A trio of Djinn Chairs by French designer Olivier Mourgue from 2001: A Space Odyssey (1968), lay atop light boxes.

Outside view of the A Clockwork Orange (1971) section of the exhibition.

The Adler typewriter Jack Torrance (played by Jack Nicholson) used to type with.

A copy of MAD Magazine's "A Crockwork Lemon," June 1973.

A zoomed-in color slide from Lolita (1962), made possible by a sliding viewer.

Scribbles and edits on The Killing (1956) manuscript.

Upon walking into the exhibition, two films are projected side by side (seen here, Kubrick's 1980 horror classic, The Shining) in a big, dark room. Visitors can either sit and marvel or merely pass on by.

Memorabilia from Full Metal Jacket (1987), such as Gustav Hasford's The Short Timers, Kubrick's script notes, and Private Joker's original props.

Jack's famous repeated sentences actually first originated from 17th-century writer James Howell's Proverbs in English, Italian, French and Spanish (1659).

The director's career in film, in the form of posters, line the wall.

The infamous Grady Twins from The Shining (1980) look unfazed, as a small group of visitors focus on an exhibition reading.

The original Moonwatcher costume from 2001: A Space Odyssey (1968).

The original Spacesuit from 2001: A Space Odyssey (1968).

The original dresses and shoes of the Grady sisters.

Kubrick's wooden director's chair.

A reproduction mannequin of the Korova Milk Bar maid from A Clockwork Orange (1971).

A variety of different camera lenses used by the late director.

A reproduction model of the Discovery spaceship from 2001: A Space Odyssey (1968) floats above some of the film's memorabilia.

The research library containing 217 books for Napoleon, sadly one of several of the director's unrealized projects.

Production design sketches by John Barry for A Clockwork Orange (1971).

An animation by Andy Featherston plays inside David Bowman (played by Keir Dullea)'s original helmet from 2001: A Space Odyssey (1968).

A peek inside a reproduction model by Workshop Jörg Kallmeyer, Frankfurt am Main of the War Room featured in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964).

The entrance to the exhibition, housed inside the Art of the Americas Building at the Los Angeles County Museum of Art.

A line-up of Sasco cards (filing cards assembled into a chart) for 2001: A Space Odyssey (1968).

Left and center: Original uniforms of French regimental soldiers and Right: Original costume of Barry Lyndon for Kubrick's period film, Barry Lyndon (1975).

“A building can have far greater impact than the space it stands in.”—William Carpenter, architect and resident

Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.

The owners toured this home, which surrounds a mature tipu tipu tree, while visiting relatives for the day. The brick is original to the 1947 construction.

New zoning allowed for a zero-lot-line structure, but required a public storefront, which Carpenter uses as an art gallery.

Sliding doors by Quantum were made to look like the original panes that couldn't be saved, and they lead to a fire pit outside.

See Arch restored the exterior fireplace wall and painted it a deep blue hue to match the repainted blue timber cladding.

The bath’s Kohler Purist fixtures and Frederick Weinberg animal figures sit on a Corian countertop

The Airstream Haus’s interior is minimalist, but comfortable, boasting a fully functional kitchen and queen-size bed that doubles as a couch.