Ezra Stoller portrait

TWA Terminal, interior, designed by Eero Saarinen, 1962. Gelatin silver print. Carnegie Museum of Art, Purchase: gift of the Drue Heinz Trust. Image courtesy of Carnegie Museum of Art, copyright Ezra Stoller/Esto, Yossi Milo Gallery.

Seagram Building, designed by Ludwig Mies van der Rohe and Philip Johnson, photographed 1958. Gelatin silver print. Carnegie Museum of Art, Purchase: gift of the Drue Heinz Trust. Image courtesy of the Carnegie Museum of Art, copyright Ezra Stoller/Esto, Yossi Milo Gallery.

This famous shot was part of Ezra Stoller's commission for Fortune Magazine titled "Power in West" which profiled hydroelectricity, 1948.

Chamberlain Cottage by Marcel Breuer, Weyland, Massachusetts, 1941. Gelatin silver print. Carnegie Museum of Art, Purchase: gift of the Drue Heinz Trust. Image courtesy of Carnegie Museum of Art, copyright Ezra Stoller/Esto, Yossi Milo Gallery.

Archicritic and current Harvard Graduate School of Design Loeb Fellow Alexandra Lange snaps great architectural details, the intersection between modern design and everything else, as well as the ivy of the Ivy League. Follow her at @langealexandra.

Having a compelling Instagram is certainly helped by a career in architectural photography! Case in point is Fran Parente, a New York-based photographer who travels the world to chronicle major architecture. His Instagram is full of moments showing urbanism at work. Follow him at @franparente.

Ezra Stoller's photo of Wright's Marin County Civic Center is stunning still.

Maxxi Diptychon, Zaha Hadid, 2009, silver gelatin print.

Maxxi Diptychon, Zaha Hadid, 2009, silver gelatin print.

Firminy C, Le Corbusier, 2007, silver gelatin print.

Kolumba, Peter Zumthor, 2007, silver gelatin print.

Kapelle fur den heiligen Bruder Klaus, Peter Zumthor, 2009, silver gelatin print.

Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.

The Balancing Barn in Suffolk: On the edge of a nature reserve a few miles from the Suffolk coast, the MVRDV-designed Balancing Barn cantilevers over the surrounding meadow.

New interior finishes, furniture, and a guesthouse were part of the restoration/renovation of John Lautner's Chemosphere, a 1960s house that makes frequent cameos in film and television.

A trio of Djinn Chairs by French designer Olivier Mourgue from 2001: A Space Odyssey (1968), lay atop light boxes.

Outside view of the A Clockwork Orange (1971) section of the exhibition.

The Adler typewriter Jack Torrance (played by Jack Nicholson) used to type with.

A copy of MAD Magazine's "A Crockwork Lemon," June 1973.

A zoomed-in color slide from Lolita (1962), made possible by a sliding viewer.

Scribbles and edits on The Killing (1956) manuscript.

Upon walking into the exhibition, two films are projected side by side (seen here, Kubrick's 1980 horror classic, The Shining) in a big, dark room. Visitors can either sit and marvel or merely pass on by.

Memorabilia from Full Metal Jacket (1987), such as Gustav Hasford's The Short Timers, Kubrick's script notes, and Private Joker's original props.

Jack's famous repeated sentences actually first originated from 17th-century writer James Howell's Proverbs in English, Italian, French and Spanish (1659).

The director's career in film, in the form of posters, line the wall.

The infamous Grady Twins from The Shining (1980) look unfazed, as a small group of visitors focus on an exhibition reading.

The original Moonwatcher costume from 2001: A Space Odyssey (1968).

The original Spacesuit from 2001: A Space Odyssey (1968).

The original dresses and shoes of the Grady sisters.

Kubrick's wooden director's chair.

A reproduction mannequin of the Korova Milk Bar maid from A Clockwork Orange (1971).

A variety of different camera lenses used by the late director.

A reproduction model of the Discovery spaceship from 2001: A Space Odyssey (1968) floats above some of the film's memorabilia.

The research library containing 217 books for Napoleon, sadly one of several of the director's unrealized projects.