Arbel’s “14” sconces spot the wall to ethereal effect in the master bedroom. “I wanted this place to be habitable. One of my greatest criticisms of modern architecture is that it often forgets to make things cozy.”

Nothing but WOW ❤️❤️❤️

The office houses the letter “U" as well as cameras.

The 40-foot-long containers hang 16 feet over the ground. The deep balcony, Gooden says, offers solar protection, keeping strong sunlight out but letting natural light in. The home has three bedrooms, a den, and three and half baths.

A 40 foot by 10 foot pool is designed to echo the house’s tower with an almost reflection-like alignment.

A simple, yet elegant vanity doubles as storage.

The distinctive facade references a traditional thatched English cottage.

This wall shelf, made of powder-coated steel and oak, is available in different sizes and colors, all of which give an almost invisible, shadow-box effect when mounted.

Bow-wow-wow-haus. 〰〰〰〰〰〰〰〰 #MansardMonday ✔️ #DumberWindows ✔️ #Cupola ✔️ #TacoBellArches ✔️ #HalfRoundWindow ✔️ #ChimneyTumor ✔️ All you could ever ask for.

An archival photo shows the interior of the detached studio with drafting tables awash in light through the enormous skylight above.

Built in the early 60s, the separate concrete-and-glass studio echoes the original home.

A stone path leads from the backyard, up the hillside, and arrives at the streetside entryway. The rhythmic pattern of the concrete garage, as well as the pedestrian walkway, are front and center. The privacy of the living and sleeping areas, seen at the left through floor-to-ceiling windows, are shielded from public view by the hill and the stone wall.

Los Angeles–based design firm ORA built this family home in the Mar Vista suburb with two separate buildings: a long, linear home “shaped like a boomerang,” and a bright-red accessory dwelling unit. In the main house, a soothing material palette composed of concrete floors, white walls, and wood is punctuated by spots of color, such as the teal tile backsplash and salmon-toned cabinet in the kitchen, or the sunshine-yellow vanity in one of the bathrooms.

The three kids share a bathroom that's also located in the attic. The penguin basket is from Bloomingville.

Two cabins sit in the vast, empty landscape overlooking the Hekla volcano, around three hours’ drive from Reykjavík. The front part of each cabin—for sleeping—is almost entirely glass, while the rear—where the living, kitchen and bathroom spaces are located—is clad in timber for privacy.

Set in a quiet cul-de-sac in Walnut Grove—a small enclave of Eichlers in Walnut Creek, California—this Claude Oakland–designed Model 14 Eichler truly stands out. With a shingled, hipped roof and a "clipped" gable, the home is designed to reference a traditional thatched English cottage—but we think it looks much more modern than that.

At the northern end of the Stockholm archipelago, a humble cottage becomes a gorgeous seaside retreat for a nature-loving family.

“The transparency and continuity of the spaces allows the landscape, the coast, and the sea to be present at all times,” LLaumett says. While most of the home’s furniture was constructed on site, a sofa by The Popular Design sits in the living room.

Pine was used for the exterior siding and the lower perimeter base is lined in reinforced concrete.

LLaumett refers to the extended patio as its own entity—a calm place to sunbathe or stare out to the ocean at any time of day. It is made of pine and covered in an opaque Osmo glaze. The chairs were constructed by the owners.

“The program of enclosures was developed around a courtyard that is protected from the constant wind. The transparency of the main facade brings the presence of the sea inside the house,” LLaumett says.

A huge rock that Liebermann picked out himself as as a diving board into the pool. Liebermann was very proud to design the house in a way that it reflects in the pool when you first walk in through the front gate. The reflection doubles the size of the house.

The look is tradition with a twist.