The conclusion of World War II brought a huge influx of American optimism, which led to a burgeoning middle class interested in buying and nesting. The midcentury modern era left an indelible mark on modern design. In product design, midcentury modern masters include Ray Eames, Charles Eames, Achille Castiglioni, Arne Jacobson, Isamu Noguchi, Jean Prouve, Eero Saarinen, Poul Kjaerholm, Hans Wegner, Charlotte Perriand, and Alvar Aalto. Giants of modern architecture include Mies van der Rohe, Ray and Charles Eames, Rudolph Schindler, Paul Rudolph, Charles Ellsworth, and Richard Neutra.

At their A. Quincy Jones house in Los Angeles, architects Cory Buckner and Nick Roberts used permeable pavers to help the soil retain moisture.
At their A. Quincy Jones house in Los Angeles, architects Cory Buckner and Nick Roberts used permeable pavers to help the soil retain moisture.
The refreshed house has a 3,125-square-foot footprint. "The project suited the owner’s programmatic needs, but also was an intervention into an aging house for a young creative family looking to extend the existing midcentury typology with more openness and light," says designer Peter Liang.
The refreshed house has a 3,125-square-foot footprint. "The project suited the owner’s programmatic needs, but also was an intervention into an aging house for a young creative family looking to extend the existing midcentury typology with more openness and light," says designer Peter Liang.
In 1962, Skidmore, Owings & Merrill architect Arthur Witthoefft won the AIA's highest honor for a home he built in the lush woods of Westchester County. Having fended off a developer's wrecking ball, Todd Goddard and Andrew Mandolene went above and beyond to make this manse mint again.
In 1962, Skidmore, Owings & Merrill architect Arthur Witthoefft won the AIA's highest honor for a home he built in the lush woods of Westchester County. Having fended off a developer's wrecking ball, Todd Goddard and Andrew Mandolene went above and beyond to make this manse mint again.
Lilyvilla Gardens built custom wood and concrete steps connecting the street to the house, which flow into an exposed patio under the refurbished carport. In addition to collecting midcentury furniture, Ty Milford is a vintage car aficionado and owner of two cherry red Porsches.
Lilyvilla Gardens built custom wood and concrete steps connecting the street to the house, which flow into an exposed patio under the refurbished carport. In addition to collecting midcentury furniture, Ty Milford is a vintage car aficionado and owner of two cherry red Porsches.
Jessica Helgerson Interior Design, with project manager and lead designer Emily Kudsen Leland at the helm, remade a Portland abode with a crisp paint palette: Benjamin Moore’s Wrought Iron for the cladding and Venetian Gold for the front door. The home was originally designed by Saul Zaik in Southwest Portland, complete with a wood-clad exterior, in 1956. As part of the renovation, landscape design was completed by Lilyvilla Gardens.
Jessica Helgerson Interior Design, with project manager and lead designer Emily Kudsen Leland at the helm, remade a Portland abode with a crisp paint palette: Benjamin Moore’s Wrought Iron for the cladding and Venetian Gold for the front door. The home was originally designed by Saul Zaik in Southwest Portland, complete with a wood-clad exterior, in 1956. As part of the renovation, landscape design was completed by Lilyvilla Gardens.
Speaking to his original design, architect Saul Zaik says, “We were really just building boxes with a bunch of windows but experimenting with how you integrated indoor and outdoor spaces.” The house has seven different openings to the exterior, allowing different courtyard or patio settings for a range of outdoor activities, including seating for a gathering on the street-facing side. The Milfords hired Lilyvilla Gardens for the landscaping around the house, including variegated bluestone steps with thyme joints.
Speaking to his original design, architect Saul Zaik says, “We were really just building boxes with a bunch of windows but experimenting with how you integrated indoor and outdoor spaces.” The house has seven different openings to the exterior, allowing different courtyard or patio settings for a range of outdoor activities, including seating for a gathering on the street-facing side. The Milfords hired Lilyvilla Gardens for the landscaping around the house, including variegated bluestone steps with thyme joints.
In true mid-century fashion, a George Nelson Bubble Lamp is paired with an Eames Lounge by Charles and Ray Eames in a corner of the living room. The glass walls and mitered corner are original features of architect Saul Zaik’s 1956 design.
In true mid-century fashion, a George Nelson Bubble Lamp is paired with an Eames Lounge by Charles and Ray Eames in a corner of the living room. The glass walls and mitered corner are original features of architect Saul Zaik’s 1956 design.
Marcel Breuer Hooper House II Exterior Courtyard House View
Marcel Breuer Hooper House II Exterior Courtyard House View
Villain Arjen Rudd’s modern, canyon-top lair was an integral part of the Lethal Weapon 2 screenplay from the very beginning. Its role only grew larger as the more downbeat first draft of Shane Black’s script (Gibson’s Riggs was originally fated to die at the end) was revised by Black’s successor, Jeffrey Boam. The challenge was finding an existing Los Angeles–area structure that matched the one imagined on the page. 

 John Lautner, the American mid-century modern master who apprenticed under Frank Lloyd Wright in the 1930s, designed Garcia House in 1962 for jazz arranger Russell Garcia. It still sits high atop the Hollywood Hills at 7436 Mulholland Drive. With its unique almond eye shape topped by a curved, parabolic roof and supported by steel stilts sixty feet above the canyon below, the house is also known as the Rainbow House, after the colorful stained-glass panels that dot its facade.
Villain Arjen Rudd’s modern, canyon-top lair was an integral part of the Lethal Weapon 2 screenplay from the very beginning. Its role only grew larger as the more downbeat first draft of Shane Black’s script (Gibson’s Riggs was originally fated to die at the end) was revised by Black’s successor, Jeffrey Boam. The challenge was finding an existing Los Angeles–area structure that matched the one imagined on the page. John Lautner, the American mid-century modern master who apprenticed under Frank Lloyd Wright in the 1930s, designed Garcia House in 1962 for jazz arranger Russell Garcia. It still sits high atop the Hollywood Hills at 7436 Mulholland Drive. With its unique almond eye shape topped by a curved, parabolic roof and supported by steel stilts sixty feet above the canyon below, the house is also known as the Rainbow House, after the colorful stained-glass panels that dot its facade.
Schneidman House and owner, Kristin MacDowell (MHA 301).

In 1946, a group of returning servicemen began talks of creating a housing cooperative to build a utopian community on a dusty hillside above Los Angeles. Soon, more than 400 families were on board, and the Mutual Housing Association was born.
Schneidman House and owner, Kristin MacDowell (MHA 301). In 1946, a group of returning servicemen began talks of creating a housing cooperative to build a utopian community on a dusty hillside above Los Angeles. Soon, more than 400 families were on board, and the Mutual Housing Association was born.
Tom Givone’s clients, Rose and Steve Smith, teach overseas and have owned their house for 26 years. They intended to fix it up slowly and retire there. As one problem led to another, they reached a point when they felt their only option, as Rose put it, was to “burn it down.”
Tom Givone’s clients, Rose and Steve Smith, teach overseas and have owned their house for 26 years. They intended to fix it up slowly and retire there. As one problem led to another, they reached a point when they felt their only option, as Rose put it, was to “burn it down.”
Segerholt Residence Exterior Driveway
Segerholt Residence Exterior Driveway
Last year, Tahquitz Plaza, a business complex Kaptur designed in the 1970s, underwent a restoration, which he helped oversee.
Last year, Tahquitz Plaza, a business complex Kaptur designed in the 1970s, underwent a restoration, which he helped oversee.
In the bathroom, Martin selected Heath Ceramics Conclave Diamond tile in citrus green for the glass-enclosed Kohler tub, which is outfitted with nickel Kallista fixtures. A matching toilet by Kohler 

in the color Cashmere blends with the custom-fabricated concrete sink by Get Real Surfaces. Photo by Patrick Bernard.
In the bathroom, Martin selected Heath Ceramics Conclave Diamond tile in citrus green for the glass-enclosed Kohler tub, which is outfitted with nickel Kallista fixtures. A matching toilet by Kohler in the color Cashmere blends with the custom-fabricated concrete sink by Get Real Surfaces. Photo by Patrick Bernard.
Jessica Helgerson Interior Design updated a split-level ranch house in Portland by introducing a clean white palette and vintage furnishings.
Jessica Helgerson Interior Design updated a split-level ranch house in Portland by introducing a clean white palette and vintage furnishings.
A George Nelson cabinet for Herman Miller, a Paul McCobb chair, and a Gilbert Watrous table lamp for Heifetz adorn another bedroom.
A George Nelson cabinet for Herman Miller, a Paul McCobb chair, and a Gilbert Watrous table lamp for Heifetz adorn another bedroom.
The Sandpiper is a group of nine real estate subdivisions (306 homes in total), designed by Krisel and built between 1958 and 1969. Krisel also did all the landscape design for the site.
The Sandpiper is a group of nine real estate subdivisions (306 homes in total), designed by Krisel and built between 1958 and 1969. Krisel also did all the landscape design for the site.
The table is situated in front of the house’s rear wall of skyscraper glass. Laminate kitchen cabinets by Ikea are framed in wraparound bluestone; the 48-inch commercial range is by FiveStar.
The table is situated in front of the house’s rear wall of skyscraper glass. Laminate kitchen cabinets by Ikea are framed in wraparound bluestone; the 48-inch commercial range is by FiveStar.
Deciding to buy a home comes with its own unique set of pressures. Oftentimes, it’s seen as a seal of adulthood, an acceptance of permanence, and perhaps most importantly, it also means that you’re about to spend a large sum of money; it makes sense that no one wants to go about it in a casual way.
Deciding to buy a home comes with its own unique set of pressures. Oftentimes, it’s seen as a seal of adulthood, an acceptance of permanence, and perhaps most importantly, it also means that you’re about to spend a large sum of money; it makes sense that no one wants to go about it in a casual way.
The only grouping of Frank Lloyd Wright's early American System-Built Homes—built by Arthur Richards and designed with standardized components for mass appeal to moderate-income families—is situated in the Burnham Park neighborhood in Milwaukee, Wisconsin. The four model 7A duplexes, one model B1 bungalow (shown here), and model C3 bungalow were added to the National Register of Historic Places in 1985.
The only grouping of Frank Lloyd Wright's early American System-Built Homes—built by Arthur Richards and designed with standardized components for mass appeal to moderate-income families—is situated in the Burnham Park neighborhood in Milwaukee, Wisconsin. The four model 7A duplexes, one model B1 bungalow (shown here), and model C3 bungalow were added to the National Register of Historic Places in 1985.
With post-and-beam construction, a thin roof profile, and an open floor plan that facilitates an interplay between the interior and exterior, the Dwell Prefab Palm Springs by Turkel Design bears all the signatures of the architecture firm. The show home is its first in California, which allowed Turkel and his team to put extra emphasis on indoor/outdoor living.
With post-and-beam construction, a thin roof profile, and an open floor plan that facilitates an interplay between the interior and exterior, the Dwell Prefab Palm Springs by Turkel Design bears all the signatures of the architecture firm. The show home is its first in California, which allowed Turkel and his team to put extra emphasis on indoor/outdoor living.
We’ve gathered 20 of our favorite homes that maintain their midcentury flavor without sacrificing 21st-century modernizations and updates.
We’ve gathered 20 of our favorite homes that maintain their midcentury flavor without sacrificing 21st-century modernizations and updates.
For a family of four, Ueda Design Studio restores the luminous-yet-drafty midcentury home of Alden Mason with warm materials and sensible restraint.
For a family of four, Ueda Design Studio restores the luminous-yet-drafty midcentury home of Alden Mason with warm materials and sensible restraint.
The team painted the exterior brick after patching it in places, like the section left by the removal of the door. “We could find the exact texture of brick, that classic Roman running bond, but we could not find it in the right color,” says architect Kailin Gregga. Painting the entire exterior unifies the façade. Rich Brilliant Willing “Hoist” sconces in Black was also added.
The team painted the exterior brick after patching it in places, like the section left by the removal of the door. “We could find the exact texture of brick, that classic Roman running bond, but we could not find it in the right color,” says architect Kailin Gregga. Painting the entire exterior unifies the façade. Rich Brilliant Willing “Hoist” sconces in Black was also added.
Located in Long Beach's Los Cerritos/Virginia Country Club neighborhood, the duplex occupies a 7,306-square-foot lot.
Located in Long Beach's Los Cerritos/Virginia Country Club neighborhood, the duplex occupies a 7,306-square-foot lot.
Its cast-concrete roof slabs evoke any number of desert sights—the fronds of a palm, the faces of stones, even the armored plates of an armadillo.
Its cast-concrete roof slabs evoke any number of desert sights—the fronds of a palm, the faces of stones, even the armored plates of an armadillo.
Tantalus Studio coaxes a Palm Springs home into the 21st century with fresh finishes and a sublime palette plucked from the desert landscape.
Tantalus Studio coaxes a Palm Springs home into the 21st century with fresh finishes and a sublime palette plucked from the desert landscape.
The Cree House feels larger than its modest footprint thanks to expansive walls of glass and the enormous front deck and rear patio, which link the home to the outdoors.
The Cree House feels larger than its modest footprint thanks to expansive walls of glass and the enormous front deck and rear patio, which link the home to the outdoors.
Eliot Noyes's 1954 home is a simple, one-story building clad in fieldstone and wood, which blends easily into the landscape.
Eliot Noyes's 1954 home is a simple, one-story building clad in fieldstone and wood, which blends easily into the landscape.
Big Branch Woodworking and Lackey Construction fabricated the cabinetry throughout the home, including the birch built-ins in the mudroom, designed by Jessica Helgerson Interior Design. Each family member has his or her own cubby with storage for coats, shoes, hats and gloves, with built-in outlets for charging iPhones.
Big Branch Woodworking and Lackey Construction fabricated the cabinetry throughout the home, including the birch built-ins in the mudroom, designed by Jessica Helgerson Interior Design. Each family member has his or her own cubby with storage for coats, shoes, hats and gloves, with built-in outlets for charging iPhones.
Perched below the Griffith Observatory and overlooking Hollywood is a lush lot crowned with four towering olive trees and a 1965 home designed by modernist architect Craig Ellwood. When a young couple purchased the home in 2018, it needed substantial work. For a historic restoration, they called on Woods + Dangaran, a local firm fluent in modernist history. The team completed a meticulous restoration of the home while keeping original components like the linear shape, open plan, and expansive windows. One of the most striking features is the original koi pond (a feature deemed so essential that its preservation was a condition of escrow) that is now crossed via a bridge that leads to a new lap pool—perhaps the biggest intervention on the property.
Perched below the Griffith Observatory and overlooking Hollywood is a lush lot crowned with four towering olive trees and a 1965 home designed by modernist architect Craig Ellwood. When a young couple purchased the home in 2018, it needed substantial work. For a historic restoration, they called on Woods + Dangaran, a local firm fluent in modernist history. The team completed a meticulous restoration of the home while keeping original components like the linear shape, open plan, and expansive windows. One of the most striking features is the original koi pond (a feature deemed so essential that its preservation was a condition of escrow) that is now crossed via a bridge that leads to a new lap pool—perhaps the biggest intervention on the property.
Martin Architects designed a bed in white oak for the master bedroom. The neutral palette continues via a David Weeks One-Arm Wall Sconce from Ralph Pucci. Photo by Patrick Bernard.
Martin Architects designed a bed in white oak for the master bedroom. The neutral palette continues via a David Weeks One-Arm Wall Sconce from Ralph Pucci. Photo by Patrick Bernard.
The deck connects to the open kitchen and living room through Loewen sliding glass doors. Photo by Patrick Bernard.
The deck connects to the open kitchen and living room through Loewen sliding glass doors. Photo by Patrick Bernard.

62k more photos