island getaway. “I was blown away by the skylights throughout the home,” he says. “Watching the light and colors change slowly over the course of the two-day shoot was a real treat—it was like a private James Turrell exhibition.”

What’s your favorite city to visit in the USA?

“I frequently travel to Los Angeles for work and pleasure, and I enjoy every visit. There’s a wonderful art scene, great food, and the ability to spend time outdoors year-round.”
Based in New York, photographer Brian W. Ferry regularly shoots portraits, travel, interiors, and design stories for international clients and publications including Condé Nast Traveler and WSJ Magazine. For this issue, he captured “Outside Providence,” a story about a coastal Rhode Island getaway. “I was blown away by the skylights throughout the home,” he says. “Watching the light and colors change slowly over the course of the two-day shoot was a real treat—it was like a private James Turrell exhibition.” What’s your favorite city to visit in the USA? “I frequently travel to Los Angeles for work and pleasure, and I enjoy every visit. There’s a wonderful art scene, great food, and the ability to spend time outdoors year-round.”
A New York–based photographer who shoots for clients including Condé Nast Traveler and the Wall Street Journal Magazine, Brian W. Ferry loves the perks of Dwell assignments. In one week, he shared lunch alfresco with the owners of the Stanfordville, New York, outbuilding and pizza and wine in São Paulo with the owner and architect of the Jardins apartment.
A New York–based photographer who shoots for clients including Condé Nast Traveler and the Wall Street Journal Magazine, Brian W. Ferry loves the perks of Dwell assignments. In one week, he shared lunch alfresco with the owners of the Stanfordville, New York, outbuilding and pizza and wine in São Paulo with the owner and architect of the Jardins apartment.
Tucked away in a corner of Makati, W-17 is an elegant warehouse space showcasing luxe home wares from the Philippines and beyond. Catch Carabao (Philippine water buffalo) horn salad servers, elegant wood serving bowls trimmed in gold, locally crafted dinner ware, and antique Chinese furniture, along with rugs from New York-based Filipino designer Inigo Elizalde.
Tucked away in a corner of Makati, W-17 is an elegant warehouse space showcasing luxe home wares from the Philippines and beyond. Catch Carabao (Philippine water buffalo) horn salad servers, elegant wood serving bowls trimmed in gold, locally crafted dinner ware, and antique Chinese furniture, along with rugs from New York-based Filipino designer Inigo Elizalde.
Style: "Portrait B&W"
Style: "Portrait B&W"
From the transitional space between the living area and courtyard, the TV room is visible.
From the transitional space between the living area and courtyard, the TV room is visible.
Eli Meir Kaplan/Wonderful Machine for Dwell

The home of Daniel, Sofia, Aliza, and Saul Pink and Jessica Lerner on Friday, June 22 in Washington, DC.
Eli Meir Kaplan/Wonderful Machine for Dwell The home of Daniel, Sofia, Aliza, and Saul Pink and Jessica Lerner on Friday, June 22 in Washington, DC.
Dansk coffee table by Povl Eskildsen for Gloster, $1,545 

A Danish designer who learned the ropes working in his father’s furniture factory brings a sleek Scandinavian touch to a line of outdoor pieces.
Dansk coffee table by Povl Eskildsen for Gloster, $1,545 A Danish designer who learned the ropes working in his father’s furniture factory brings a sleek Scandinavian touch to a line of outdoor pieces.
The reflective marble in the reception area and new Lobby Bar recalls a runway, according to Meyer, injecting life into the entryway while drawing the focus to the bar and the small, circular pods, curtained-off areas where guests can congregate. The reception area also boasts a white spray can mural that plays up a little-known historical fact—the aerosol cans were invented in Chicago in 1883—while referencing the city's spray paint ban.
The reflective marble in the reception area and new Lobby Bar recalls a runway, according to Meyer, injecting life into the entryway while drawing the focus to the bar and the small, circular pods, curtained-off areas where guests can congregate. The reception area also boasts a white spray can mural that plays up a little-known historical fact—the aerosol cans were invented in Chicago in 1883—while referencing the city's spray paint ban.
Ideal for magazines or paperwork, the W Molded Ply Magazine Stand ($149) is equally at home in the living room or the office.
Ideal for magazines or paperwork, the W Molded Ply Magazine Stand ($149) is equally at home in the living room or the office.
Inga Sempé, W103c light, 2010.
Inga Sempé, W103c light, 2010.
Bookmark your reading materials by perching them on the detachable birch resting pole.
Bookmark your reading materials by perching them on the detachable birch resting pole.
CURRENT, the redesigned restaurant, focuses on straight lines and soft tones to amplify the view of the lake.
CURRENT, the redesigned restaurant, focuses on straight lines and soft tones to amplify the view of the lake.
According to Jacobs, the design philosophy was about having a point of view and not necessarily trying to be a perfect fit for everyone.
According to Jacobs, the design philosophy was about having a point of view and not necessarily trying to be a perfect fit for everyone.
The interiors reformulated as part of the W Chicago Lakeshore’s redesign used glass and metal elements to reflect the lakefront and reference the city's burly skyline, according to Will Meyer of interior design firm Meyer Davis.
The interiors reformulated as part of the W Chicago Lakeshore’s redesign used glass and metal elements to reflect the lakefront and reference the city's burly skyline, according to Will Meyer of interior design firm Meyer Davis.
Flavin created minimalist sculptures using commercially available flourescent lights, like the 1977 piece seen here, called (In memory of Sandy Calder)V. Placed side by side, the two primary-colored compositions that comprise it recall the work of Alexander Calder. The bed at the end of the space, Single Bed #32 (Daybed), is one of Judd's furniture designs. 

Image © Judd Foundation; Photo credit: Maris Hutchinson, EPW Studio; Judd Foundation Archive; Flavin artwork © 2015 Stephen Flavin/Artists Rights Society (ARS), New York; courtesy David Zwirner, New York/London; Licensed by VAGA
Flavin created minimalist sculptures using commercially available flourescent lights, like the 1977 piece seen here, called (In memory of Sandy Calder)V. Placed side by side, the two primary-colored compositions that comprise it recall the work of Alexander Calder. The bed at the end of the space, Single Bed #32 (Daybed), is one of Judd's furniture designs. Image © Judd Foundation; Photo credit: Maris Hutchinson, EPW Studio; Judd Foundation Archive; Flavin artwork © 2015 Stephen Flavin/Artists Rights Society (ARS), New York; courtesy David Zwirner, New York/London; Licensed by VAGA
To tackle the challenges of a steep slopping site and a tight budget, architect Dan Rockhill used a slatted exterior screen of Cumaru wood to shields inexpensive metal sidings for this Kansas home.
To tackle the challenges of a steep slopping site and a tight budget, architect Dan Rockhill used a slatted exterior screen of Cumaru wood to shields inexpensive metal sidings for this Kansas home.
Illustration via drawastickman.com.
Illustration via drawastickman.com.
The kitchen in 1220 E. 12th Street House features floor-to-ceiling windows that look out on a serene grove of oak trees. The project was designed by Studio 804, a graduate student architecture and design program led by Dan Rockhill at the University of Kansas.
The kitchen in 1220 E. 12th Street House features floor-to-ceiling windows that look out on a serene grove of oak trees. The project was designed by Studio 804, a graduate student architecture and design program led by Dan Rockhill at the University of Kansas.
Torontonians Dan and Diane Molenaar head north to Drag Lake when they need a weekend away from urban life—though they brought some of the city with them. The mirrored windows that circle the cottage were recycled from two office towers in Toronto.
Torontonians Dan and Diane Molenaar head north to Drag Lake when they need a weekend away from urban life—though they brought some of the city with them. The mirrored windows that circle the cottage were recycled from two office towers in Toronto.
There are few walls in the home that abut, making it difficult to place this neon sculpture—untitled (to the real Dan Hill)—by Dan Flavin.
There are few walls in the home that abut, making it difficult to place this neon sculpture—untitled (to the real Dan Hill)—by Dan Flavin.
Wästberg introduces the w153 lamp by Inga Sempé, a multipurpose little LED number that can be clamped, placed on a flat surface, or mounted on a wall.
Wästberg introduces the w153 lamp by Inga Sempé, a multipurpose little LED number that can be clamped, placed on a flat surface, or mounted on a wall.

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