Mint green-painted ironwork and tiles connect the indoors to the outside more fluidly.

The Max-A studio is also built with a pine frame, though it has pine panelling on the ceiling, while the main house ceiling is painted a warm white.

The compound at dusk.

The team carried the concept of contrast through the exterior, juxtaposing the home’s 125-year-old red brick façade with vertical, black-stained cedar cladding at the back. “We wanted to celebrate the old alongside the new,” Dubbeldam says. Since the house is so well insulated, the extra heat that dark exteriors typically draw doesn’t penetrate beyond the boards’ surface.

A nearly 360 degree view of trees outside contribute to the treehouse feel of the second floor. This shot at dusk shows off the garage door’s perfect mix of in and out for entertaining purposes. Photo by: Michael Wells

Wood decking extends out to the yard.

Amending Meeuwissen’s early request for an open bathroom space, the architects devised a more private chamber with an overhead skylight and walls in stone tile from Intercodam Tegels.

Field at Dusk

After - living room (Rubio monocoat floors, Chantilly lace walls, used fireplace)

99 by Von Tundra and Lydia Cambron $13,000 Oregon-based Von Tundra’s unit combines three different storage options—a rack, drawers, and boxes—into a multipurpose dresser.

Illuminated at dusk, the home brings light and energy to the sleepy dunes. Relying on cues from the natural beauty of the surrounding landscape, the home quietly but confidently makes its presence felt.