SubscribeSign In
Arbel’s “14” sconces spot the wall to ethereal effect in the master bedroom. “I wanted this place to be habitable. One of my greatest criticisms of modern architecture is that it often forgets to make things cozy.”
Arbel’s “14” sconces spot the wall to ethereal effect in the master bedroom. “I wanted this place to be habitable. One of my greatest criticisms of modern architecture is that it often forgets to make things cozy.”
The 40-foot-long containers hang 16 feet over the ground. The deep balcony, Gooden says, offers solar protection, keeping strong sunlight out but letting natural light in. The home has three bedrooms, a den, and three and half baths.
The 40-foot-long containers hang 16 feet over the ground. The deep balcony, Gooden says, offers solar protection, keeping strong sunlight out but letting natural light in. The home has three bedrooms, a den, and three and half baths.
A 40 foot by 10 foot pool is designed to echo the house’s tower with an almost reflection-like alignment.
A 40 foot by 10 foot pool is designed to echo the house’s tower with an almost reflection-like alignment.
This garage space uses iconic checkerboard floor tiles to contrast the rustic barn door that provides entry to the rest of The Barn.
This garage space uses iconic checkerboard floor tiles to contrast the rustic barn door that provides entry to the rest of The Barn.
Another view of the garage reveals its extensive space to house vehicles and protect them from the elements.
Another view of the garage reveals its extensive space to house vehicles and protect them from the elements.
A simple, yet elegant vanity doubles as storage.
A simple, yet elegant vanity doubles as storage.
The distinctive facade references a traditional thatched English cottage.
The distinctive facade references a traditional thatched English cottage.
While the original home was dark, like other homes of its period, the addition allowed Andrews and his team to let in an abundance of natural light.
While the original home was dark, like other homes of its period, the addition allowed Andrews and his team to let in an abundance of natural light.
Los Angeles–based design firm ORA built this family home in the Mar Vista suburb with two separate buildings: a long, linear home “shaped like a boomerang,” and a bright-red accessory dwelling unit. In the main house, a soothing material palette composed of concrete floors, white walls, and wood is punctuated by spots of color, such as the teal tile backsplash and salmon-toned cabinet in the kitchen, or the sunshine-yellow vanity in one of the bathrooms.
Los Angeles–based design firm ORA built this family home in the Mar Vista suburb with two separate buildings: a long, linear home “shaped like a boomerang,” and a bright-red accessory dwelling unit. In the main house, a soothing material palette composed of concrete floors, white walls, and wood is punctuated by spots of color, such as the teal tile backsplash and salmon-toned cabinet in the kitchen, or the sunshine-yellow vanity in one of the bathrooms.
Two pieces from E15’s Shiraz sofa flank the company’s wooden Leila side tables. Hill chose to use flat paint in Benjamin Moore’s Decorators White throughout the home because it emphasizes the chalkiness of the plaster walls, making them “look almost like slate.” The sconce shown in the foreground—David Chipperfield’s Corrubedo design for FontanaArte—gives off a soft glow and replaces the dozens of paper-lampshade wall fixtures the owners found in the house when they bought it. Stewart Cohen’s zany photograph of a gun-toting Marfa resident encapsulates Barbara Hill’s offbeat brand of decorating: bright and minimal, yet darkly humorous.
Two pieces from E15’s Shiraz sofa flank the company’s wooden Leila side tables. Hill chose to use flat paint in Benjamin Moore’s Decorators White throughout the home because it emphasizes the chalkiness of the plaster walls, making them “look almost like slate.” The sconce shown in the foreground—David Chipperfield’s Corrubedo design for FontanaArte—gives off a soft glow and replaces the dozens of paper-lampshade wall fixtures the owners found in the house when they bought it. Stewart Cohen’s zany photograph of a gun-toting Marfa resident encapsulates Barbara Hill’s offbeat brand of decorating: bright and minimal, yet darkly humorous.
The three kids share a bathroom that's also located in the attic. The penguin basket is from Bloomingville.
The three kids share a bathroom that's also located in the attic. The penguin basket is from Bloomingville.
Two cabins sit in the vast, empty landscape overlooking the Hekla volcano, around three hours’ drive from Reykjavík. The front part of each cabin—for sleeping—is almost entirely glass, while the rear—where the living, kitchen and bathroom spaces are located—is clad in timber for privacy.
Two cabins sit in the vast, empty landscape overlooking the Hekla volcano, around three hours’ drive from Reykjavík. The front part of each cabin—for sleeping—is almost entirely glass, while the rear—where the living, kitchen and bathroom spaces are located—is clad in timber for privacy.
Set in a quiet cul-de-sac in Walnut Grove—a small enclave of Eichlers in Walnut Creek, California—this Claude Oakland–designed Model 14 Eichler truly stands out. With a shingled, hipped roof and a "clipped" gable, the home is designed to reference a traditional thatched English cottage—but we think it looks much more modern than that.
Set in a quiet cul-de-sac in Walnut Grove—a small enclave of Eichlers in Walnut Creek, California—this Claude Oakland–designed Model 14 Eichler truly stands out. With a shingled, hipped roof and a "clipped" gable, the home is designed to reference a traditional thatched English cottage—but we think it looks much more modern than that.
At the northern end of the Stockholm archipelago, a humble cottage becomes a gorgeous seaside retreat for a nature-loving family.
At the northern end of the Stockholm archipelago, a humble cottage becomes a gorgeous seaside retreat for a nature-loving family.
“The transparency and continuity of the spaces allows the landscape, the coast, and the sea to be present at all times,” LLaumett says. While most of the home’s furniture was constructed on site, a sofa by The Popular Design sits in the living room.
“The transparency and continuity of the spaces allows the landscape, the coast, and the sea to be present at all times,” LLaumett says. While most of the home’s furniture was constructed on site, a sofa by The Popular Design sits in the living room.
The façade of the interwar dwelling was painted bright white and left largely unchanged, with a sole burst of color coming from a yellow DesignByThem “tomtom” letterbox. Though the extension is invisible from the street, architect Christopher Polly says it provides “significant additional freedom for the owners and their three young children to grow into.”
The façade of the interwar dwelling was painted bright white and left largely unchanged, with a sole burst of color coming from a yellow DesignByThem “tomtom” letterbox. Though the extension is invisible from the street, architect Christopher Polly says it provides “significant additional freedom for the owners and their three young children to grow into.”
Pine was used for the exterior siding and the lower perimeter base is lined in reinforced concrete.
Pine was used for the exterior siding and the lower perimeter base is lined in reinforced concrete.
LLaumett refers to the extended patio as its own entity—a calm place to sunbathe or stare out to the ocean at any time of day. It is made of pine and covered in an opaque Osmo glaze. The chairs were constructed by the owners.
LLaumett refers to the extended patio as its own entity—a calm place to sunbathe or stare out to the ocean at any time of day. It is made of pine and covered in an opaque Osmo glaze. The chairs were constructed by the owners.
Photos By Rob Turner Photography
Photos By Rob Turner Photography
“The program of enclosures was developed around a courtyard that is protected from the constant wind. The transparency of the main facade brings the presence of the sea inside the house,” LLaumett says.
“The program of enclosures was developed around a courtyard that is protected from the constant wind. The transparency of the main facade brings the presence of the sea inside the house,” LLaumett says.

2,246 more photos