The Red House, 2002.

This garage space uses iconic checkerboard floor tiles to contrast the rustic barn door that provides entry to the rest of The Barn.

Another view of the garage reveals its extensive space to house vehicles and protect them from the elements.

The extensive use of natural wood on nearly every surface makes the inside of The Barn feel like an extension of the landscape outside.

A far cry from the standard-issue functional, flaccid cubicle, Morrison’s ATM System brought stylish curves and wooden accents to the modular office life.

Delta Shelter, Mazama, Washington, 2002. Photo by Tim Bies/Olson Kundig Architects.

Osorom seating for Moroso, 2002.

A 2002 photograph of the courtyard in progress.

To add cards to your Coin, you need to take a photo of the front and back and then use a provided card reader to swipe the card. Once your cards have been synced, you can use the app to manage your library and choose which cards you'd like to use on the physical Coin. Although the accompanying mobile app can store an unlimited number of cards, a Coin card holds no more than eight.

Coin is about the same size as a traditional credit card, and comes in a similar plastic.

Pressing a small buton on the card lets you toggle through the different credit card accounts that you have uploaded to Coin. Currently, Coin only assimilates magnetic stripe cards and has no support for the up-and-coming EMV chip technology.

Coin uses a low-power Bluetooth signal to communicate with the app. If you ever leave your Coin behind while buying coffee, your phone will receive a notification asking whether you left without remembering to take your card. A phone is not required to use the card, however.

The Coin's screen displays the credit card brand, the last 4 digits of the card number, and the expiration date on a digital display. There's a signature panel on the back.

The Lotus wallpaper pattern by Galbraith and Paul is produced in-studio with the help of a digital printer.

A small dining space and kitchen area blend into the expansive wood paneling used throughout The Barn.

The Diana side table for ClassiCon, 2002.

Architect Francesco Librizzi built the staircase for the Casa G project as a means to slow the ascent, to create stations that infused the interior with life.

2002: Toyo Ito and Cecil Balmond, with Arup A mathematical equation rendered in space, this intriguing white cube, and the maze of open space, razor-sharp lines and polygons, was devised from the algorithms of a cube. Photograph © 2002 Sylvain Deleu

This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.

Photo by Bess Petty.