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A look at the small reading nook located on the level between the bedroom and ground floor.
A look at the small reading nook located on the level between the bedroom and ground floor.
Perched just above the edge of the Narrows, the house is an ideal place to live surrounded by the wild beauty of Ketchikan.
Perched just above the edge of the Narrows, the house is an ideal place to live surrounded by the wild beauty of Ketchikan.
“A building can have far greater impact than the space it stands in.”—William Carpenter, architect and resident
“A building can have far greater impact than the space it stands in.”—William Carpenter, architect and resident
New zoning allowed for a zero-lot-line structure, but required a public storefront, which Carpenter uses as an art gallery.
New zoning allowed for a zero-lot-line structure, but required a public storefront, which Carpenter uses as an art gallery.
Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.
Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.
Bil’ak collaborated with Mark Thomson, art director at HarperCollins, on a new set of dictionaries that exclusively employ the Bil’ak-designed font Fedra.
Bil’ak collaborated with Mark Thomson, art director at HarperCollins, on a new set of dictionaries that exclusively employ the Bil’ak-designed font Fedra.
A little Scandinavia in SoCal: AK Restaurant + Bar in Venice, CA
A little Scandinavia in SoCal: AK Restaurant + Bar in Venice, CA
Along with creative craft cocktails coming from the bar, the on-site restaurant serves Pacific Rim and American comfort food. Jewelry designer Anne Korte of AK Studio made the custom curtain for the project.
Along with creative craft cocktails coming from the bar, the on-site restaurant serves Pacific Rim and American comfort food. Jewelry designer Anne Korte of AK Studio made the custom curtain for the project.
Like New York City, the fair is organized as a grid of blocks, punctuated by open spaces that provide places of social interaction. Also meant to combat "fair fatigue," Bade Stageberg Cox's L x W x D benches, extraordinarily simple in geometry, are "activated" only once they are populated by people sitting, lounging, or reclining on them.
Like New York City, the fair is organized as a grid of blocks, punctuated by open spaces that provide places of social interaction. Also meant to combat "fair fatigue," Bade Stageberg Cox's L x W x D benches, extraordinarily simple in geometry, are "activated" only once they are populated by people sitting, lounging, or reclining on them.
The two tiny homes were designed by CAST Architecture.
The two tiny homes were designed by CAST Architecture.
5.0.2
5.0.2
Bil’ak’s designs for the 39- and 78-eurocent stamps were inspired by the patchwork of the Dutch landscape as seen from the air. The width of each letter, set in Bil’ak’s Fedra Serif, determines the width of the surrounding color block, echoing the centuries-old art of metal typesetting. Bil’ak sees the stamps as an homage to Dutch traditions.
Bil’ak’s designs for the 39- and 78-eurocent stamps were inspired by the patchwork of the Dutch landscape as seen from the air. The width of each letter, set in Bil’ak’s Fedra Serif, determines the width of the surrounding color block, echoing the centuries-old art of metal typesetting. Bil’ak sees the stamps as an homage to Dutch traditions.
Bil’ak designed the NDT Choreography Workshop poster using dancers to spell out “workshop.”
Bil’ak designed the NDT Choreography Workshop poster using dancers to spell out “workshop.”
Beyerdynamic AK T8iE in-ear headphones
Beyerdynamic AK T8iE in-ear headphones
Peter Bil’ak started the type foundry Typotheque with his wife and business partner Johanna in 1999.
Peter Bil’ak started the type foundry Typotheque with his wife and business partner Johanna in 1999.
Inspirational spaces
Inspirational spaces
In Bil’ak’s studio, he and his staff assemble and hand-draw the cover for issue #7.
In Bil’ak’s studio, he and his staff assemble and hand-draw the cover for issue #7.
Bil’ak takes a meticulous approach to Arabic type design, although he is unaware of the words’ meaning.
Bil’ak takes a meticulous approach to Arabic type design, although he is unaware of the words’ meaning.
➤Website: usabuysmm.com ➤Telegram: @usabuysmm ➤WhatsApp: +19292439320 ➤Email: usabuysmm@gmail.com
➤Website: usabuysmm.com ➤Telegram: @usabuysmm ➤WhatsApp: +19292439320 ➤Email: usabuysmm@gmail.com
Bathroom of the Freunde von Freunden X Vitra Apartment Hanging plants and an open shower accentuate the bathroom’s light, airy layout. Sink by Alape, shower and fixtures by Dallmer and Dornbracht. Photo by Steve Herud
Bathroom of the Freunde von Freunden X Vitra Apartment Hanging plants and an open shower accentuate the bathroom’s light, airy layout. Sink by Alape, shower and fixtures by Dallmer and Dornbracht. Photo by Steve Herud
Bil’ak takes a meticulous approach to Arabic type design, although he is unaware of the words’ meaning.
Bil’ak takes a meticulous approach to Arabic type design, although he is unaware of the words’ meaning.
The W.W. Stool by Philippe Starck.
The W.W. Stool by Philippe Starck.
Bil’ak conceived of the dance performance Due a due, in which what appears to be a dancer’s shadow is in fact a projection of another dancer.
Bil’ak conceived of the dance performance Due a due, in which what appears to be a dancer’s shadow is in fact a projection of another dancer.
Paul Brown's plotter drawing "BIGDIM / 0 10 10 0 0 0 / 200,120 / 11,969" is an intricate progression and deconstruction of geometric shapes. 1979, from Digital Pioneers.
Paul Brown's plotter drawing "BIGDIM / 0 10 10 0 0 0 / 200,120 / 11,969" is an intricate progression and deconstruction of geometric shapes. 1979, from Digital Pioneers.
British artist Hannah Sawtell and technologist Avi Flombaum created sawbaum.com, where users can create visual collages using multiple vine streams. "We wanted it to look like a visual comic book, with overlapping panels," said Flombaum. "And we wanted it to be fun!" Photo courtesy Rhizome.
British artist Hannah Sawtell and technologist Avi Flombaum created sawbaum.com, where users can create visual collages using multiple vine streams. "We wanted it to look like a visual comic book, with overlapping panels," said Flombaum. "And we wanted it to be fun!" Photo courtesy Rhizome.
2x Glass Bowl by Assembly Broken glass shards are embedded—and blunted—in this deceptively safe bowl that’s mouth-blown, molded, cut, and polished.
2x Glass Bowl by Assembly Broken glass shards are embedded—and blunted—in this deceptively safe bowl that’s mouth-blown, molded, cut, and polished.
Anna Lynett Moss and Farrah Sit unveiled two glass tables and two leather-and-metal chairs at NYC Design Week 2015.
Anna Lynett Moss and Farrah Sit unveiled two glass tables and two leather-and-metal chairs at NYC Design Week 2015.
The courtyard is a secure space with a double-height window that offers seamless interior-exterior connection. “It gives a nice sense of containment and peace, while still engaging interior spaces,” says Cashman.
The courtyard is a secure space with a double-height window that offers seamless interior-exterior connection. “It gives a nice sense of containment and peace, while still engaging interior spaces,” says Cashman.
Steel strips form a security screen on the street side of the scullery. One can also hang pots and pans from them. A skylight filters illumination through glass block flooring to the basement below.
Steel strips form a security screen on the street side of the scullery. One can also hang pots and pans from them. A skylight filters illumination through glass block flooring to the basement below.
The kitchen is accessible from a raised courtyard across from the main living space. “The double exhaust hood looks like an old industrial gantry,” remarks Cashman. Sandblasted brick and sandstone from the original warehouse dialogue with floating white and grey cabinetry.
The kitchen is accessible from a raised courtyard across from the main living space. “The double exhaust hood looks like an old industrial gantry,” remarks Cashman. Sandblasted brick and sandstone from the original warehouse dialogue with floating white and grey cabinetry.
“The biggest design challenge was the facade,” says architect Mark Cashman. “It had to step back from the street and recede to give prominence to the heritage status warehouse facade.” Above the translucent bedroom level, a balcony with a herb garden steps back further. From the rooftop garden, downtown Sydney comes into full view.
“The biggest design challenge was the facade,” says architect Mark Cashman. “It had to step back from the street and recede to give prominence to the heritage status warehouse facade.” Above the translucent bedroom level, a balcony with a herb garden steps back further. From the rooftop garden, downtown Sydney comes into full view.

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