Here's a detail shot of the stool. The leather comes in four options—black, chocolate, tobacco, and saddle—and the brightly hued backing fabric comes in ten—sky, radish, egg yolk, cream, camel, charchol, sand, mocha, chocolate, and black.

Architect Ulrich Hamann's rendering of the new addition to the Lenbachhaus Museum and Gallery; the Stadtische Galerie Im Lenbachhaus. Image courtesy of Lenbachhaus Gallery and Museum.

Because their loft is a rental, David and Im Schafer built everything to be removable.

Inspirational spaces

I.M. Pei, Luce Memorial Chapel (1963) When architect I.M. Pei designed this chapel for Tunghai University in Taiwan, he had to take local conditions, like typhoons and earthquakes, into account. His plan, which, included a curved roof of glazed, diamond-shaped tiles and interior ribs of reinforced concrete that run like ribbons towards the cross mounted on the roof, was an elegant solution to the challenges of the local environment. Photo courtesy Valter Wei, Creative Commons

Broken, 2014. I.M. Pei's Fountain Place in Dallas, Texas, built in 1986. “He used angles, triangles, planes and prisms to create a seemingly impossible visual space with this building,” says Olic. “The view from the east makes the structure seem broken and folded down the middle.”

In the bathroom, they did "basically surface things," says Im.

Luce Memorial Chapel in Tunghai, Taiwan, 1963, by I.M. Pei.

Here's IM Pei's Meyerson Symphony Center done up for the holidays.

“I’m a huge fan of yellow,

British artist Hannah Sawtell and technologist Avi Flombaum created sawbaum.com, where users can create visual collages using multiple vine streams. "We wanted it to look like a visual comic book, with overlapping panels," said Flombaum. "And we wanted it to be fun!" Photo courtesy Rhizome.

Piet Hein Eek's wooden chairs add a touch of color to the monochromatic apartment. "I'm a fan of simple modern furniture, with a twist," says Carr. "I wanted to buy everything from Piet Hein Eek."

Local sailboat shops wanted thousands to make the 13-by-13-foot curtain that hides the Wall of Storage. "We we called my parents in Bangkok, gave them the dimensions, and they got it made for 150 bucks." says Im.

The Schaffer's furniture includes an Eames Aluminum Group lounge chair ("and ottoman!" adds Im.) A coffee table made of glued, corrugated cardboard was the couple's first project together, when they met in college eight years ago.

Architect Dan Brunn's #9 Dream House captures the contemporary style of the designers Dwell selected for Decorist.

“I don’t paint landscapes when I’m here because I can’t compete with the natural beauty,” says Yael.

“I studied architecture as an undergrad, and even though I’m in interiors now, that education of not overpopulating spaces, of letting the building be seamless, has always carried through for me,” says Caroline.

"Some people want a manicured garden, but I'm of a different mindset," says Patnaik. She left the grounds untamed and organic. "If we're building in the wild, I want to live in the wild."

One of the more understated of the series, I'm quite fond of the rough ropey texture against the leather.

"I'm not trying to do anything new in my work," Spellman states. "I'm simply trying to do it in my own way, and I'm still figuring out what exactly 'my own way' is."

Based in New York City, Cocoon9 takes a unique approach to prefab homes, offering a line of tiny homes with high-quality construction and finishes, smart technology, energy efficiencies, and versatile spaces that are ready for the modern market.

Bestor consulting with her demolition crew, in her kitchen-to-be. I'm hoping to get Bestor blogging about her renovation on Dwell.com—so stay tuned for that!

Since the photo shoot, the couple have placed a desk in the triangular window nook and use the perch as a workspace. “There’s just something about it that hugs you,” says Shelley. “I feel very focused and relaxed when I’m here.”

The split-level roof deck was splendid. And the views of the city, which I'm taking in here, are pretty stellar too.

I'm not in the market for dolls these days, but I'll be damned if these plush gals from goodbyebluemonday weren't adorable.

In the rear courtyard, Steve spent three days demolishing a rock grotto, which had been installed in the 1970s, with a jackhammer. Its boulders found new life as hardscaping near the pool. “I’m glad we could repurpose those boulders,” Jessy says, “I hate adding to landfill.”

"We give every client a questionnaire," Kevin says. "The first question asks what they need in their home. No compromise. The second question asks what they want in their home. And the third question asks what would blow their mind. At the end of the day, I’m looking to fit all of those things into their tiny home."

Artist Christopher Florentino created this studio to be a source of inspiration. "This space is for me as an artist—to create in, to keep me inspired," he says. "I don’t think there are many spaces that have a Keith Haring and Shiro Kuramata chair in the same space. I’m trying to show who I am as a designer and as an artist."

The Japanese "no-brand" masters of minimalism unveil the first single-story design in their line of prefab homes.

Here's Phillipe Starck's Dr. Skud fly swatter. Nice enough, but I'm far more into the leather action at Lehman's.

A double-sided, free-standing vanity and a shower wrapped in a glass lozenge create an indoor/outdoor experience at a San Francisco residence designed by Fougeron Architecture.

One of the main draws of Kevin Freeman and Jen Feldmann’s house is its connection to the neighborhood, which is why the front porch was a must. “Homes that have a door but no outside space say, ‘I’m not interested in you,’” designer Christopher Robertson explains. “This says, ‘I’m here to be part of the community.’”

A spacious deck and large glass doors allow for seamless indoor/outdoor living.

The carport screen is dotted with different-size openings, some louvered. - Austin, Texas Dwell Magazine : November / December 2017