The couple’s white Bulthaup kitchen is set within a double-height volume hung with Tom Dixon Beat lights, arranged in a custom configuration by interior designer Maria Rosa Di Ioia. Overhead, Cubit shelving artfully displays books and objects, accessible by a glass-walled footbridge added during the renovation.

Villa Vals is subtly out carved from an alpine slope in Vals, Switzerland. The unique design by SeARCH and Christian Müller Architects provides both a comfortably sized patio, and stunning mountain views while remaining visually unobtrusive in the pastoral landscape. Photo by Iwan Baan.

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Construction took place from 1964 to 1967. The original project was adapted from Safdie’s graduate thesis at Montreal’s McGill University.

"In 2012, the Fed shredded 7,000 tons of retired currency—this is a high quality cotton/linen blend, and makes quite a nice reinforcing fiber for plastic," Mielewski points out. She's researching ways to utilize this material.

Habitat ’67 achieved Heritage status in 2009.

Jeff lets us in.

The architect continues to refine the Habitat concept.

Joe Sturges of GS Landscape Architecture Studio oversaw the landscape design.

The entire apartment is outfited with Sangaré’s UNITÉ lighting, which has been inspired by the rectangular, prefab building blocks of Habitat 67.

Google's modified search bar in celebration of April Fool's.

A mirror on one of the pavilion's interior walls dissolves the boundaries between interior. The reflective surface of the drafting table amplifies the effect. Photo by Paul Clemence.

A curtain of mirrored metal helps erase the building’s historical references and also “dematerializes” the building by creating the sense of a porous connection between interior and exterior. Photo by Paul Clemence.

Though their unit was gutted, Peart and Weisgerber were highly attentive to the remaining details of Safdie’s design.

This renovated flat in Moshe Safdie's iconic Habitat '67 prefab apartment building in Montreal employs similar massing that looks like stacked concrete boxes.

The U.S. State Department has just announced the representatives for the American pavilion at the 2014 Venice Architecture Biennale: New York's Storefront for Art and Architecture, helmed by the inimitable Eva Franch i Gilabert, will be programming the U.S. pavilion alongside Ashley Schafer of PRAXIS Journal and Ana Miljački, from MIT's architecture program. The trio—with input from Natasha Jen of Pentagram, Architizer, CLOG, and Leong Leong, who will design the pavilion's physcial space—will stage an "active, experimental architectural office that researches, studies, and remakes 1,000 projects designed by American architecture firms and exported abroad." To learn more about the players involved, take a trip with us through the Dwell archives.

The US Institute of Peace Building continues in Moshe Safdie’s legacy of innovative use of materials. The toroidal forms at play here challenge occupants’ conception of the space. Moshe Safdie, US Institute of Peace Building, 2001, Washington, D.C. Photo by Timothy Hursley.

These pendant lamps—"simple shapes that become wonderful when you are mix them together," says Färdig— were released at Stockholm Design Week earlier this year.

Co-curator Eva Franch i Gilabert stands in front of a wall lined by "project folders," which document the most important and ambitious projects by U.S. architects completed overseas in the last century, from Frank Lloyd Wright’s Imperial Hotel to Frank Gehry’s Guggenheim Museum and beyond. Photo by Paul Clemence.

Designed by New York-based architecture firm Leong Leong, the pavilion’s modular drafting tables contain objects ranging from architectural models to archival magazines half-hidden under the tables' semi-transparent surfaces. Visitors are encouraged to sit at the table, touch the objects, and read the same project folders used by the pavilion’s researchers. Photo by Paul Clemence.

The Rasken Bench, designed by Anna Leckström, for IKEA

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Form Us With Love, which is based in Stockholm, introduces a new line of wide-format acoustic panels for Baux. The five "forest-inspired" wall patterns include a mix of 22 colors.

A custom table designed by Staffan Holm, capable of seating 26, runs the length of Anders Bergström and Kristina Lagercrantz’s kitchen in Gothenburg. Unfold pendants by Form Us With Love for Muuto, Lilla Åland chairs by Carl Malmsten for Stolab, and a painting by Hampus Pettersson complete the space.

The two-seat configuration of the Dunder sofa. Blå Station is represented in the US by ICF Source.

Wesselmann, T.

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The central rotunda of the Palladian pavilion has been turned into a break room for both visitors and “partners." The round platform, which seems to be made of granite, is in fact a spongy material that makes for a surprisingly comfy nap. Photo by Paul Clemence.

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The minimalist design of the space was also informed by the location of Habitat 67 on the Saint-Laurence River—a windy and isolated spot during the long cold winter months.

The gorgeous hacienda was no slouch itself. Wandering around in search of the bathroom was never so exciting.

When Jennifer and Mattias Segerholt decided to move to Portland after five years in Los Angeles, a shared climate-based trepidation shaped their real estate search.

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