Ezra Stoller portrait

TWA Terminal, interior, designed by Eero Saarinen, 1962. Gelatin silver print. Carnegie Museum of Art, Purchase: gift of the Drue Heinz Trust. Image courtesy of Carnegie Museum of Art, copyright Ezra Stoller/Esto, Yossi Milo Gallery.

Seagram Building, designed by Ludwig Mies van der Rohe and Philip Johnson, photographed 1958. Gelatin silver print. Carnegie Museum of Art, Purchase: gift of the Drue Heinz Trust. Image courtesy of the Carnegie Museum of Art, copyright Ezra Stoller/Esto, Yossi Milo Gallery.

This famous shot was part of Ezra Stoller's commission for Fortune Magazine titled "Power in West" which profiled hydroelectricity, 1948.

Chamberlain Cottage by Marcel Breuer, Weyland, Massachusetts, 1941. Gelatin silver print. Carnegie Museum of Art, Purchase: gift of the Drue Heinz Trust. Image courtesy of Carnegie Museum of Art, copyright Ezra Stoller/Esto, Yossi Milo Gallery.

Ezra Stoller's photo of Wright's Marin County Civic Center is stunning still.

Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.

A trio of Djinn Chairs by French designer Olivier Mourgue from 2001: A Space Odyssey (1968), lay atop light boxes.

Outside view of the A Clockwork Orange (1971) section of the exhibition.

The Adler typewriter Jack Torrance (played by Jack Nicholson) used to type with.

A copy of MAD Magazine's "A Crockwork Lemon," June 1973.

A zoomed-in color slide from Lolita (1962), made possible by a sliding viewer.

Scribbles and edits on The Killing (1956) manuscript.

Upon walking into the exhibition, two films are projected side by side (seen here, Kubrick's 1980 horror classic, The Shining) in a big, dark room. Visitors can either sit and marvel or merely pass on by.

Memorabilia from Full Metal Jacket (1987), such as Gustav Hasford's The Short Timers, Kubrick's script notes, and Private Joker's original props.

Jack's famous repeated sentences actually first originated from 17th-century writer James Howell's Proverbs in English, Italian, French and Spanish (1659).

The director's career in film, in the form of posters, line the wall.

The infamous Grady Twins from The Shining (1980) look unfazed, as a small group of visitors focus on an exhibition reading.

The original Moonwatcher costume from 2001: A Space Odyssey (1968).

The original Spacesuit from 2001: A Space Odyssey (1968).

The original dresses and shoes of the Grady sisters.

Kubrick's wooden director's chair.

A reproduction mannequin of the Korova Milk Bar maid from A Clockwork Orange (1971).

A variety of different camera lenses used by the late director.

A reproduction model of the Discovery spaceship from 2001: A Space Odyssey (1968) floats above some of the film's memorabilia.

The research library containing 217 books for Napoleon, sadly one of several of the director's unrealized projects.

Production design sketches by John Barry for A Clockwork Orange (1971).

An animation by Andy Featherston plays inside David Bowman (played by Keir Dullea)'s original helmet from 2001: A Space Odyssey (1968).

A peek inside a reproduction model by Workshop Jörg Kallmeyer, Frankfurt am Main of the War Room featured in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964).

The entrance to the exhibition, housed inside the Art of the Americas Building at the Los Angeles County Museum of Art.

A line-up of Sasco cards (filing cards assembled into a chart) for 2001: A Space Odyssey (1968).

Left and center: Original uniforms of French regimental soldiers and Right: Original costume of Barry Lyndon for Kubrick's period film, Barry Lyndon (1975).

A view of the Olson Kundig retrospective exhibition at KANEKO in Omaha, Nebraska.

My First Sony Series Walkman, 1987.

WM-F5 Stereo Cassette Player, 1983.