This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.
This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.
Designed by Belgium architectural studio OYO Architects, this 1,883-square-foot family residence in Maldegem, East Flanders, was conceived with a single green roof that meets the grass at ground level. The concrete base of the structure supports a lightweight timber frame, which was assembled in a local warehouse before being mounted on site. Different plants are grown on the green roof throughout the seasons.
Designed by Belgium architectural studio OYO Architects, this 1,883-square-foot family residence in Maldegem, East Flanders, was conceived with a single green roof that meets the grass at ground level. The concrete base of the structure supports a lightweight timber frame, which was assembled in a local warehouse before being mounted on site. Different plants are grown on the green roof throughout the seasons.
House O, designed by Jun Igarashi, forgoes hallways and interior doors in favor of casually interconnected rooms.
House O, designed by Jun Igarashi, forgoes hallways and interior doors in favor of casually interconnected rooms.
2206 Parklands Lane, Saint Louis Park, MN 55416
2206 Parklands Lane, Saint Louis Park, MN 55416
Though this home is close to downtown Minneapolis, it sits on a quiet, 3.77-acre piece of land. When you approach the brick home, it immediately becomes clear that it’s a Frank Lloyd Wright-designed home—thanks to its wing-like shape and Cherokee Red-painted steps.
Though this home is close to downtown Minneapolis, it sits on a quiet, 3.77-acre piece of land. When you approach the brick home, it immediately becomes clear that it’s a Frank Lloyd Wright-designed home—thanks to its wing-like shape and Cherokee Red-painted steps.
Completed in 1946, the Booth House was originally built for an advertising executive and his wife before becoming a rental property in 1955 for the architectural photographer Robert Damora, and architect Sirkka Damora. The Damoras later purchased the home and have lived there ever since. Now 93 years old, Sirkka has been seeking a new owner for this piece of architectural history. Litigation over the title means that the Booth House could face being torn down—so its buyer will also be its rescuer.
Completed in 1946, the Booth House was originally built for an advertising executive and his wife before becoming a rental property in 1955 for the architectural photographer Robert Damora, and architect Sirkka Damora. The Damoras later purchased the home and have lived there ever since. Now 93 years old, Sirkka has been seeking a new owner for this piece of architectural history. Litigation over the title means that the Booth House could face being torn down—so its buyer will also be its rescuer.
In this photo of the Diamond Street House  taken by Julius Shulman, Lyster Brock (left) stands next to his brother on his father's roof truss.
In this photo of the Diamond Street House taken by Julius Shulman, Lyster Brock (left) stands next to his brother on his father's roof truss.
The home includes multiple furnishings and lights designed by Wright, including this dining set and hanging pendant light.
The home includes multiple furnishings and lights designed by Wright, including this dining set and hanging pendant light.
The back of the house serves as the greatest departure from the otherwise preserved proportions of the original Victorian farmhouse. With the thoughtful insertion of a “glass dining cube” and a rehabilitated deck space with sliding doors that can stand open, an outdoor living space creates additional programmatic flexibility while reinforcing the indoor/outdoor connection.
The back of the house serves as the greatest departure from the otherwise preserved proportions of the original Victorian farmhouse. With the thoughtful insertion of a “glass dining cube” and a rehabilitated deck space with sliding doors that can stand open, an outdoor living space creates additional programmatic flexibility while reinforcing the indoor/outdoor connection.
The open living space is surrounded by large, angular pieces of glass and sits on a floor made with Colorundum in a Cherokee Red, a material and color Wright often used in his work. This space also includes a brick wood-burning fireplace.
The open living space is surrounded by large, angular pieces of glass and sits on a floor made with Colorundum in a Cherokee Red, a material and color Wright often used in his work. This space also includes a brick wood-burning fireplace.
The extension’s lower level flows uninterrupted from the garden to the kitchen. Storage units hidden under the staircase give the living spaces an uncluttered feel. A Skygarden pendant by Marcel Wanders hangs over Snow 300 dining chairs by James Richardson, providing light in those rare hours when sunlight isn’t streaming in.
The extension’s lower level flows uninterrupted from the garden to the kitchen. Storage units hidden under the staircase give the living spaces an uncluttered feel. A Skygarden pendant by Marcel Wanders hangs over Snow 300 dining chairs by James Richardson, providing light in those rare hours when sunlight isn’t streaming in.
Modular vinyl record storage
Modular vinyl record storage
Reminiscent of the Glass House, a monumental brick fireplace stands in the center of the living room.
Reminiscent of the Glass House, a monumental brick fireplace stands in the center of the living room.
When the sun is at its brightest, the east-facing glass wall is shielded by retractable Horiso venetian blinds that have been powdercoated to match the extension’s charcoal cladding.
When the sun is at its brightest, the east-facing glass wall is shielded by retractable Horiso venetian blinds that have been powdercoated to match the extension’s charcoal cladding.

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