Every space, including the living and dining sections seen here, has “furniture, objects and artworks that bring us memories,” says Smud. The bench, coffee tables, and dining table are by the late Alejandro Sticotti.

Natural wood trim—as opposed to laminate—is gaining steam in luxury car interiors. Various veneers are stores in a carefully monitored humidor before they're applied to models for armrests or dashboard and door details.

Here are some of the seat patterns for the various parts. Unlike a lounge chair or sofa found in your living room, this chair is made from many separate components, each positioned to optimize the piece.

The seatmaker sculpts a form out out of the foam. The more dense foam offers rigid support while the less dense sections conform more to a driver's body.

Seating is a large component of car interiors and evaluated on comfort, looks, and functionality. Very specific compositions of foam exist underneath the surface. The different densities create the support and comfort that's needed to make quick trips around town and long road trips equally enjoyable. Here's an example of the different foams in a seat.

Here's an example of all various wood accents one might see within a car. After the shape is contoured and refined by the designers and woodworkers—the same way as the steering wheel stitch is—it's then ok'd for production. This is just a glimpse of what goes into three components and similar processes occur for other parts.

Inspirational spaces

After the foam configutation is set, the seat is upholstered and assembled.

The color, texture, and grain of a piece of leather is taken into account for upholstering an interior. Each car GM produces needs to be consistent and uniform in look and customization options. For example, if a buyer sees a caramel leather in a showroom car and wants it in their own, it needs to look the same. The studio makes sure that tanneries will be able to provide the right shade for a piece of leather and will be able to reproduce that on a large scale.

The W.W. Stool by Philippe Starck.

British artist Hannah Sawtell and technologist Avi Flombaum created sawbaum.com, where users can create visual collages using multiple vine streams. "We wanted it to look like a visual comic book, with overlapping panels," said Flombaum. "And we wanted it to be fun!" Photo courtesy Rhizome.

The courtyard is a secure space with a double-height window that offers seamless interior-exterior connection. “It gives a nice sense of containment and peace, while still engaging interior spaces,” says Cashman.

Steel strips form a security screen on the street side of the scullery. One can also hang pots and pans from them. A skylight filters illumination through glass block flooring to the basement below.

The kitchen is accessible from a raised courtyard across from the main living space. “The double exhaust hood looks like an old industrial gantry,” remarks Cashman. Sandblasted brick and sandstone from the original warehouse dialogue with floating white and grey cabinetry.

“The biggest design challenge was the facade,” says architect Mark Cashman. “It had to step back from the street and recede to give prominence to the heritage status warehouse facade.” Above the translucent bedroom level, a balcony with a herb garden steps back further. From the rooftop garden, downtown Sydney comes into full view.

Simultaneously sculptural and pragmatic, the undulating form of the W Magazine Stand’s molded plywood is both pleasing and useful. It’s compact enough for small spaces, though you may be loath to cover up the figurative grain pattern of the walnut with your magazines.

The master bedroom features wallpaper by Erika Wakerly. The glass tables next to the Croft House bed were gifts.

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For example, a designer specifies a certain stitch pattern. A sewer then creates the same pattern by hand giving feedback on reproducability. If it's too complex, he or she will offer feedback to the designer; the designer then takes another stab at the stitch's look. The back and forth happens until the detail is refined and meets the aesthetic standards and manufacturing capabilities at GM.

The automotive design process at General Motors involves countelss talented people from ideation to production. After designers come up with ideas for interior and exterior styling—think: the shape of seats, the contouring of a console, the overall look and feel of a cabin—craftspeople create life-sized prototypes at the Interiors and Exteriors Studio. They evaluate the design to see if it's something that can be produced on a large scale given the tools and machinery that's readily available. Even the most minute stitch.

A secondary bedroom meant for a child has a partially translucent, curved glass wall.

A pivoting Gyrofocus fireplace, staircase, and elevator shaft organize the social space. Lighting throughout the house is mostly ambient, supplemented by task-oriented lighting.

Based in New York, photographer Brian W. Ferry regularly shoots portraits, travel, interiors, and design stories for international clients and publications including Condé Nast Traveler and WSJ Magazine. For this issue, he captured “Outside Providence,” a story about a coastal Rhode Island getaway. “I was blown away by the skylights throughout the home,” he says. “Watching the light and colors change slowly over the course of the two-day shoot was a real treat—it was like a private James Turrell exhibition.” What’s your favorite city to visit in the USA? “I frequently travel to Los Angeles for work and pleasure, and I enjoy every visit. There’s a wonderful art scene, great food, and the ability to spend time outdoors year-round.”

A New York–based photographer who shoots for clients including Condé Nast Traveler and the Wall Street Journal Magazine, Brian W. Ferry loves the perks of Dwell assignments. In one week, he shared lunch alfresco with the owners of the Stanfordville, New York, outbuilding and pizza and wine in São Paulo with the owner and architect of the Jardins apartment.

Tucked away in a corner of Makati, W-17 is an elegant warehouse space showcasing luxe home wares from the Philippines and beyond. Catch Carabao (Philippine water buffalo) horn salad servers, elegant wood serving bowls trimmed in gold, locally crafted dinner ware, and antique Chinese furniture, along with rugs from New York-based Filipino designer Inigo Elizalde.

Style: "Portrait B&W"

From the transitional space between the living area and courtyard, the TV room is visible.

Shim-Sutcliffe Architects, CONGREGATION BET HA’AM

The reflective marble in the reception area and new Lobby Bar recalls a runway, according to Meyer, injecting life into the entryway while drawing the focus to the bar and the small, circular pods, curtained-off areas where guests can congregate. The reception area also boasts a white spray can mural that plays up a little-known historical fact—the aerosol cans were invented in Chicago in 1883—while referencing the city's spray paint ban.

Ideal for magazines or paperwork, the W Molded Ply Magazine Stand ($149) is equally at home in the living room or the office.

Inga Sempé, W103c light, 2010.

Bookmark your reading materials by perching them on the detachable birch resting pole.

CURRENT, the redesigned restaurant, focuses on straight lines and soft tones to amplify the view of the lake.

According to Jacobs, the design philosophy was about having a point of view and not necessarily trying to be a perfect fit for everyone.