Fabric options include light pink, mint blue, ochre, and sand.

All fabrics, including the standard light pink, are in the felt-like Divina MD.

HOWE also introduced leather options, in cognac or wine red.

The Tongue chair is available with chrome or powder-coated-steel legs.

The chair is also available in a black or oak (shown) veneer.

Designer Christiane Hogner, Bruxelles

The dining room serves as the hub for all activity. Original Series 7 chairs by Arne Jacobsen complement a table Maynard designed and dubbed the “Zero Waste Table,” since it utilizes every inch of a large wood sheet. To the right, a sliding door opens to the garden.

A stack of 1955 Grand Prix chairs by Arne Jacobsen rests besides a minimal art piece.

In one corner of the room, an Arne Jacobsen Egg chair and ottoman rest on a flokati rug. Overhead is an Ecos pendant by Vistosi.

The Egg Chair, another Arne Jacobsen design—this one from 1958—was originally created for the Royal Hotel in Copenhagen. Would today's numerous "inspired-by" copies really make Jacobsen roll in his grave, as Rosenkvist puts it?

A writing desk is paired with a classic Series 7 chair by Arne Jacobsen.

In undertaking a gut renovation of a town house in Brooklyn’s Park Slope neighborhood, husband and wife Jesper Meyer and Rimjhim Dey drew upon design elements from their respective roots in Denmark and India to create a home that’s wholly serene and accented with subtle pops of bright color. American white-oak planks, finished with lye and pigmented with whitening oil from Danish company Junckers, line the staircase and floors throughout; the dining area is furnished with Ant chairs by Arne Jacobsen and a PH50 pendant by Poul Henningsen for Louis Poulsen.

The kitchen is from Ikea and the dining chairs by Arne Jacobsen, but the table is pure Bornstein.

Series 7 chair. Arne Jacobsen (1955). $500.

The front hallway links the living room to the kitchen and dining area. The existing apartment was originally a manufacturing loft space. NYC lofts being long and narrow with windows typically only at the front and rear façades can be somewhat dark. With this in mind we designed the apartment to have light filled spaces via rooftop skylights. Here a photo series by Bernd and Hilla Becher are washed with natural light from a large drum skylight not yet visible from this perspective. The hallway ceiling echoes the drum skylight with Munkegaard fixtures, one of our favorites from Louis Poulsen.

Bornstein and his daughter Velma sit at a table the architect designed himself; the dining chairs were designed by Arne Jacobsen for Fritz Hansen.

The Series 7 chair, designed by Arne Jacobsen in 1955 and today one of Fritz Hansen's most frequently knocked-off products.

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In the master bedroom, a Hästens bed is paired with an AJ sconce by Arne Jacobsen for Louis Poulsen. A vintage poster for the 1968 French film Stolen Kisses is a nod to Fabian’s career in advertising, as well as the time period in which the apartment was built.

The sliding pocket wall opens to reveal Series 7 chairs by Arne Jacobsen. The kid's chair is a Tripp Trapp by Stokke.

Deam also designed all of the built-in furniture, including this bedside console that features an Arne Jacobsen sconce.

Grand Prix chairs by Arne Jacobsen for Fritz Hansen

He worked around existing oak and eucalyptus trees for the new building, and retained the vernacular of an original barn, at right, where Frankel hosts concerts. Check out MVRDV's Balancing Barn.

In 2001: A Space Odyssey (1968), crew members ate with cutlery designed by Arne Jacobsen for Georg Jensen.

The dining room is a more formal setting where classic Series 7 Arne Jacobsen chairs mingle with a contemporary Essay table by Cecilie Manz for Fritz Hansen. The lighting overhead is the same John Pomp Studios pendant lights from the kitchen, here clustered for a more dramatic display.

The Bankers Clock, originally conceived for the Danish National Bank in 1971 by master architect and designer Arne Jacobsen, is here, faithfully reproduced by Rosendahl Copenhagen from Jacobsen’s original drawings. Cased in aluminum, and featuring precise Japanese Quartz Movement, this simple and elegant piece will bring timeless appeal to an interior.

Designed by Arne Jacobsen for Stelton in 1967, these stainless steel coasters have a timeless elegance.

#678 Egg by Arne Jacobsen and Tal R

Next to the kitchen, Eames and Jacobsen chairs welcome dinner guests to the dining-room table. The back wall is covered in particleboard panels.

Egg chairs by Arne Jacobsen overlook the living and dining rooms on the first floor. When it came to choosing bold wall hues for the home – like the Benjamin Moore lime green shade on the loft’s sliding doors – Bloomberg remembers the discussion she had with the owners: “We said, ‘If we’re going to do color, then let’s do color.’”

Production today continues in much the same way.

Kingsnorth embeds various fabrics on reclaimed vintage frames creating a surprisingly comfortable cushion.

Shakers are well known for their ladder-back chairs, and this understated, seemingly ageless design is the classic Shaker piece. Its restrained simplicity embodies the discipline of the Shakers themselves—its straight back encouraging good posture, orderliness, and control. Photo courtesy of Skinner, Inc.

An early-edition Egg Chair, circa 1970, with original leather. By Arne Jacobsen.

An archival shot of the Tulip Chairs in production at the Knoll factory.

The living room has a close-up street view and abundant natural light. The sofa is Mags from Hay Studio, the table is an old Fritz Hansen base with a new top, and the Arne Jacobsen chair is also a refurbished vintage piece.