Art and data infuse at every step to create a beautiful, but connected airport of the future in Singapore.

Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.

The owners toured this home, which surrounds a mature tipu tipu tree, while visiting relatives for the day. The brick is original to the 1947 construction.

Sliding doors by Quantum were made to look like the original panes that couldn't be saved, and they lead to a fire pit outside.

“A building can have far greater impact than the space it stands in.”—William Carpenter, architect and resident

New zoning allowed for a zero-lot-line structure, but required a public storefront, which Carpenter uses as an art gallery.

Because this house, in a converted 19th-century Singapore shophouse, is narrow and long (16 by 68 feet), the design team decided to create a huge open-air space to light the interior naturally. Two retractable motor-driven canvas canopies shelter the space during Singapore’s frequent rains. Photo by Richard Powers. Learn more about the challenges of the renovation.

“Shophouses brought back memories of our childhoods, of open back doors and neighbors and relatives wandering in and out of the kitchen and cooking and eating and coming and going whether you liked it or not.”—Yang Yeo

See Arch restored the exterior fireplace wall and painted it a deep blue hue to match the repainted blue timber cladding.

Oxley (Singapore) Architect: LAUD Architects Category: Housing

The bath’s Kohler Purist fixtures and Frederick Weinberg animal figures sit on a Corian countertop

The Airstream Haus’s interior is minimalist, but comfortable, boasting a fully functional kitchen and queen-size bed that doubles as a couch.

The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.

The Airstream Haus, parked in Ojai, California. August says that when your dwelling is small, it’s important to make the most of outdoor space.

The POD (Singapore) Any comparisons to hostels stops at the door of The POD, the sleek bachelor pad of capsule dwelling. Singapore firm Frameworkz designed every detail in this minimalist but posh set up, from the marble vanities to the beds boasting high threadcount sheets. Photo by The Pod

Timothy Beatley, a professor of sustainable communities at the University of Virginia, says hospitals should be community centers. "[Khoo Teck Phuat Hospital in Singapore] makes me hopeful because it shows how healthcare facilities can be designed to include nature," he says. "While there is no recorded evidence, my gut feeling is that this building does heal. This is a hospital people want to be in."

Another view of the same building, now looking upwards. Seven of the world's largest megacities (such as Singapore) are located in the tropics. As the climate changes and these cities grow, how urban architecture interacts with the environment will only become more important. "WOHA’s future prospects for vertical villages serve as an enlightening template for architects, designers, and engineers, as well as developers and investors," says the Skyscraper Museum.

Wat Ananda Metyarama Thai Buddhist Temple (Singapore) Architect: Czarl Architects Category: Religion

Ian and Yeo’s house was uninhabitable when they purchased it in 2002. Three months later, the roof caved in. The translation of the sign above the door of the couple’s renovated house (right) is “peace.”

“I really believe buildings are part of a city as an organism.”—William Carpenter, architect and resident

No less than twelve of WOHA's designs—what the museum calls "vertical ecosystems"—will be on display at the exhibit. Multimedia displays, including architectural models, will showcase how these projects break the conventions of skyscraper design: unlike the Miesian tower, they are hardly hermetic and sealed from nature. Seen here is the firm's PARKROYAL on Pickering, in Singapore. The nearly 300-foot-tall hotel and office building features these sculptural outdoor gardens.

Black and white kitchen tiles add visual interest to this stunning modern kitchen by IKEA.

Though plans are still being developed, a 14.9-mile unused railway in Singapore is set to be recast as a series of community spaces. Pictured is a rendering of a rock-climbing area by Nikken Sekkei.

Neutra's Kaufmann home was initially designed for living just two months out of the year. Yet after the original owner passed, future tenants attempted to retrofit the space for year-long use. An air conditioning unit was placed atop the roof, and square footage was added, enclosing this courtyard. To return it to its original state, the current owner underwent a five-year restoration and reopened this courtyard to honor the original design. Photo: Tim Street-Porter

The first step was to tear out the existing wall-to-wall carpeting and replace it with cabin-grade, oak flooring to give the house a classic feel and to help anchor the more modern walls and trim. They ordered the flooring from a large company and despite it being the cheapest option offered, the total expense came to $2,300 for materials, making the wood floors—according to Anderson—their biggest splurge.

The apartment is accessed via an old freight elevator. The cabinetry around the elevator entrance—including a massive bookshelf and storage space—is black, contrasting with the white brick walls and the white oak joinery.

Pleased with the pop-up they designed last summer, Frame approached i29 again this fall to construct a more long-term installation: a shop meant to evoke a 3-D walk through of an issue of their magazine.

Dump Truck by Green Toys, $20.

Fashion-tech designer Anouk Wipprecht’s white Spider Dress 2.0 was developed with Philip Wilck along the lines of a previous dress she made inspired by arachnids. The 3D-printed robotic garment with eight jointed arms (activated by sensors and Intel Edison chips with artificial bio-signal intelligence) protects the wearer. Depending on the wearer's mood—agitated or pleased—the arms of the dress spring upward to ward off intrusions.

Part of the PIXEL series, the Ripple 2.0 Coffee Table, shown in walnut with powder coated steel pulls, takes the same inspiration of the movement created by a ripple of water and brings it to a different, slightly darker, place by using a different kind of wood and pixelating the motif further.

The floor tile is from Virginia Tile, while the wall tile is from Daltile.

See Arch replaced many of the original single-pane wood windows with new thermally broken aluminum windows. They also painted the exterior.