Mint green-painted ironwork and tiles connect the indoors to the outside more fluidly.

The Max-A studio is also built with a pine frame, though it has pine panelling on the ceiling, while the main house ceiling is painted a warm white.

The quiet, minimalist kitchen features a wall in the same “criptoméria" wood used for the bookshelf in the living room. A Davide Groppi Punto 2 PL light hangs over the dining table.

Warm wooden walls ensure the simple bedroom setup, a low mattress next to a Muuto Leaf table lamp, offers more comfort than the cold stone exterior.

This garage space uses iconic checkerboard floor tiles to contrast the rustic barn door that provides entry to the rest of The Barn.

Another view of the garage reveals its extensive space to house vehicles and protect them from the elements.

Wood decking extends out to the yard.

In keeping with the island’s rugged character, the new home was pared down to the essentials. Even the floor in the living room, elevated during the construction process to give seated guests sight lines of the coast, helped frame the outdoors. With this philosophy in mind, Vieira da Silva sourced and designed simple, light furniture, such as the custom bookshelves made from “criptoméria," a type of Japanese wood planted in the Azores for construction. The floor lamp, a Sampei model by Davide Groppi, is set above a Lamino Easy Chair by Swedese. Both the sofa and table are also Swedese.

Amending Meeuwissen’s early request for an open bathroom space, the architects devised a more private chamber with an overhead skylight and walls in stone tile from Intercodam Tegels.

Built as part of a functional farmhouse, the original building's ground floor was used to store food and animals, a situation that didn't exactly call for expansive views or large amounts of natural light. Vieira da Silva maintained a similar layout over the two-story home, with social areas on the upper floor and bedrooms on the ground floor, but opened up the lower level with large windows. "With the pre-existing stone walls we created patios, keeping a distance [between the walls] so we could have big openings, and create a close and intense relationship with the landscape and the ruin itself."

After - living room (Rubio monocoat floors, Chantilly lace walls, used fireplace)

Initially unassuming, the E/C home appears hidden from the road, perched on the sloping edge of the island and partially wrapped in the basalt walls from an 18th-century farmhouse. Architects Ines Vieira da Silva and and Miguel Vieira approached the site with a vision to create a relationship with the landscape; they designed the 2,600-square-foot holiday home to not only be a simple escape, but also to frame the weathered coast and reflect its past. “Both paths to the house were designed with basalt stone, as if they were still a rural path,” Vieira da Silva says.

99 by Von Tundra and Lydia Cambron $13,000 Oregon-based Von Tundra’s unit combines three different storage options—a rack, drawers, and boxes—into a multipurpose dresser.

The new concrete exterior has already been transformed by the rain and humidity of the Azores, and now sports an aged look. The color contrasts with the basalt wall and dark soil of the Ilha Preta ("Black Island"). Vieira da Silva anticipates that surprising patterns and textures will develop on the outer walls over time.

The Armadillo is parked on a 1,000-square-foot lot that gives the couple ample outdoor space.

Holiday Cards by Autograph

This outdoor chair from designer Damian Velasquez is both striking and strikingly comfortable—you might not believe you're sitting on metal. The mesh design is sturdy, but has just enough give to conform to your body. The heat-dispersing, wind-resistant powder-coated stainless steel construction makes it a smart addition to your yard.

O Table by Half 13 $2,800 This curvy powder-coated stainless steel outdoor table, fabricated by Damian Velasquez in Albuquerque, New Mexico, is available in nine vibrant colors.

Wooden decks can be added to heighten the indoor-outdoor living experience.

Landscape architect Kevin Campion went to great lengths to protect the poplar trees during construction. Delta Millworks charred the cedar gable fronts following the shou sugi ban technique.

While the original home was dark, like other homes of its period, the addition allowed Andrews and his team to let in an abundance of natural light.

A Rafa Kids swing hangs below the loft bed near the large desk designed for playing with Legos.

Shumaker Design + Build Associates honed in on natural light, rich tones, and earthy materials to update this Chicago kitchen. The renovated kitchen now boasts a ten-foot-long banquette paired with a West Elm table, offering seating for everything from quick breakfasts to grand dinners.

Light pine finishes make the interiors feel airy and spacious.

Two pieces from E15’s Shiraz sofa flank the company’s wooden Leila side tables. Hill chose to use flat paint in Benjamin Moore’s Decorators White throughout the home because it emphasizes the chalkiness of the plaster walls, making them “look almost like slate.” The sconce shown in the foreground—David Chipperfield’s Corrubedo design for FontanaArte—gives off a soft glow and replaces the dozens of paper-lampshade wall fixtures the owners found in the house when they bought it. Stewart Cohen’s zany photograph of a gun-toting Marfa resident encapsulates Barbara Hill’s offbeat brand of decorating: bright and minimal, yet darkly humorous.