Quintessa Winery has a commitment to creating modern architecture that complements rather than competes with the landscape.

"Pulling the buildings apart allows what is not a big house to feel really big," says architect Jonathan Feldman of the sustainable retirement home he built for a couple in California. "Because of the ways it opens up, it feels much more expansive than it really is."

The glassy pavilion containing kitchen, dining, and living areas is elevated three feet off the ground on posts so it appears to hover among the dunes.

The open observatory.

The bedroom pavilion is mostly hidden, thanks to a massive native California oak—part of a grove. “That’s the good thing about oaks—they keep their leaves in the winter, so you don’t have one view in the summer and another in the winter,” Suzanne says.

Blaine Bronwell, an associate professor at the University of Minnesota School of Architecture and author of Material Strategies: Innovative Applications in Architecture, calls out biomimicry and biodesign. "The engineering firm Arup created a promising system for a German building expo: it has a living algae curtain wall, which harvests the building's algae as an energy source through a bioreactor," Bronwell writes.

The sleeping cubbies lie beneath the walkway connecting front and back units. Cedar decking and soffit add warmth and texture to the transitional space.

"Key to the special nature of the pavilion’s purpose is that guests are immersed in the landscape and surrounded by the vines that produced the actual wine that they are tasting," Warner and McCabe say. We couldn't agree more. Head to quintessa.com to learn more about the winery and book a reservation to experience the pavilions firsthand.

Junya Ishigami’s Greenhouses at the Japanese Pavilion of the 2008 Venice Architecture Biennale celebrated architecture and landscape equally. Photo by Iwan Baan

The Birch Pavilion sits atop a 14-by-26-foot platform composed of hemlock and pressure-treated timbers. Photo courtesy of Moskow Linn Architects.

Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.

Set on five acres, the three pavilions total 2,900 square feet. They gently fan out in a semicircle “like the charms on a necklace,” Suzanne says. The pair recruited landscape designer Bernard Trainor to help integrate the house with the land.

Thanks to its natural color, concrete also serves as a wonderful “blank canvas” for landscaping.

In 1962, Skidmore, Owings & Merrill architect Arthur Witthoefft won the AIA's highest honor for a home he built in the lush woods of Westchester County. Having fended off a developer's wrecking ball, Todd Goddard and Andrew Mandolene went above and beyond to make this manse mint again.

In the DoghousePaul and Shoko's dog, Mei, has lucked into a small prefab home of her own. Making use of a water jet cutter at his office, and using Adobe Illustrator as his design tool, Paul fashioned a series of panels that slot together without any nails or screws.

Foot-traffic statistics drove architectural interaction between students, staff and administration within the Houston Ballet's new facility.

IdeaPaint, the creator of dry erase paint for home, schools, and offices, installed an art wall for the Modern Family Pavilion.

Indoor and outdoor furniture company Grandin Road brought two high-design teepees to the Dwell Outdoor area, and another to the Modern Family Pavilion.

The home’s front façade features an anodized aluminum and glass curtain wall by Kawneer that's framed by Vic West black corrugated metal panels. The board-formed concrete on the exterior enables passive solar absorption, allowing optimal heat retention on cold winter days. The metal and concrete exterior cladding offers cohesive dialogue with the neighboring industrial sheds and commercial buildings.

But onto the real question: The pavilion is a definite delight to the eyes, but does it make the wine more tasty? “Absolutely!” Warner and McCabe assert. “Each pavilion is elegantly unobtrusive and offers a rustic yet refined experience evocative of picnicking with a bottle of wine under an oak tree. In this way, the pavilions serve to bring the visitor a greater depth of understanding and appreciation for the place where Quintessa is made and the process that creates its uniquely sophisticated character.”

Just because your kitchen is on the smaller side doesn’t mean you can’t make it as efficient and effective as possible.

Carefully selected materials make the building appear as if it grew from the land. Environmentally sensitive finishes echo the existing winery, which the firm designed in 2002.

Their creative confections may ruin our diets, but we’re happy to be their taste testers anytime.

The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.

“The client wanted an interior space where you could read the materiality of the building elements like understanding the ingredients in a recipe,” principal architect Elizabeth Webster explains. The extension features distinctly textured materials: an exposed timber ceiling, painted brick walls, and polished concrete floors. Warm lighting by Brinklicht unifies the space.

A double bowl sink is also quite self-explanatory, created either out of one large sink with a divider or from two distinct bowls framed into a single sink.

This dreamy, glass bedroom by the lake was created as an early prototype for the prefabricated greenhouse/she kits known as the Kekkilä Green Sheds.

Helsinki architect Ville Hara and designer Linda Bergroth collaborated on a prefab shed-meets-sleeping cabin, which can be assembled with little else than a screwdriver. Bergroth, inspired by nomadic yurt dwellers, wanted an indoor/outdoor experience for her property in Finland.

Van Beek’s extra space is home to her office. She works on a Tense table by Piergiorgio and Michele Cazzaniga and Flow chairs by Jean Marie Massaud, both for MDF Italia.

The architect placed the windows at Sabrina’s eye level so that she’d be able to see her son, Rocco, playing in the yard outside. "You can feel the seasons changing here," says Chiavelli. "I grew up three miles from here, outside in nature. This is a house for experiencing life."

If you're looking for the ultimate minimalist bed frame, a platform bed with edges that extend beyond the mattress allow it to double as a bedside table, eliminating the need for other furniture.

In the bedroom, an open closet with built-in shelving leads to the master bathroom. Thinking of all the loft's components as part of a whole was critical to the renovation. "The space is clean and simple, but that is only possible because of the attention paid to eliminating visual clutter that often comes from typical detailing," Breitner says. "The HVAC, floor outlets, door detailing, wall reveal base, recessed glazing channel, and radiator covers could look like clutter. We integrated it into the architecture." Photo by Frank Oudeman.

Like the pavilion holding the public spaces, the structure containing the bedrooms is clad in glass on the interior sides facing the courtyard, allowing a constant connection to the outside. Rodriguez (with dog Lupe) designed the steel stairs leading from the mezzanine-level home office to the master bedroom below. The stairs were fabricated by Austin-based Steel House MFG.

The clients insisted that none of the trees on the property be disturbed, so Kevin Alter and his team at Alterstudio Architecture built a deck and an overhang around two of them.

Ryan Anderson of RAD Furniture designed the stools as well as the table and benches on the pool deck.

Another view of the deck.