Arbel’s “14” sconces spot the wall to ethereal effect in the master bedroom. “I wanted this place to be habitable. One of my greatest criticisms of modern architecture is that it often forgets to make things cozy.”
Arbel’s “14” sconces spot the wall to ethereal effect in the master bedroom. “I wanted this place to be habitable. One of my greatest criticisms of modern architecture is that it often forgets to make things cozy.”
House O, designed by Jun Igarashi, forgoes hallways and interior doors in favor of casually interconnected rooms.
House O, designed by Jun Igarashi, forgoes hallways and interior doors in favor of casually interconnected rooms.
The 40-foot-long containers hang 16 feet over the ground. The deep balcony, Gooden says, offers solar protection, keeping strong sunlight out but letting natural light in.  The home has three bedrooms, a den, and three and half baths.
The 40-foot-long containers hang 16 feet over the ground. The deep balcony, Gooden says, offers solar protection, keeping strong sunlight out but letting natural light in. The home has three bedrooms, a den, and three and half baths.
A 40 foot by 10 foot pool is designed to echo the house’s tower with an almost reflection-like alignment.
A 40 foot by 10 foot pool is designed to echo the house’s tower with an almost reflection-like alignment.
A simple, yet elegant vanity doubles as storage.
A simple, yet elegant vanity doubles as storage.
The distinctive facade references a traditional thatched English cottage.
The distinctive facade references a traditional thatched English cottage.
Sleeping nooks that look like the grooves in a block of cheese.
Sleeping nooks that look like the grooves in a block of cheese.
A passage between the walls for hide and seek.
A passage between the walls for hide and seek.
The addition’s two stories of cedar-framed sliding doors and window provide generous views of the house’s prized jacaranda tree. The addition’s polished concrete floor and white cladding extend into the garden, drawing occupants to the serene rear porch. There, they can relax on stools designed by Alvar Aalto and Charles Wilson while admiring the luscious greenery.
The addition’s two stories of cedar-framed sliding doors and window provide generous views of the house’s prized jacaranda tree. The addition’s polished concrete floor and white cladding extend into the garden, drawing occupants to the serene rear porch. There, they can relax on stools designed by Alvar Aalto and Charles Wilson while admiring the luscious greenery.
Los Angeles–based design firm ORA built this family home in the Mar Vista suburb with two separate buildings: a long, linear home “shaped like a boomerang,” and a bright-red accessory dwelling unit. In the main house, a soothing material palette composed of concrete floors, white walls, and wood is punctuated by spots of color, such as the teal tile backsplash and salmon-toned cabinet in the kitchen, or the sunshine-yellow vanity in one of the bathrooms.
Los Angeles–based design firm ORA built this family home in the Mar Vista suburb with two separate buildings: a long, linear home “shaped like a boomerang,” and a bright-red accessory dwelling unit. In the main house, a soothing material palette composed of concrete floors, white walls, and wood is punctuated by spots of color, such as the teal tile backsplash and salmon-toned cabinet in the kitchen, or the sunshine-yellow vanity in one of the bathrooms.
The three kids share a bathroom that's also located in the attic. The penguin basket is from Bloomingville.
The three kids share a bathroom that's also located in the attic. The penguin basket is from Bloomingville.
Two cabins sit in the vast, empty landscape overlooking the Hekla volcano, around three hours’ drive from Reykjavík. The front part of each cabin—for sleeping—is almost entirely glass, while the rear—where the living, kitchen and bathroom spaces are located—is clad in timber for privacy.
Two cabins sit in the vast, empty landscape overlooking the Hekla volcano, around three hours’ drive from Reykjavík. The front part of each cabin—for sleeping—is almost entirely glass, while the rear—where the living, kitchen and bathroom spaces are located—is clad in timber for privacy.
Set in a quiet cul-de-sac in Walnut Grove—a small enclave of Eichlers in Walnut Creek, California—this Claude Oakland–designed Model 14 Eichler truly stands out. With a shingled, hipped roof and a "clipped" gable, the home is designed to reference a traditional thatched English cottage—but we think it looks much more modern than that.
Set in a quiet cul-de-sac in Walnut Grove—a small enclave of Eichlers in Walnut Creek, California—this Claude Oakland–designed Model 14 Eichler truly stands out. With a shingled, hipped roof and a "clipped" gable, the home is designed to reference a traditional thatched English cottage—but we think it looks much more modern than that.
At the northern end of the Stockholm archipelago, a humble cottage becomes a gorgeous seaside retreat for a nature-loving family.
At the northern end of the Stockholm archipelago, a humble cottage becomes a gorgeous seaside retreat for a nature-loving family.
“The transparency and continuity of the spaces allows the landscape, the coast, and the sea to be present at all times,” LLaumett says. While most of the home’s furniture was constructed on site, a sofa by The Popular Design sits in the living room.
“The transparency and continuity of the spaces allows the landscape, the coast, and the sea to be present at all times,” LLaumett says. While most of the home’s furniture was constructed on site, a sofa by The Popular Design sits in the living room.

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