A trio of Djinn Chairs by French designer Olivier Mourgue from 2001: A Space Odyssey (1968), lay atop light boxes.

Outside view of the A Clockwork Orange (1971) section of the exhibition.

The Adler typewriter Jack Torrance (played by Jack Nicholson) used to type with.

A copy of MAD Magazine's "A Crockwork Lemon," June 1973.

A zoomed-in color slide from Lolita (1962), made possible by a sliding viewer.

Scribbles and edits on The Killing (1956) manuscript.

Upon walking into the exhibition, two films are projected side by side (seen here, Kubrick's 1980 horror classic, The Shining) in a big, dark room. Visitors can either sit and marvel or merely pass on by.

Memorabilia from Full Metal Jacket (1987), such as Gustav Hasford's The Short Timers, Kubrick's script notes, and Private Joker's original props.

Jack's famous repeated sentences actually first originated from 17th-century writer James Howell's Proverbs in English, Italian, French and Spanish (1659).

The director's career in film, in the form of posters, line the wall.

The infamous Grady Twins from The Shining (1980) look unfazed, as a small group of visitors focus on an exhibition reading.

The original Moonwatcher costume from 2001: A Space Odyssey (1968).

The original Spacesuit from 2001: A Space Odyssey (1968).

The original dresses and shoes of the Grady sisters.

Kubrick's wooden director's chair.

A reproduction mannequin of the Korova Milk Bar maid from A Clockwork Orange (1971).

A variety of different camera lenses used by the late director.

A reproduction model of the Discovery spaceship from 2001: A Space Odyssey (1968) floats above some of the film's memorabilia.

The research library containing 217 books for Napoleon, sadly one of several of the director's unrealized projects.

Production design sketches by John Barry for A Clockwork Orange (1971).

An animation by Andy Featherston plays inside David Bowman (played by Keir Dullea)'s original helmet from 2001: A Space Odyssey (1968).

A peek inside a reproduction model by Workshop Jörg Kallmeyer, Frankfurt am Main of the War Room featured in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964).

The entrance to the exhibition, housed inside the Art of the Americas Building at the Los Angeles County Museum of Art.

A line-up of Sasco cards (filing cards assembled into a chart) for 2001: A Space Odyssey (1968).

Left and center: Original uniforms of French regimental soldiers and Right: Original costume of Barry Lyndon for Kubrick's period film, Barry Lyndon (1975).

The Grace Farms Foundation—a faith-based non-profit organization that supports social justice endeavors, the arts, and community initiatives—commissioned the Japanese architecture firm SANAA to design a multipurpose structure dubbed "the River." Set to open in fall 2015, the building will be the firm's first completed project in the United States since winning the Pritzker Prize in 2010. Funding for the $60 million project came from individual gifts.

The "dining and living" room will have a 300-person capacity and features a coffee bar. Views of the surroundings abound through the floor-to-ceiling double-pane glass walls. The panels will be joined by a special spacer that masks the seams.

The 86,000-square-foot structure will hold a 700-person ampitheater, a library, a dining area, communial "living" room, and gym/recreation center. Environmental sensitivity was paramount to Grace Farms and a number of grean features will be incorporated: high-efficiency mechanical, electrical, and lighting systems; energy-efficient glazing; a reflective aluminum roof to reduce heat absorbtion; and water-conservation measures. The building is housed under a continual roof and slopes down a 38-foot grade.

Grace Farms is located in New Canaan, Connecticut, about 4.5 miles north of the Glass House. The 75-acre site was formerly used for agriculture and now it will function as greenspace that's open to the public. The organization sought to create a structure that would help people "experience nature, foster community, explore faith, and pursue [social] justice." To that end, SANAA devised an elegant glass structure that hugs the site's natural topography and wends its way through the meadows like a natural river. The goal was to make the building become a part of the landscape. "It can be at once majestic with gardens and long views, while at the same time very personal with shelter and places for meditation," SANAA wrote in its statement of intent. Olin Studio and Larry Weaner Landscape Associates are working on a plan to enhance the site's natural characteristics.

An existing barn on the site will be converted into classrooms.

A view of the Olson Kundig retrospective exhibition at KANEKO in Omaha, Nebraska.

My First Sony Series Walkman, 1987.

WM-F5 Stereo Cassette Player, 1983.

PV-100 all-transistor videotape recorder, 1963.

D-E01 Portable CD Player, 1999.

Eujin: Pasolini and Fassbinder Retrospectives at BAM/PFA Come September, my second home will be at the Berkeley Art Museum/Pacific Film Archive Theatre. Reason? Film auteurs Pier Paolo Pasolini and Rainer Werner Fassbinder are each being honored with career retrospectives. Pasolini starts from September 20-October 31 with Accattone (1961) and Fassbinder joins in on October 4-29 with Love Is Colder Than Death (1969). Bonus: Some films are newly restored 35mm prints!