Mint green-painted ironwork and tiles connect the indoors to the outside more fluidly.

The Max-A studio is also built with a pine frame, though it has pine panelling on the ceiling, while the main house ceiling is painted a warm white.

Local sailboat shops wanted thousands to make the 13-by-13-foot curtain that hides the Wall of Storage. "We we called my parents in Bangkok, gave them the dimensions, and they got it made for 150 bucks." says Im.

Wood decking extends out to the yard.

Amending Meeuwissen’s early request for an open bathroom space, the architects devised a more private chamber with an overhead skylight and walls in stone tile from Intercodam Tegels.

After - living room (Rubio monocoat floors, Chantilly lace walls, used fireplace)

99 by Von Tundra and Lydia Cambron $13,000 Oregon-based Von Tundra’s unit combines three different storage options—a rack, drawers, and boxes—into a multipurpose dresser.

“Durability drove the selection of metal panels,” Schaer says of the home’s industrial exterior. Manufactured by AEP SPAN from corrugated cladding, it looks like zinc but costs significantly less. It also contrasts nicely with the natural siding and trim. “All of the wood inside and out is Douglas Fir, the predominant wood species in the northwest,” Schaer explains.

The Armadillo is parked on a 1,000-square-foot lot that gives the couple ample outdoor space.

This outdoor chair from designer Damian Velasquez is both striking and strikingly comfortable—you might not believe you're sitting on metal. The mesh design is sturdy, but has just enough give to conform to your body. The heat-dispersing, wind-resistant powder-coated stainless steel construction makes it a smart addition to your yard.

O Table by Half 13 $2,800 This curvy powder-coated stainless steel outdoor table, fabricated by Damian Velasquez in Albuquerque, New Mexico, is available in nine vibrant colors.

Wooden decks can be added to heighten the indoor-outdoor living experience.

The kitchen of this Brooklyn brownstone features a brick backsplash with a metal panel connecting the Bluestar range to the Viking chimney wall hood. The mashup of materials preserves the personality of brick with the ease of cleaning stainless steel. The island and cabinets are fashioned from remilled Douglas fir beams salvaged from Upstate New York.

Landscape architect Kevin Campion went to great lengths to protect the poplar trees during construction. Delta Millworks charred the cedar gable fronts following the shou sugi ban technique.

A Rafa Kids swing hangs below the loft bed near the large desk designed for playing with Legos.

Shumaker Design + Build Associates honed in on natural light, rich tones, and earthy materials to update this Chicago kitchen. The renovated kitchen now boasts a ten-foot-long banquette paired with a West Elm table, offering seating for everything from quick breakfasts to grand dinners.

Light pine finishes make the interiors feel airy and spacious.

An opaque sliding glass door separates the bathroom from the dining area. White tile with pink-colored grout ties the two spaces together.

A pool cage with a retractable awing makes the pool deck feel like a natural extension of the home's interior, while the terraced construction lifts the building up above the level of floods and storm surges.

The Heddle Suite is "the look is one of New England design turned on its head

The first-floor rental unit features a table from an 11th-century monastery turned pub.

23' x 13' Detached Garage

With the help of architects X+L Studio, Nynke Meeuwissen and Mark Aink rehabilitated an old school outside of Amsterdam into a comfortable roost for their family of five. The former gym—with original herringbone parquet floors—is now the living room, furnished with Minotti sofas, a Danskina rug, and a Gyrofocus wood-burning stove.

A white Bulthaup system fits cleanly into the 13-foot-long kitchen.

The home created by Patternity, the design duo comprised of Anna Murray and Grace Winteringham, plays with geometric shapes.

Crawford's design incorporates various audio-visual elements. "We had two projections on loop," she says. "One is a film of all the daily actions and rituals that take place in any home throughout the course of a day. The second is a stop motion slideshow of all the objects and 'things' we touch and interact with in the course of a day. These run to a soundtrack that captures the sound of home, and are offset by a fragrance we have developed with London-based fragrance expert Azzi Glasser. We wanted to capture the smell of an old sofa, aging wooden floorboards, and extension cables."

"We wanted to create a sensory installation that engages visitors with sight, sound, smell and touch," Crawford says. "The hope is that people will connect to these and be triggered to think about their own experience and the concept of home."