The Waterloo International Terminal, 1993, in London. Image courtesy Jo Reid/John Peck.
An array of Fucsia pendants by Achille Castiglioni illuminates an Alden dining table by Eastvold and Chanel chairs from Article. The Eames Molded Armchairs are from Herman Miller’s polypropylene edition.
Kellogg spent five years working on the house, and the structure was completed in 1993.
The 73,195-square-foot prefab building hosts 66 new apartments.
A corner Carter arranged with a leather-upholstered chair on casters from Dot & Bo and a Buffalo 66 movie poster.
Architect Hank Louis worked with Navajo tribe elders to secure a 66-year lease on a half-acre lot in the middle of Bluf, Utah, for Rosie Joe and her children.
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Architect Hank Louis worked with Navajo tribe elders to secure a 66-year lease on a half-acre lot in the middle of Bluf, Utah, for Rosie Joe and her children. The facade of their off the grid house is made up of exposed wood, red rammed earth, and glass.
For the month of June 2016, Rockefeller Center's Chanel Gardens will be filled with a cactus garden designed by Lifescapes International.
Coco Chanel and Elizabeth Taylor bookend this bay window, and they could have sat comfortably together in this “Swedish Blue” nook.
When Rob and Mary Lubera started pulling threads to uncover the origins of their new home—the lone midcentury house amid rows of Tudor Revivals in suburban Detroit—not even architecture scholars could have anticipated what they would find. Theirs is the last surviving residence by Alexander Girard (1907–1993), a modernist visionary who made his name in textiles but tried his hand at virtually everything, architecture included. The shoji-like laminate screens, seen in the entryway, are characteristic of his Japanese-influenced work.
A photo of Verner Panton from 1993
Products from Rudy’s Barbershop, which started in Seattle in 1993, are available in the shower.
The 11,438 square foot residence sits on 3.66 wooded acres directly below the imposing peaks of Mount Olympus.
An aerial view of Washington, DC, circa 1993.
Fashion: Anna Karenina CostumesCostume designer Jacqueline Durran used two million dollar’s worth of Chanel diamonds and vintage inspired dresses throughout the filmic adaptation of Tolstoy's classic novel.
Channeling her love for Chanel, Hannah Hancock’s office has a fun and funky piece complementing her bright and bejeweled wallpaper, in this room designed by Haute Home’s Tarin Wallace.