The living area is designed for entertaining. On sunny days, the glass walls slide back so it’s totally open. The semi-opaque screen can also be opened to catch the last rays of the setting sun. At night and in poor weather, the whole assembly closes up, the laminated sliding doors sealing out drafts and locking in the day’s warmth. As is typical for a bach like this, the owners have used inexpensive furnishings; in this case, second-hand bar stools and generic paper shades.

The streetside facade, dominated by site-poured concrete, contains the garage, from which Jacobson and Dukes escape for a quick surf.

In the master bathroom, the couple traded an outdated tile tub for the BOV 02 from Wetstyle and added fixtures, towel bars, and hooks from Vola. The hallway, which retains its original black granite floor, leads past paneled walls to a deck.

This 3,200-square-foot structure was assembled with a prefabricated foundation, concrete panel siding, and efficient built-ins, minimizing construction debris and toxins—such as concrete foundation tar—on the site.

An office nook and library can participate in the open plan or disappear behind pocket doors.

In 1962, Skidmore, Owings & Merrill architect Arthur Witthoefft won the AIA's highest honor for a home he built in the lush woods of Westchester County. Having fended off a developer's wrecking ball, Todd Goddard and Andrew Mandolene went above and beyond to make this manse mint again.

Alex Gil and Claudia DeSimio created a duplex in an apartment building where they’d been renting for years in Brooklyn, New York, and set to work gutting the interior and adding a new rooftop addition clad in panels of Cor-Ten steel.

Mike Kurokawa and Paul Fishman set out for the beach from their house in the Puna region of Hawaii. A bridge leads from street level to the upper floor of the house, which is situated in a natural depression, or kipuka.

"I think an architect’s job is to celebrate what people really care about and simplify and streamline the rest.” —Page Goolrick

Their creative confections may ruin our diets, but we’re happy to be their taste testers anytime.

Light streams into the bedroom through walls of floor-to-ceiling glass. The windows are triple-glazed, creating a tight, eco-friendly seal.

In this sleek kitchen renovation in San Francisco, the kitchen backsplash is an easy-to-clean glass backsplash that mimics the glossy finish of the surrounding white cabinets. Painters accomplished the high-gloss finish on the cabinets of a kitchen in San Francisco by applying a coat of paint, polishing it with very high-grit sandpaper, repeating the process for each layer, then topping it with three coats of clear varnish. "It’s like an auto body," says builder Jeff King. "It’s incredibly beautiful." The island provides shelving space and storage as well as a second sink, an is topped with pietra grigio marble.

The challenge of renovating an iconic midcentury house is surely a daunting one for any architect, but apply this formula to a Richard Neutra house, and the responsibility rises exponentially. This was the situation for Los Angeles–based architect Peter Grueneisen, founder and principal of Los Angeles–based Nonzero Architecture, who inherited the task of taking on significant updates to an already-altered Neutra—the 1949 Freedman House in Pacific Palisades, California.

Saved from demolition, stripped of awkward alterations, and faithfully restored, these rehabbed homes prove how timeless midcentury design can be.

The original home was preserved and renovated. In the front bedroom, a small window was replaced with a large painted-steel window seat, a favorite of the residents' grandchildren.

At the opposite end of the studio, Framework Architecture created a partially enclosed sleeping nook that is spacious enough to fit a full-size bed.

The large patio leads to a newly landscaped back garden. An expansive glass wall promotes seamless indoor-outdoor living. Inexpensive brick pavers were chosen for the rear patio; they offer textural contrast with the steel of the door, brick of the rear facade, and pale gray wood of the interior floors.

“A critical aspect of the project was the incorporation of natural light and ventilation within a broad footprint,” Simpson says. Conventionally private areas, like bedrooms and bathrooms, are therefore reinterpreted with more openness in mind. For instance, this bathroom’s skylights mirror those found throughout the rest of the property. The bathtub, basins, and showerhead were all purchased at the Australian retailer Reece.

The renovation revealed a 30-foot-deep well beneath the bedroom, which the team half-jokingly considered turning into a fish tank. Instead, they opted for a simple bedroom with plenty of built-in storage.

Designer Jeff Sand’s Universal Chairs combine his love for classic French café chairs with an appreciation for “the beautiful metal casings on an old Moto Guzzi.” Sand Studios also designed the dining table and pendant lamp.

Shibata made the 10-person dining table using $130 sawhorse legs from Maruki Wood Products Company topped with a sheet of birch plywood. A hole in the sliding wall fits over the table, enabling it to be used in both the library and the meeting room. malki.jp A movable wall clad in wainscoting on one side slides along tracks in the dining-room ceiling, dividing the room into a meeting space and a library. The Shiro Simple Modern Pendant lights can be easily removed and reattached after moving the wall. vanilladesign.jp

Donut sits on a custom bed made by craftsman Pete Deeble. “Above the bed I hung a vintage Evelyn Ackerman textile discovered on eBay,” says Frank.

The garage that once stood in the backyard was removed so that the owner could have a place to entertain outside. A long window on the left-hand side of the second story was built to bring light into the master bedroom.

Built to go off the grid, this remote beachside cottage can open up completely to the outdoors with its series of movable wall-sized glass panels and screens. Designed by Herbst Architects, the modest New Zealand bach comprises two rectangular pavilions built with mostly natural materials chosen for their durability, texture, and weathering characteristics.

Fed up with flashy, environmentally insensitive beach homes, architect Gerald Parsonson and his wife, Kate, designed a humble hideaway nestled behind sand dunes along the New Zealand coastline. Crafted in the image of a modest Kiwi bach, their 1,670-square-foot retreat consists of a group of small buildings clad in black-stained pine weatherboards and fiber-cement sheets.

A Carrara marble backsplash adds cool contrast and a sense of drama when set against the custom oiled-steel black cabinetry in the renovation of the kitchen in this A. Quincy Jones home in Los Angeles.

The family spends summers and school vacations at the bach. New Zealand's relatively mild winters mean they use the house year-round.

"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."

The budget was nearly as tight as the space in this cheerful renovation of a 516-square-foot flat in Bratislava. The centerpiece of Lukáš Kordík’s new kitchen is the cabinetry surrounding the sink, a feat he managed by altering the facing and pulls of an off-the-rack Ikea system. The laminate offers a good punch of blue, and in modernist fashion, Kordík forwent door handles in favor of cutouts. “I wanted the kitchen to be one simple block of color without any additional design,” he says.

For a cost-conscious 2,000-square-foot renovation located 30 minutes outside of Austin, Texas, architect Nick Deaver took a look around for inspiration. He spied galvanized metal cladding on the region’s sheds and co-opted the inexpensive, resilient material for his own design.

One of the greatest design challenges, according to Franz and Paré-Mayer, was reimagining the dark, unfinished garage space in a way that would “establish [it] as primary, instead of an afterthought to the original floor above.” This was achieved by layering open, linked spaces on the ground floor and sticking to a few carefully selected materials for cohesion and fluidity. There are hardly any hallways in the home; every space serves a function. Polished concrete floors continue throughout the new living level, and a bent metal dining chair with a reclaimed Douglas fir backrest made by Scholz sits in front of an open white oak staircase.

The second-floor office is housed inside a rounded rectangle of concrete that the architect inserted on top of the old farmhouse.

Kayak in hand, Tom and Will make a break for the beach.

A family of cost-conscious Hamburgers converted a kitschy turn-of-the-century villa into a high-design home with a strict budget in place. To unite the quaint masonry of the original villa with the squat, ugly add-on built flush against it, the architects decided to paint the old-fashioned facade graphite gray and then covered the box next door in plain, light-colored larch. Photo by Mark Seelen.

"The most challenging part of the design was fusing the old part of the house with the new addition," says principal architect Alex Terry. The character and architectural integrity of the single-level 1950s ranch house was thoughtfully reconsidered during the addition and remodel. The home’s front porch, typical of the period, was refreshed with Ipe decking and railing.

Fabian plays with Morten in the yard, which features a spacious lawn and a greenhouse.