Their creative confections may ruin our diets, but we’re happy to be their taste testers anytime.

In 1962, Skidmore, Owings & Merrill architect Arthur Witthoefft won the AIA's highest honor for a home he built in the lush woods of Westchester County. Having fended off a developer's wrecking ball, Todd Goddard and Andrew Mandolene went above and beyond to make this manse mint again.

“The stable/garage was built with two intersecting gable roof forms," Schaer says, which didn't match up with the inteiror spaces within. “In order to provide a unified, singular main space, we dropped a flat ceiling at the entrance and linked it up with the main gable visible from the street.”

To allude to the nearby ocean, the architects designed a seaweed patterned for the interior of the garage door (seen here raised). It successfully reads like a leather padded wall and makes “the cube” feel that much more customized.

The exterior mixes pale gray wood on the vertical volume, and fiber cement and black brick on the horiztonal volume. The three trees in the front yard were maintained during the renovation process.

"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."

The budget was nearly as tight as the space in this cheerful renovation of a 516-square-foot flat in Bratislava. The centerpiece of Lukáš Kordík’s new kitchen is the cabinetry surrounding the sink, a feat he managed by altering the facing and pulls of an off-the-rack Ikea system. The laminate offers a good punch of blue, and in modernist fashion, Kordík forwent door handles in favor of cutouts. “I wanted the kitchen to be one simple block of color without any additional design,” he says.

At street level, the wooden garage door opens its toothed maw.

The home’s interior design, featured in Vogue and widely celebrated, was an unusual foray into residential surrealism by Le Corbusier and his cousin, Pierre Jeanneret.

Of the seven steps in Michael Pozner’s not-quite-500-square-foot aerie in Greenwich Village, five contain drawers. His small set of table and chairs is from CB2.

By creating a desk out of roof beams, this home office perfectly integrates into an open-plan renovation of a Northern Italian farmhouse.

Across from the entrance is the main staircase, which leads to the bedrooms.

The property is comprised of a succession of buildings that extend from the street-facing entrance. The 1,215-square-foot main house is the last of the three.

“We really wanted to capture the ruinous quality of this old building rather than do something overtly new,” says Greg Blee, founding partner at Blee Halligan Architects. Before construction could begin, however, he and Halligan had to patch the remaining walls using stones found in the nearby river. Wherever a wall had collapsed, the designers inserted framing to create windows and doors. For the roof, they turned to the original tiles. “My father’s terrible at throwing things away,” Blee says. “We took the tiles off 30 years ago, as it was too dangerous to have them up there. They’ve been sitting in the fields ever since, and this was our last chance to use them.”

Tips for Living in a Small Space: Blogger Erin Boyle breaks down her 240-square-foot studio where she and her husband live to share her best small-space secrets. From A Cup of Jo.

In the main bathroom, Art Deco crown molding reminds residents of the house’s past. New fixtures include white laminate cabinets and sinks and faucets by Roger Seller.

The renovated house is outfitted with a sauna.

Chicago architect Brad Lynch demolished the 1940s bungalow he’d been sharing with his family for nearly two decades, and in its place built a brick-clad structure that would function as a modern counterpoint to its more traditional neighbors.

Using natural materials is one way of bringing nature indoors. Oiled white ash floors and ceilings, along with Italian poplar and Lawson cypress joinery, are found throughout architect Andrew Simpson’s 538-square-foot home outside Wellington, New Zealand.

In their concrete-walled courtyard, Yuka and Aaron watch as twins Emerson and Jasper, daughters Maude and Mirene, and Alfie the dog play. The house is painted in Black Bean Soup by Benjamin Moore, a color in keeping with the period of the original architecture. The garden was designed by Lauren Hall-Behrens of Lilyvilla Gardens.

The kitchen features a distinctive cantilevered countertop.

A new staircase turns a corner at the large stone chimney, an element of the original house that the designers were careful to preserve.

The former dining room is now home to Russell and Fontanez’s custom kitchen, designed by LOT-EK and fabricated by Chef Restaurant Supplies. “We love to entertain,” Russell says. “Before, the galley kitchen was in the hallway; now we can cook and still be a part of the party.” The space-saving setup, which adjoins the living room, features stainless steel–paneled cabinets, DuPont Corian countertops, Onda stools by Jesus Gasca for Stua, and fixtures and appliances by Grohe, Liebherr, and Miele. To maximize space, the designers specified that the cabinets be built around a former fireplace in the kitchen. “Because there’s a bump out where the chimney is, we turned the sink lengthwise,” Lignano says. “The cabinet directly overhead is only four inches deep, so it’s just a huge spice rack.” The island provides ample additional storage.

A clear railing follows the stairs to the second floor.

The architecture firm Open Form and the interior design firm Clairoux collaborated on this modern update of a 1950s-era house in Laval, Quebec, north of Montreal.

On a side wall, sleek barn doors open to reveal a storage area for bikes. Stairs near the garage entrance, which features a door from Renlita, lead to a vaulted loft that was originally intended as an exercise room but is now used by Rakesh as an office.

The bedroom—accessible via the living room—is where the couple will place a bassinet for their newborn.

Green roofs are aesthetically pleasing and have multiple positive environmental benefits, even if they are small in terms of square footage. Here, a green roof blooms atop the detached garage of a home.

The backyard sports a sequence of raised flower and vegetable beds and two green roofs—one atop the workshop and other atop the back entrance.

Some 35 percent of the materials from the renovation were resurrected in the yard: Redwood panels became fencing. Blocks cut from original concrete patios form the snake wall. And Purdy plans to crochet colorful cozies over various branches and stumps.

The architects and interior designers did away with the home's cramped, darkened layout and recast the interior as an open space defined by clean lines.

Designed by Jagoda, the door swings open to fit in front of a bookshelf.

A cedar clad garage door.

The darker gray garage door offers a chromatic and textural contrast to the concrete shell.

A new garage is topped with a master suite and clad in James Hardie Scyon Linea boards painted a dark color, Dulux Monument.