Mint green-painted ironwork and tiles connect the indoors to the outside more fluidly.

The Max-A studio is also built with a pine frame, though it has pine panelling on the ceiling, while the main house ceiling is painted a warm white.

A family of cost-conscious Hamburgers converted a kitschy turn-of-the-century villa into a high-design home with a strict budget in place. To unite the quaint masonry of the original villa with the squat, ugly add-on built flush against it, the architects decided to paint the old-fashioned facade graphite gray and then covered the box next door in plain, light-colored larch. Photo by Mark Seelen.

Sebastian Heise’s wooden structure, seemingly atilt, overlooks a green valley in Oberwiesenthal, Germany. The two horizontal windows on the side and the front porch give the home its own unique sense of balance.

Wood decking extends out to the yard.

A family in Hamburg, Germany, turned a kitschy turn-of-the-century villa into a high-design home with a few exterior tricks, including sheathing the exterior in one-dimensional, murdered-out black.

Amending Meeuwissen’s early request for an open bathroom space, the architects devised a more private chamber with an overhead skylight and walls in stone tile from Intercodam Tegels.

In 1994, artists like Sandro Porcu and Kaeseberg drew attention to the Spinnerei, and in 2001 it was completely converted into an artist's haven. Now, nearly 100 artists, dancers, photographers, and designers have studios and residences, and the 11 galleries put on a combined 70 exhibitions a year. A cafe and art store cater to visitors and residents alike.

After - living room (Rubio monocoat floors, Chantilly lace walls, used fireplace)

Designer Christiane Hogner, Bruxelles

Built as a cotton mill in 1884 with the utopian ideal to be a "city within a city" for its employees, the Bauwallspinnere (Cotton spinnery) was one of the biggest spinning works in Europe. With employee housing, gardens, stores, and a hospital, the area became a modern example of industrial society. In 1993 after the wall fell and Liepzig lost 90 percent of its industry, the Spinnerei was sold and became a tire cord factory. The empty rooms and large spaces began to draw artists, who started setting up studios, workshops, and exhibitions. Photo courtesy Spinnerei.

99 by Von Tundra and Lydia Cambron $13,000 Oregon-based Von Tundra’s unit combines three different storage options—a rack, drawers, and boxes—into a multipurpose dresser.

Photo courtesy Reinhold Andris Office, Walddorfhäslach.

The large terrace on the upper level, which contains the house's bedrooms, is nearly 968 square feet.

Corner of a building in Berlin, Germany.

The Armadillo is parked on a 1,000-square-foot lot that gives the couple ample outdoor space.

The large industrial space allows ample room for large-scale exhibitions, such as The Politics and Pleasures of Food (shown), which has a garden, art, sculptures, and videos.

Building and stairwell in Essen, Germany.

Artist also have the opportunity to sell their products to visitors, we especially loved the sculptural porcelain pieces by Claudia Biehne.

Artist Franz von Lenbach built his studio in 1886, four years after he added his home. He commissioned German architect Gabriel von Seidl to design it in Neo-Classical Tuscan style. von Lenbach's intention was to build a monument to his art. He filled it with paintings and statuary from his many trips to Europe and furniture from Tuscany. When the villa was built, it was on the only road now called Luisenstrasse, that let up to the Nymphenburg Palace, (c. 1664) the summer home of the royal family of Bavaria. Because the royals would be passing it and going to and from their palace, the city of Munich set out rigorous rules for its design. In other words, the villa had to be stunning, giving the royals something nice to look at. And, it is. Today, 450,000 visitors each year enjoy von Lenbach's studio and home. Image courtesy of Lenbachhaus Gallery and Museum.

This structure in Düesseldorf, Germany, is part home, part workshop, and part showroom for designer and resident Joachim Jasper. Located in a former factory, it features modern furnishings from the likes of Tom Dixon and Agape.

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This outdoor chair from designer Damian Velasquez is both striking and strikingly comfortable—you might not believe you're sitting on metal. The mesh design is sturdy, but has just enough give to conform to your body. The heat-dispersing, wind-resistant powder-coated stainless steel construction makes it a smart addition to your yard.

O Table by Half 13 $2,800 This curvy powder-coated stainless steel outdoor table, fabricated by Damian Velasquez in Albuquerque, New Mexico, is available in nine vibrant colors.

Wooden decks can be added to heighten the indoor-outdoor living experience.

Landscape architect Kevin Campion went to great lengths to protect the poplar trees during construction. Delta Millworks charred the cedar gable fronts following the shou sugi ban technique.

A Rafa Kids swing hangs below the loft bed near the large desk designed for playing with Legos.

Shumaker Design + Build Associates honed in on natural light, rich tones, and earthy materials to update this Chicago kitchen. The renovated kitchen now boasts a ten-foot-long banquette paired with a West Elm table, offering seating for everything from quick breakfasts to grand dinners.

Light pine finishes make the interiors feel airy and spacious.

An opaque sliding glass door separates the bathroom from the dining area. White tile with pink-colored grout ties the two spaces together.