The office houses the letter “U" as well as cameras.

This wall shelf, made of powder-coated steel and oak, is available in different sizes and colors, all of which give an almost invisible, shadow-box effect when mounted.

The Lightcycle via Core 77.

An archival photo shows the interior of the detached studio with drafting tables awash in light through the enormous skylight above.

Built in the early 60s, the separate concrete-and-glass studio echoes the original home.

A stone path leads from the backyard, up the hillside, and arrives at the streetside entryway. The rhythmic pattern of the concrete garage, as well as the pedestrian walkway, are front and center. The privacy of the living and sleeping areas, seen at the left through floor-to-ceiling windows, are shielded from public view by the hill and the stone wall.

The four neutral shades of the tile are also suitable for outdoor applications.

Just as the stairs use movement to change how residents experience the space, the walls also provide a new and subtle awareness: concrete ridges—seen right—cast changing shadows that mark the passage of the sun. Features like these, in the words of Carmona, “manipulate your experience, bring [a] different consciousness,” and elevate your awareness of the space.

The house is built into the hillside but its top floor entrance is level with the street. The stone wall provides privacy while the garage and a pedestrian walkway—seen exact center, by the tree—bridge the gap.

Ample floor-to-ceiling windows mean residents rarely have to turn on lights during the day. The living room flooring, seen here, also features oak but in warmer tones.

The bar showcases many green products. The bar top, made at the 19 greek street gallery, is fashioned from recycled glass, and the chairs, from both Out of the Dark and Studio deForm, are fashioned from upcycled material.

Another view of the mezzanine. Rough brick walls add texture and old-world charm.

According to Ndoro, LIBRARY will “provide a much-needed space for the pioneering design community of the capital and beyond.” This room features a collection of eclectic Middle Eastern and African pieces, according to 19 greek street founder and creative director Marc Peridis. The curvaceous M'Afrique Shadowy Chair by Moroso is made by Senegalese craftsman, the rug and vases are fashioned from recycled African fabric. The two Papillon chairs near the window are by Karen Chekerdjian, a designer based in Lebanon.

Designed for an artist and entrepreneur client, this guest house features lots of light, access to the outdoors, and an industrial vibe.

At the base of the first floor landing, black recinto volcanic stones divide the first floor’s informal dining area from the living room. This floor also features a bedroom and kitchen while the floor above holds a master bedroom, master bath, two bedrooms, two bathrooms, an entertainment room, and patio. The stairs—which are all-oak—descend to a ground-floor playroom and outdoor deck.

Another view of the bar, showcasing the recycled-glass bar top. Designer Chris Duffy made the bar tables against the wall.

Samsung developed its Club des Chefs line of kitchen appliances with input from Michelin star-rated chefs.

Peridis turned a small room that wasn't quite big enough for a guest into a chair showcase, which includes the Chubby chair by Dirk Vander Kooij and the leaning 8.5 by Rasmus Baekkel Fex.

The blocky Preston Club is a a resin chair with castors and plush Italian leather cushions. The best part? Interior illumination is available upon request.

Reading Club 2000 in Manila, Philippines-Reading Club 2000 began when Hernando Guanlao—known to friends and neighbors as Nanie—sought out a way to honor the memory of his parents, who instilled in him the love for reading. He set old textbooks of his own outside his Manila home to see if others would be interested in borrowing them. They were. 12 years later, Nanie's library now contains somewhere around 2,500 books (he doesn't know the exact count), and he even runs a "book bike" service, where he delivers reading material to the poorest communities in Manila. Photo: Ms. Ma. Patricia Nabong

Jensen-Lewis’ Clubber offers a retro feel and a quick conversion. The barely-there chrome legs present a nice alternative to the heftier sofa beds of yore.

Ronald Ndoro wants to “create a home for the vibrant literary community” with LIBRARY, a members-only club. The entryway features marble Bust Chairs by Tomas Libertiny and a table by Jaime Hayon for Se London.

The Big U is the firm’s ambitious plan to protect Manhattan from a Sandy-like hurricane by ringing the lower half of the island with 10-foot, sculptural berms.

The open dining space accommodates groups such as Fashandi’s book club with ease.

The three-by-12-inch porcelain pieces are inspired by the industrial wood floors of the 1970s, but are of the moment thanks to their subtle grain pattern and versatile applications.

The tiles are ink-jet and cold-glazed porcelain, and are meant to weather slightly over time, like wood.

The tiles range from $10 to $22 per square foot.

“We kept the tones very neutral because we wanted the colors of the garden to come through,” Ong says. “Light also plays an important role here, and again the neutral tones help highlight the changes in the light and sky.” Ong’s team used Melbourne's Ajar Furniture and Design store to supply the home's furnishings, and this Marcel Breuer Club Chair Model B3 sits off the dining room.

The dining area features a PH5 pendant by Poul Henningsen for Louis Poulsen, a T12 table by Hay, and Møller Model 77 side chairs. A 1960s rocking chair by Vladimir Kagan sets off the living area.

Racquet Club Road Estates by William Krisel.

Rotating art exhibitions will be the purview of Tani Burns and Andrew Hancock of Art Naked, while Cecily Mullins and Nicola Robinson will handle cultural programming. The club's actual library features a bespoke bench and Bala tables by Jaime Hayon.

David Rockwell's Valet collection for Stellar Works features exposed frames with leather and matte-brass detailing.