Mint green-painted ironwork and tiles connect the indoors to the outside more fluidly.

The Max-A studio is also built with a pine frame, though it has pine panelling on the ceiling, while the main house ceiling is painted a warm white.

The open plan living room and kitchen areas utilize natural materials, from reclaimed oak flooring to custom-made cabinetry. The Oscar sofa by Matthew Hilton from Future Perfect marks off the living room area.

99 by Von Tundra and Lydia Cambron $13,000 Oregon-based Von Tundra’s unit combines three different storage options—a rack, drawers, and boxes—into a multipurpose dresser.

The cabin’s basic structure was reclaimed from a barn built in 1840 and purchased from Heritage Barns out of Waco, Texas. The same company supplied the recycled wood that clads the walls, though the ceiling boards are new. “We stained them with a gray wash to match the tones of the post and beam, but with a more clean look,” Bronee explains. The concrete floors were polished and waxed for a sleek finish.

Steel pipe columns and wood beams were recycled from a 1960s church carport; the old-growth fir sliding screens, fence, and gate originate from a heavy timber warehouse in Pioneer Square; the aluminum-and-glass garage door is reclaimed from a downtown condo conversion; and the studio’s shelving and track lighting is courtesy of workstations from another downtown building.

In addition to consulting major companies on material use, Material ConneXion has a subscription-based library with over 7,500 innovative materials.

Around 40 materials are introduced into the library each month, after undergoing a jury review process.

The company has offices in nine cities around the world, including Korea, Sweden, and Italy.

Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.

With its green features, durable materials, and clean-lined minimalism, the house represents the new generation of building for its mostly colonial neighborhood.

Architect Stefano Girodo explains the building has a “completely prefabricated and modular structure.” It was built using recyclable and environmentally friendly materials and designed to ensure easy mechanical assembly once on site.

The house architects Teresa Sarmiento and Nicolas Tovo designed for their family—including 1-year-old Clara, for whom the structure is named—is a celebration of recycled materials.

Both the sitting and standing versions of DESK 01, a collaboration between Artifox and IdeaPaint, are outfitted with dry erase surfaces for recording sudden bursts of creativity.

Style: "#1"

Materials Village presentation on material innovation. See it at Triennale Di Milano, Viale Alemagna 6.

A view of the Chiang Mai office.

Architect Michael Cobb used Douglas fir harvested from the site throughout the house, such as on a sliding door outfitted with Swiss Rod SS hardware from the Real Carriage Door Company.

Reclaimed materials: Recycled building materials can cut construction costs while simultaneously forging a link with the past. “Be alert about what is being taken down in the area and talk to homebuilders,” Campbell says. “There may be more opportunities than you think.”

From the outside, the house appears as a composition of cubic volumes that barely hints at its reused nature. Expanses of glass, skylights, terraces, and balconies all strengthen the relationship between inside and outside and make the interior uniformly light.

A rare interior hallway space is made and furnished almost entirely with reclaimed materials. Materials for doors, windows, and the slatted wooden floor were collected from demolished Saigon homes and customized to fit the residence.

Top 9 Kitchens of 2020: The nominees for this year’s Dwell Design Awards are the epitome of style and function.

Lauren and Brittan Ellingson, the owners of Notice Snowboards, a custom snowboard and wakesurf company in Whitefish, Montana, approached Workaday Design and builder Mindful Designs to concoct a new lake home for their family. The brief was, perhaps unsurprisingly, focused on getting the family outdoors as much as possible.

The Lofthouse is built one of the many hills separating it from the couple’s main residence. "Excavation was a challenge, as we wanted to maintain as much of the existing landscape as possible, but needed to clear out trees for the foundation," says Tarah.

Parota wood continues in the spacious kitchen. Marisa and Christopher found the blue tile that runs throughout the home on a trip to León, Mexico. "It called out to us," says Christopher. Festooned with small stars, its tone matches the color of the ocean perfectly.

The architects designed the home’s expansion with the knowledge that the owners plan to continue the renovation when their budget allows it. "We wanted to put everything in the right place so it doesn’t have to be undone later," says Corti.

Houston-based designer Barbara Hill is known for a stripped-down aesthetic that blends art-world cachet with Texas modernism. Vitra’s Slow chair sits in front of a powder-coated-steel bookcase made by Hill’s go-to fabricator, George Sacaris; it was originally built for the Houston house.

The architects embraced the modernist form of the new structure instead of cladding the extension in expensive brick to match the original Victorian’s exterior.

When architect Antonio Monserrat transformed an old 800-square-foot Brooklyn loft into his new home, he imbued his love of colorful, multifunctional design into an eye-catching renovation. Once used as a bakery in the early 20th century, the postindustrial space came with great bones—original exposed timber beams, 12-foot ceilings and large windows—that Monserrat used as a backdrop for his playful color choices, small-scale studio prototypes, and contemporary furnishings. From the emerald-green entryway with a hot-pink ceiling to the sunshine-yellow Kartell storage pieces, the Spanish architect’s loft beautifully blends creative inspiration with functionality.

At Under, a Snøhetta-designed restaurant balanced on the Norwegian coast, guests dine 16 feet below the ocean’s surface. The tilted concrete tube gives the impression that it’s sliding into the sea. “The idea was to make a tube that would bring people from above sea level down under the sea,” lead architect Rune Grasdal told Dezeen. “That transition is easy to understand, but it’s also the most effective way to do it. It also feels secure, but you don’t feel trapped.” The angle was also designed with the building’s aquatic neighbors in mind. Over time the structure will become part of its environment, acting as an artificial reef. Marine research tools like cameras have been installed outside the restaurant to help scientists learn about the population, behavior, and diversity of the species living in this part of the North Atlantic.

Located within walking distance to the coastal village of Matanzas, the two Maralto cabins are named La Loica and La Tagua after local bird species.

The Franklin stove adds an authentic touch to the updated cabin.