The office houses the letter “U" as well as cameras.

This wall shelf, made of powder-coated steel and oak, is available in different sizes and colors, all of which give an almost invisible, shadow-box effect when mounted.

An archival photo shows the interior of the detached studio with drafting tables awash in light through the enormous skylight above.

Built in the early 60s, the separate concrete-and-glass studio echoes the original home.

Architect: YAMAMAR Design, Location: San Francisco, California

Tasked with creating a multi-use guest pavilion on a relatively small Northern California vineyard lot that could also host sit down dinners for up to 60 people, designers at Anderson Architects started by asking the key questions: “Where should it be within the property?” “How much floor area do we need for a 60 person dinner?” “How much volume do we need for a basketball court?” “We also always tell ourselves to look at the landscape first, let it dominate and lead it through. The building took the form of a large Napa Valley barn.

Burnt Credenza 07 by Rob Zinn

Walsh and Strongin's living room strikes a more rustic note.

A stone path leads from the backyard, up the hillside, and arrives at the streetside entryway. The rhythmic pattern of the concrete garage, as well as the pedestrian walkway, are front and center. The privacy of the living and sleeping areas, seen at the left through floor-to-ceiling windows, are shielded from public view by the hill and the stone wall.

The master bedroom in Holden Shannon’s unit in Houston’s Row on 25th development features a Nook bed from Blu Dot, a pair of Base table lights by Tom Dixon, and a painting by artist Elva Stewart.

The dresser at the other end of the bedroom is by Paul Frankl; the plywood lounge chair is by Ib Kofod-Larsen; and the huge cork-based floor lamp is from Reeves Antiques.

A pair of mid-century perches by Kofod-Larsen sit beneath a print by Andy Warhol in an upstairs bedroom.

The four neutral shades of the tile are also suitable for outdoor applications.

Just as the stairs use movement to change how residents experience the space, the walls also provide a new and subtle awareness: concrete ridges—seen right—cast changing shadows that mark the passage of the sun. Features like these, in the words of Carmona, “manipulate your experience, bring [a] different consciousness,” and elevate your awareness of the space.

The house is built into the hillside but its top floor entrance is level with the street. The stone wall provides privacy while the garage and a pedestrian walkway—seen exact center, by the tree—bridge the gap.

Ample floor-to-ceiling windows mean residents rarely have to turn on lights during the day. The living room flooring, seen here, also features oak but in warmer tones.

Designed for an artist and entrepreneur client, this guest house features lots of light, access to the outdoors, and an industrial vibe.

At the base of the first floor landing, black recinto volcanic stones divide the first floor’s informal dining area from the living room. This floor also features a bedroom and kitchen while the floor above holds a master bedroom, master bath, two bedrooms, two bathrooms, an entertainment room, and patio. The stairs—which are all-oak—descend to a ground-floor playroom and outdoor deck.

The living area features a Le Bombole ’07 sofa by Mario Bellini for B&B Italia, a Chieftan chair by Finn Juhl, and a rotating hanging stove by FireOrb. The poufs are by Tazi Designs.

Cabin at Longbranch | Olson Kundig

Noise-canceling headphones work by producing sound waves that are 180 degrees out of phase with ambient sound waves, like those coming from airplane engines or air conditioners. Basically, the sounds meet and cancel each other out to produce silence, so only the music can be heard.

The newest version is the QuietComfort 25. They’re a mix of the brand's classic aesthetic and new technology. Hardware updates to the preceding QC 15 including noise regulation that Bose says reduces the “hiss” sometimes associated with noise-canceling headphones.

The Big U is the firm’s ambitious plan to protect Manhattan from a Sandy-like hurricane by ringing the lower half of the island with 10-foot, sculptural berms.

With a minimal and understated look, this floating staircase and landing design evokes a less-is-more philosophy and architectural style. Architect Carlo Gaspari converted a former knife-making workshop in Abruzzo, Italy, into a sophisticated residential property. The design pays homage to the home’s name—Casa del Ferro (the Iron House)—by using iron within the interior design, such as the staircase.

The surrounding green landscape transitions into the interiors

The three-by-12-inch porcelain pieces are inspired by the industrial wood floors of the 1970s, but are of the moment thanks to their subtle grain pattern and versatile applications.

The tiles are ink-jet and cold-glazed porcelain, and are meant to weather slightly over time, like wood.

The tiles range from $10 to $22 per square foot.