JG Domestic (Philadelphia, Pennslyvania)

Located adjacent to Philadelphia’s bustling 30th Street Train Station, JG Domestic could have easily felt like an extension of the frenetic commuter hub. Instead, the mood inside is positively bucolic. A “living wall” of vegetation, plaid, striped, and burlap seating, and shelves lined with farmhouse trinkets lend the space tranquility. The lights on top of the shelves are custom by Créme.
JG Domestic (Philadelphia, Pennslyvania) Located adjacent to Philadelphia’s bustling 30th Street Train Station, JG Domestic could have easily felt like an extension of the frenetic commuter hub. Instead, the mood inside is positively bucolic. A “living wall” of vegetation, plaid, striped, and burlap seating, and shelves lined with farmhouse trinkets lend the space tranquility. The lights on top of the shelves are custom by Créme.
1972

MoMA holds 

Italy: The New Domestic Landscape exhibit.
1972 MoMA holds Italy: The New Domestic Landscape exhibit.
The interior of an early 17th century kitchen. --- Image by � Historical Picture Archive/CORBIS
The interior of an early 17th century kitchen. --- Image by � Historical Picture Archive/CORBIS
Round Square mirror by Clara von Zweigbergk for Domestic

There’s no denying a mirror’s effectiveness in giving the illusion of more space. This acrylic piece features a silkscreened geometric pattern for added depth.
Round Square mirror by Clara von Zweigbergk for Domestic There’s no denying a mirror’s effectiveness in giving the illusion of more space. This acrylic piece features a silkscreened geometric pattern for added depth.
Here's another great chronicler of our democracy, Alexis de Tocqueville.
Here's another great chronicler of our democracy, Alexis de Tocqueville.
Clean tropical modernism in one of Oppenheim's many domestic designs.
Clean tropical modernism in one of Oppenheim's many domestic designs.
Kalman muses on what role trust plays in a democracy. Trust between citizens.
Kalman muses on what role trust plays in a democracy. Trust between citizens.
Flora and Fauna wall vinyls by Tado for Domestic. Available at A+R.
Flora and Fauna wall vinyls by Tado for Domestic. Available at A+R.
Knauf and Brown's Flight lamp.
Knauf and Brown's Flight lamp.
(Film still from "The Environmental Witch Hunt")

Subtle decay, a democracy of leaves.
(Film still from "The Environmental Witch Hunt") Subtle decay, a democracy of leaves.
Encompassing 2,200 square feet, the home challenges traditional domestic interiors through materiality, color, and form.
Encompassing 2,200 square feet, the home challenges traditional domestic interiors through materiality, color, and form.
The National Assembly of Wales, completed in 2006, features an open–air design that is intended to reflect the transparency of democracy.
The National Assembly of Wales, completed in 2006, features an open–air design that is intended to reflect the transparency of democracy.
The 510 Cabin is one of Leggitt's designs, executed with the help of student apprentices.
The 510 Cabin is one of Leggitt's designs, executed with the help of student apprentices.
After a long renovation, the former brownfield presents a domestic face, with thriving landscaping in the cleaned-up soil.
After a long renovation, the former brownfield presents a domestic face, with thriving landscaping in the cleaned-up soil.
The cover of Murakami Versailles.
The cover of Murakami Versailles.
Originally meant as a Pakistani government building, Kahn's monumental design became the seat of the government of Bangladesh when the country split in two. It's as bold and commanding a symbol of young democracy as the world has ever seen; eight concrete modules envelop a center space cloaked in white marble, while the surrounding artificial lake provides natural cooling and a dramatic backdrop.
Originally meant as a Pakistani government building, Kahn's monumental design became the seat of the government of Bangladesh when the country split in two. It's as bold and commanding a symbol of young democracy as the world has ever seen; eight concrete modules envelop a center space cloaked in white marble, while the surrounding artificial lake provides natural cooling and a dramatic backdrop.
Pendant by Matthew Fairbank Design.
Pendant by Matthew Fairbank Design.
Clock by Ding3000 for Discipline.
Clock by Ding3000 for Discipline.
The structure of the coop was inspired by the new bus shelters and newsstands in New York City.
The structure of the coop was inspired by the new bus shelters and newsstands in New York City.
The wood shed portion artfully encapsulates all the domestic detritus that would be anathema within the all-glass sleeping portion.
The wood shed portion artfully encapsulates all the domestic detritus that would be anathema within the all-glass sleeping portion.
William Lamson's Solarium.
William Lamson's Solarium.
The sunken living room is just one of many grade changes inside the structure. “We were adamant that we didn’t want something domestic,” says Andrew. “We wanted something surprising, that was hyper-animated, and that, when you moved through it, changed all the time.” The sofa, designed by the couple and Levenbetts, is upholstered in cotton velvet. The Habibi side tables are by Philipp Mainzer for e15, the fireplace tools by Fort Standard, and the doors by Fleetwood.
The sunken living room is just one of many grade changes inside the structure. “We were adamant that we didn’t want something domestic,” says Andrew. “We wanted something surprising, that was hyper-animated, and that, when you moved through it, changed all the time.” The sofa, designed by the couple and Levenbetts, is upholstered in cotton velvet. The Habibi side tables are by Philipp Mainzer for e15, the fireplace tools by Fort Standard, and the doors by Fleetwood.
The sustainable, energy-efficient house is equipped with water tanks, solar panels, and has solar-heated water for the pool and domestic use.
The sustainable, energy-efficient house is equipped with water tanks, solar panels, and has solar-heated water for the pool and domestic use.
The home’s enclosed courtyard sits at “the heart of the structure,” says Baumann, who resides with his wife, Lisa Sardinas, and eight-year-old son, Oskar. “This is clearly the dominant space; everything flexes towards it.” Baumann cast the square concrete floor tiles himself, enlisting the help of his son. A small, neat patch of grass—a playful nod to the archetypal domestic lawn—is edited down to a charming folly.
The home’s enclosed courtyard sits at “the heart of the structure,” says Baumann, who resides with his wife, Lisa Sardinas, and eight-year-old son, Oskar. “This is clearly the dominant space; everything flexes towards it.” Baumann cast the square concrete floor tiles himself, enlisting the help of his son. A small, neat patch of grass—a playful nod to the archetypal domestic lawn—is edited down to a charming folly.
“We really wanted the materials in the house to feel very of-the-place,” says Lamaster. The architects hunted down domestic stone—like the Vermont marble used for countertops.
“We really wanted the materials in the house to feel very of-the-place,” says Lamaster. The architects hunted down domestic stone—like the Vermont marble used for countertops.
The entire house is marked by dramatic changes in color: Though the walls are white, the floors and ceiling swap tones, and pink fluorescent lights give way to a lavender bedroom ceiling. The domestic spectrum culminates in the orange floor and curtains of the rooftop penthouse—–proving that even diamond-plate steel and ventilation ducts, given some Safecoat paint, can be made as colorful and warm as a kindergarten.
The entire house is marked by dramatic changes in color: Though the walls are white, the floors and ceiling swap tones, and pink fluorescent lights give way to a lavender bedroom ceiling. The domestic spectrum culminates in the orange floor and curtains of the rooftop penthouse—–proving that even diamond-plate steel and ventilation ducts, given some Safecoat paint, can be made as colorful and warm as a kindergarten.
14 Feb 1959, Moscow, USSR --- Household chores in the future will be gone for the American housewife at the touch of a button or the wave of a hand.  A floor cleaner, (lower left) will scrub, mop, vacuum, wax or polish floors;  meals will be selected, cooked and served in seconds, all automatically, by remote control in the RCA Whirlpool Miracle Kitchen of the future.  A serving cart will walk to the table, load, scrape, wash, dry and store dishes.  The Miracle Kitchen will be displayed for six weeks, beginning July 4, 1959, at the American National Exhibition in Moscow.,  This is the first official U.S. Government display ever held in the Soviet Union. --- Image by � Bettmann/CORBIS
14 Feb 1959, Moscow, USSR --- Household chores in the future will be gone for the American housewife at the touch of a button or the wave of a hand. A floor cleaner, (lower left) will scrub, mop, vacuum, wax or polish floors; meals will be selected, cooked and served in seconds, all automatically, by remote control in the RCA Whirlpool Miracle Kitchen of the future. A serving cart will walk to the table, load, scrape, wash, dry and store dishes. The Miracle Kitchen will be displayed for six weeks, beginning July 4, 1959, at the American National Exhibition in Moscow., This is the first official U.S. Government display ever held in the Soviet Union. --- Image by � Bettmann/CORBIS
Architect and builder Ken Meffan lives in Rough and Ready, California, a tiny town in the foothills of the Sierra Nevada mountains. “Rough and ready” also describes his take on domestic bliss: Meffan, 56, is known for his rugged, modern houses in the High Sierra. But when it came to creating his own homestead, he, his wife, Sue, and their four kids roughed it for over a decade (two years in a tent and nine in a workshop) while he built his family’s home by hand.
Architect and builder Ken Meffan lives in Rough and Ready, California, a tiny town in the foothills of the Sierra Nevada mountains. “Rough and ready” also describes his take on domestic bliss: Meffan, 56, is known for his rugged, modern houses in the High Sierra. But when it came to creating his own homestead, he, his wife, Sue, and their four kids roughed it for over a decade (two years in a tent and nine in a workshop) while he built his family’s home by hand.
The library is lined in reclaimed spotted gum that Maynard says “brings with it wisdom from its previous life.” A stained glass window by Leigh Schellekens makes the contemplative room feel like a domestic chapel.
The library is lined in reclaimed spotted gum that Maynard says “brings with it wisdom from its previous life.” A stained glass window by Leigh Schellekens makes the contemplative room feel like a domestic chapel.
We replaced the existing undersized kitchen with a new open plan that is more appropriate to the scale of the loft. Developed with manufacturer Valcucine, the light and industrial feel is in keeping with this unconventional domestic setting.
We replaced the existing undersized kitchen with a new open plan that is more appropriate to the scale of the loft. Developed with manufacturer Valcucine, the light and industrial feel is in keeping with this unconventional domestic setting.
Soft Rocks by Tanya Aguiñiga.
Soft Rocks by Tanya Aguiñiga.
The Anita shelf as seen on The Blog on the Bookshelf.
The Anita shelf as seen on The Blog on the Bookshelf.
For more information on the Uncensored campaign, please visit sonatauncensored.
For more information on the Uncensored campaign, please visit sonatauncensored.
The media room, which formerly housed domestic help, is illuminated by a George Nelson Saucer lamp. Azevedo designed and built the cabinetry and the daybed and couch.
The media room, which formerly housed domestic help, is illuminated by a George Nelson Saucer lamp. Azevedo designed and built the cabinetry and the daybed and couch.

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