Mint green-painted ironwork and tiles connect the indoors to the outside more fluidly.

The Max-A studio is also built with a pine frame, though it has pine panelling on the ceiling, while the main house ceiling is painted a warm white.

In the cheerily outfitted office, a Herman Miller Embody chair lets Shino stay comfortable on business calls that can last for hours.

While collecting the objects that fill the Yugodom, designer Mario Milakovic was surprised to discover the love-hate relationship many Serbians shared with the products of the period. "For some people this furniture stayed around until nowadays, surrounding them their entire lives," he says. "That furniture is more like a monument, sort of like a witness."

99 by Von Tundra and Lydia Cambron $13,000 Oregon-based Von Tundra’s unit combines three different storage options—a rack, drawers, and boxes—into a multipurpose dresser.

Montague arranges his objects with a sense of humor. Custom shelves display his collection of salt and pepper shakers.

When curating the rooms throughout their house, Udechuku and Smith mix borrowed pieces related to the temporary exhibition—such as the playful sculptural lamps crafted from found materials by Brazilian artist Rodrigo Almeida—with vintage American and European classics from their personal collection, such as a Florence Knoll sofa designed in 1954 and newly re-upholstered in a yellow Kvadrat fabric. "We have no opening hours but people call or knock and—if we are home—we welcome them in and put the kettle on." —Ike Udechuku

Objects collection by OeO.

Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.

Both the sitting and standing versions of DESK 01, a collaboration between Artifox and IdeaPaint, are outfitted with dry erase surfaces for recording sudden bursts of creativity.

Style: "#1"

Leen's house is filled with assorted ceramics from years past.

Resting atop an oak table by Miralles, amidst a collection of tchotchkes, is the “B” trophy awarded to the pair for their work on the Santa Caterina Market rehabilitation project. A Louis Poulsen lamp hangs just above.

An unassuming hickory entertainment system, also designed by Bernier, contrasts with the living room’s polished concrete floors and white walls. Custom seating by Meubles Reno and fixtures by Axis Lighting further complement the space.

A collection of various red bric-à-brac meticulously laid out.

Susanna's skill as a stylist is evident in the apartment's many eye-catching arrangements of objects: here, a paper bird, a origami bowl, and a jar of striped paper straws.

Tipsy Paperweight, $35 at the Dwell Store Tipsy is a tabletop object that is crafted from solid turned brass and turned maple. Structured in a teardrop shape with a weighted brass base and conical wood top, Tipsy is impossible to knock over, and can be used as a paperweight, accent piece, desktop toy, or even as a stress reliever.

'Objects for Cleaning' (2013) by Raya Stefanova, also featured in the Sparks' exhibition, encourages household dwellers to re-consider the beauty of and possibilities for engagement with utilization of sculptural tools, which the designer envisions being left out in plain view as part of the domestic dialogue. Photo courtesy of Raya Stefanova and Sofia Design Week.

His 1,000-square-foot flat in the Marais district doubles as a personal museum of beloved possessions.

Top 9 Kitchens of 2020: The nominees for this year’s Dwell Design Awards are the epitome of style and function.

Lauren and Brittan Ellingson, the owners of Notice Snowboards, a custom snowboard and wakesurf company in Whitefish, Montana, approached Workaday Design and builder Mindful Designs to concoct a new lake home for their family. The brief was, perhaps unsurprisingly, focused on getting the family outdoors as much as possible.

The Lofthouse is built one of the many hills separating it from the couple’s main residence. "Excavation was a challenge, as we wanted to maintain as much of the existing landscape as possible, but needed to clear out trees for the foundation," says Tarah.

Parota wood continues in the spacious kitchen. Marisa and Christopher found the blue tile that runs throughout the home on a trip to León, Mexico. "It called out to us," says Christopher. Festooned with small stars, its tone matches the color of the ocean perfectly.

The architects designed the home’s expansion with the knowledge that the owners plan to continue the renovation when their budget allows it. "We wanted to put everything in the right place so it doesn’t have to be undone later," says Corti.

Houston-based designer Barbara Hill is known for a stripped-down aesthetic that blends art-world cachet with Texas modernism. Vitra’s Slow chair sits in front of a powder-coated-steel bookcase made by Hill’s go-to fabricator, George Sacaris; it was originally built for the Houston house.

The architects embraced the modernist form of the new structure instead of cladding the extension in expensive brick to match the original Victorian’s exterior.

When architect Antonio Monserrat transformed an old 800-square-foot Brooklyn loft into his new home, he imbued his love of colorful, multifunctional design into an eye-catching renovation. Once used as a bakery in the early 20th century, the postindustrial space came with great bones—original exposed timber beams, 12-foot ceilings and large windows—that Monserrat used as a backdrop for his playful color choices, small-scale studio prototypes, and contemporary furnishings. From the emerald-green entryway with a hot-pink ceiling to the sunshine-yellow Kartell storage pieces, the Spanish architect’s loft beautifully blends creative inspiration with functionality.

At Under, a Snøhetta-designed restaurant balanced on the Norwegian coast, guests dine 16 feet below the ocean’s surface. The tilted concrete tube gives the impression that it’s sliding into the sea. “The idea was to make a tube that would bring people from above sea level down under the sea,” lead architect Rune Grasdal told Dezeen. “That transition is easy to understand, but it’s also the most effective way to do it. It also feels secure, but you don’t feel trapped.” The angle was also designed with the building’s aquatic neighbors in mind. Over time the structure will become part of its environment, acting as an artificial reef. Marine research tools like cameras have been installed outside the restaurant to help scientists learn about the population, behavior, and diversity of the species living in this part of the North Atlantic.

Located within walking distance to the coastal village of Matanzas, the two Maralto cabins are named La Loica and La Tagua after local bird species.

The Franklin stove adds an authentic touch to the updated cabin.