Purple thistles, California poppies, clover, and dandelions have all taken root in the roughly 10-inch-deep, lightweight humus and grape-husk soil in this 580-square-foot green roof. Designer Peter Liang says that he "wanted to plant a green roof for its thermal mass, but I wanted it to be as natural as possible."

Designer Christiane Hogner, Bruxelles

Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.

The owners toured this home, which surrounds a mature tipu tipu tree, while visiting relatives for the day. The brick is original to the 1947 construction.

Sliding doors by Quantum were made to look like the original panes that couldn't be saved, and they lead to a fire pit outside.

Though most of the home's interior comes without a splashy designer's name attached, the bathroom is kitted out with a toilet, sink, and bath/shower from Jasper Morrison's line for Ideal Standard. The cabinets are from an Ikea kitchen system.

The view!

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At the top of the stairwell, a sitting area is outfitted with a vintage Eames lounge, a large Jack Goldstein painting, and a 1970s light fixture found by Marcovitz in Paris.

The kitchen features a concrete island topped with marble. Deja-Vu stools by Naoto Fukasawa surround the island. A print by Guy Gormley, as well as a painting bought during holiday in St. Tropez, hang on the walls.

A flat roof and all-white interior unifies the home's three volumes.

The Lais designed their house to be theirs forever. As such, they were able to make design moves that made sense for themselves but that wouldn't have high resale value, like the Japanese-style master bathroom in the middle of the second floor instead of off of the master bedroom. The traditional setup features bath stools from Muji for washing off.

Take a look at some of the most exciting, sustainable buildings around the world, and you may notice something they have in common: green roofs, or rooftops covered with a thin layer of soil to allow for grasses and other low-lying plants to grow.

New Depths Inspired by a local winery, George Kyprianou wanted a glass top on his subterranean wine cellar. The interior is lit, casting soft light into the living space at night and revealing the 132-year-old stone foundation. The three-quarter-inch glass lid sits flush with the floorboards; it opens with an ingenious device that Kyprianou devised using a 12-volt air compressor and a remote-controlled switch. When you push the button, the glass lifts just enough to be removed by hand.

Lassen designed all the furniture with the exception of a few items, like the vintage Chairman armchair by Henrik Tengler and white IKEA sofas. “To keep it simple, we only used natural colors from wood inside, with everything else being white,” Lassen says.

Turin designed the bed, console, and side tables in the master bedroom. The room gets plenty of illumination through the windows, which she had remade to match the 1925 detailing and covered in translucent Trevira fabric curtains by Rogers and Goffigon. “They provide privacy but lots of light comes through.”

Light Box Peter created a simple uplight at the top of the wood box by wiring together energy-efficient fluorescent fixtures typically used under cabinets and countertops. “The cheaper magnetic models hum unacceptably loudly, so make sure you get the electronic ballast types,” he warns. He then painted the cavity white to reflect light and covered them with quarter-inch-thick acrylic from TAP Plastics. homedepot.com tapplastics.com

The view of Kapiti Island is fully revealed from the tower.

The top container contains Wardell's office—and a "napping nook" above that.

In the dining area, a one-of-a-kind table with a reclaimed Carrara marble top by NET—themultidisciplinary design firm of architect Alejandro Sticotti, with whom Nicolas works—is surrounded by prototypes of the company’s Board chair. The family dog, China, sits on a floor made of travertine tiles.

The architects added a small circular skylight to serve as a vertical focal point in the center of the fifth floor. The quarter-sawn white oak risers produce a beautiful rippled grain highlighted by the abundant natural light.

Konishi and Gaffney's bedroom is fairly austere, though a pair of dormers let in lovely natural light.

The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.

The interior showcases the roof's laminated wood beams. A Panton chair takes the seat of honor at the dining table.

The yellow North Face tent looms over the top of the main building.

Yvette, Adrian, and their son Julian survey the view from the top-floor terrace. “I’ve never been fond of modernism—I find it cold,” Adrian admits. “But having this house, I have to say, it’s growing on me.”

Still, it’s possible to remove or relocate non-structural walls in a home with good bones.

The master bedroom occupies a private space on the top floor.

This Nordic kitchen shows why white spaces aren't all the same. Frosted glass and veiny marble offset the milky Eames shell chairs in this photo from @tinashome.

A Nelson jewelry cabinet and Massimo Vignelli lamp.

In the kitchen, glossy white MDF and quartz countertops allow for maximum light reflection, as do the white walls and ceilings. The stools are from Zone Maison.

The Piranesian view upwards through the central stair to the top floor skylight.

Although the two apartments were stacked vertically, their individual systems and layout were quite different. The limited horizontal overlap meant that the owners and design team had to give careful thought to the connective elements, and how the family would ultimately circulate through the home. One of the key pieces to the puzzle was finding a place for the interior stairs. Says Bangia Agostinho principal Anshu Bangia, “There was a challenge to find an appropriate location to cut a new stair opening between the apartments, and then have the new stair coordinate with the existing one to form a logical sequence of circulation between the three levels.”

Integral glass counter and sink top

Two Black Sheds incorporates all the conventional aspects of a weekend retreat in a rather unconventional way.