The only grouping of Frank Lloyd Wright's early American System-Built Homes—built by Arthur Richards and designed with standardized components for mass appeal to moderate-income families—is situated in the Burnham Park neighborhood in Milwaukee, Wisconsin. The four model 7A duplexes, one model B1 bungalow (shown here), and model C3 bungalow were added to the National Register of Historic Places in 1985.

For the interior of the Stanwood residence, Logan returned to his minimalist palette of color and materials. The Stanwoods took particular zeal in furnishing the living area with a number of pieces from Limn in San Francisco, including a pair of B&B Italia chairs and a custom rug from Ligne Roset.

This spacious kitchen was designed for simplicity and functionality. Black and white kitchens that incorporate elements of gray tend to have a softer look. Seen here, gray accents, like the pendant lights and backsplash color, abound. Says the architect, "The design of the interior achieves a softer touch by using bespoke detailing and a rich palette of materials such as stone and timber."

In the office are Metropolitan chairs by Jeffrey Bernett for B&B Italia. Most artwork hung throughout the house comes from Sette’s art gallery.

Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.

Both the sitting and standing versions of DESK 01, a collaboration between Artifox and IdeaPaint, are outfitted with dry erase surfaces for recording sudden bursts of creativity.

The juxtaposition of black and white is perhaps the most notable detail of the home’s interiors. In the guest bathroom, black and white tiles provide visual interest.

Style: "#1"

A third-floor office, furnished with a Metropolitan chair by Jeffrey Bennett for B&B Italia, opens onto a deck that overlooks the backyard.

An Alcova bed from B&B Italia dominates the master bedroom. A niche behind the bed holds Berenice wall lamps by Luceplan, and the walls are painted in Cornforth White and Charleston Gray from Farrow & Ball.

Back of the promo card by Manjari Sharma, a sample of her "The Shower Series."

The modular system created by the architects at Resolution: 4 allows them to customize a home’s floor plan by stacking, lining up, and joining factory-built, rectangular modules. This is the largest prefab house the firm has completed to date with eight modules amassing around 4,500 square feet.

After - exterior and new cedar fence

Wes Mahony lounges on a Tufty-Time sofa by Patricia Urquiola for B&B Italia in the family room that architect Emily Jagoda created for his family in their tree-damaged garage in Santa Monica.

Living Room

Living Space

Top 9 Kitchens of 2020: The nominees for this year’s Dwell Design Awards are the epitome of style and function.

Lauren and Brittan Ellingson, the owners of Notice Snowboards, a custom snowboard and wakesurf company in Whitefish, Montana, approached Workaday Design and builder Mindful Designs to concoct a new lake home for their family. The brief was, perhaps unsurprisingly, focused on getting the family outdoors as much as possible.

The Lofthouse is built one of the many hills separating it from the couple’s main residence. "Excavation was a challenge, as we wanted to maintain as much of the existing landscape as possible, but needed to clear out trees for the foundation," says Tarah.

The architects designed the home’s expansion with the knowledge that the owners plan to continue the renovation when their budget allows it. "We wanted to put everything in the right place so it doesn’t have to be undone later," says Corti.

Parota wood continues in the spacious kitchen. Marisa and Christopher found the blue tile that runs throughout the home on a trip to León, Mexico. "It called out to us," says Christopher. Festooned with small stars, its tone matches the color of the ocean perfectly.

Houston-based designer Barbara Hill is known for a stripped-down aesthetic that blends art-world cachet with Texas modernism. Vitra’s Slow chair sits in front of a powder-coated-steel bookcase made by Hill’s go-to fabricator, George Sacaris; it was originally built for the Houston house.

The architects embraced the modernist form of the new structure instead of cladding the extension in expensive brick to match the original Victorian’s exterior.

When architect Antonio Monserrat transformed an old 800-square-foot Brooklyn loft into his new home, he imbued his love of colorful, multifunctional design into an eye-catching renovation. Once used as a bakery in the early 20th century, the postindustrial space came with great bones—original exposed timber beams, 12-foot ceilings and large windows—that Monserrat used as a backdrop for his playful color choices, small-scale studio prototypes, and contemporary furnishings. From the emerald-green entryway with a hot-pink ceiling to the sunshine-yellow Kartell storage pieces, the Spanish architect’s loft beautifully blends creative inspiration with functionality.