Cavern is a bicoastal design firm specializing in wallpaper. They are environmentally friendly and silk-screen their unique designs by hand. One of the new designs, I see you, features a google eye pattern on which people can draw their own creations. $155 per roll.

"Beauty," Olafur Eliasson, 1993. In this work, a spotlight shines through a layer of mist to create a rainbow that's only visible from certain angles.

20050712_overway 061

1993, Pierluigi Cerri.

Here you can see the two wood covers and the stitched binding.

“Creating efficient space is valuable, but for us, rooms that offer visual and spatial continuity with nature are also important,” architect Julie Dowling explains. “When the sliding doors are open, the living room and kitchen double in size.”

Here you can see the carport just on the other side of the exterior wall.

Each time you look in any direction you'll see something new. The streets seem to go on forever.

A photo of Verner Panton from 1993. © Panton Design, Basel

Spado Architects completed the home in 2012.

This "See America" poster, commissioned by Print Collection, is modeled after the posters made by the Works Progress Administration in the 30s to encourage Americans to engage in domestic tourism by visiting National Parks. Buy it here.

Here you can see just how close you are to the pond once you open a window. The lily pads were really at full tilt and in the distance in the water you can see unit blocks that guests can walk on quite far out into the water.

Here you can see the corner of Main Street that the new structure hopes to activate.

As you can see, one chair is but a single unit in a much larger structural system.

Looking up you hardly even see the sky for the intense thicket of branches and leaves.

Vitra Fire Station, Weil am Rhein, Germany, 1993

Swede Motion With no Ikea in Hawaii, the Gambys took advantage of a trip to Los Angeles during construction to pick up their kitchen cabinets—simple models made of glass, plywood, and particleboard. They shipped the cabinets to the island and, à la all things Ikea, put them together onsite, situating them high above the counter. ikea.com

Now you see it, now you don't. Infinity Drain's new TileDrain is designed to disappear into your tile work.

You can see how the new building, with its rippling facade, faces into the city block.

From the sitting room you can see into the bedroom, with its strip of window in the ceiling. From the kitchen table you have a view of the bathroom and the lofted living space above. "You can see the stairs from your bed," Rintala says.

Ray sits at the central hearth on the north end of the comfortable sunken living area. From this perspective, you can see how the interior spaces flow into one another, passing one half-level up into the breakfast nook and kitchen and out from there onto the overgrown hillside. The various built-in furnishings have all been there since the house's construction.

For the Dwell Fan: Learn what reading essentials editor-in-chief Amanda Dameron put in the fifty boxes of books she took with her when she moved to New York last year.

As you ascend towards the roof, the house becomes increasingly transparent.

20050712_overway 052

After: The living room overlooks the great room below. Now when you walk in the house, you can see clear out to the trees in the back—an idea sparked by an interior designer friend who commented that the most important aspect of a design is what you see when you walk in the front door.

"You can see that language is still there with the sort of two pitched roofs. There is another pitched roof behind that as well, which is the main extension at the back of the house, but you can't really see it from the street,

He asserts that Oubrerie “did everything he ever wanted to do here. The more you experience the house, the more intensely you will see the assemblage. “He went to great pains so that you would ultimately see differences in what at first seem repeatable instances.” Visible in the stairs, the underside of balconies, the infill of railings, they are all handled oppositely, with different mountings—“conditions, conditions, conditions, it’s almost baroque. Ornament on top of ornament.”

Here are the set of stairs you see when you enter the hotel. Hard to imagine a better set of mid-century bones. Unfortunately the architect is not known.

Here you can see the massive construction going on at Victoria Hospital just behind Maggie's Center.

Here you see a worker leaving the shop, likely heading out to a parked car to sell paan.

Here's my first glimpse of the house. You can barely see it, right? That's the point.

20050712_overway 040

Created with the use of Processing, this is the touchscreen interface with which you can independently control the position of each leg. As you can see, you can tell it which direction you want it to walk, and how much to turn left or right (with three legs on the ground at all times for stability, moving at a maximum speed of 60 meters per hour).

"I think you tend to see creatives reflecting a lot of their values in their work not because it's the responsible thing to do but because creating is such an innate behavior for humans," says Dao. "Where you start to see the separation between values and the work is when you add a commercial aspect. There's a reason why you don't really see an artist's values within ads. And sadly, we only see a handful of filmmakers and musicians who have the luxury of true creative license. Everything else is just focused-grouped or nitpicked to a sucky death. At the moment, we're just focusing on Occupy George, but the project has introduced us to some really smart and ambitious people who want to contribute something to this movement. So hopefully, we'll be able to create something fun together."

When you’ve got your stamp the way you want it, you’re ready to ink it up.

One of Pentagram's illustrated "See Opposites" antigrams.