Jaguar XK120 by Renaud Marion

Perched just above the edge of the Narrows, the house is an ideal place to live surrounded by the wild beauty of Ketchikan.

“A building can have far greater impact than the space it stands in.”—William Carpenter, architect and resident

New zoning allowed for a zero-lot-line structure, but required a public storefront, which Carpenter uses as an art gallery.

Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.

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The two tiny homes were designed by CAST Architecture.

JLR Classic Works spent 2,700 hours restoring this Jaguar XK120 for British model David Gandy.

The W.W. Stool by Philippe Starck.

Belgian studio Ateliers J&J exhibited furniture and shelving with an industrial aesthetic.

Paul Brown's plotter drawing "BIGDIM / 0 10 10 0 0 0 / 200,120 / 11,969" is an intricate progression and deconstruction of geometric shapes. 1979, from Digital Pioneers.

L A N D S C A P E A group show of photography, painting and video. Curated by Telegram Gallery, hosted by dn&co. Featuring photographer Hannah Devereux

The courtyard is a secure space with a double-height window that offers seamless interior-exterior connection. “It gives a nice sense of containment and peace, while still engaging interior spaces,” says Cashman.

Steel strips form a security screen on the street side of the scullery. One can also hang pots and pans from them. A skylight filters illumination through glass block flooring to the basement below.

The kitchen is accessible from a raised courtyard across from the main living space. “The double exhaust hood looks like an old industrial gantry,” remarks Cashman. Sandblasted brick and sandstone from the original warehouse dialogue with floating white and grey cabinetry.

“The biggest design challenge was the facade,” says architect Mark Cashman. “It had to step back from the street and recede to give prominence to the heritage status warehouse facade.” Above the translucent bedroom level, a balcony with a herb garden steps back further. From the rooftop garden, downtown Sydney comes into full view.

Simultaneously sculptural and pragmatic, the undulating form of the W Magazine Stand’s molded plywood is both pleasing and useful. It’s compact enough for small spaces, though you may be loath to cover up the figurative grain pattern of the walnut with your magazines.

The master bedroom features wallpaper by Erika Wakerly. The glass tables next to the Croft House bed were gifts.

Borough president Abe Stark examining a dimensional model of the new Civic Center. World-Telegram & Sun, April 24 1963. (courtesy of the Library of Congress, Prints & Photographs Division, NYTWT&S Collection)

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Having spent 16 years living and working in Africa with trips to the States to visit friends and family every year, Elizabeth J.W. Spencer and her husband wanted a home that could move them coast to coast across America.

A secondary bedroom meant for a child has a partially translucent, curved glass wall.

A social creature who seems to know everyone, Loft J occupant Jamil Malone has hosted several "alcohol-themed" parties and manages to wedge as many as 20 people into his studio. The gatherings are like gallery openings, with the walls of Malone's apartment displaying a roving selection of locally produced art.

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A pivoting Gyrofocus fireplace, staircase, and elevator shaft organize the social space. Lighting throughout the house is mostly ambient, supplemented by task-oriented lighting.

The modernist towers of University Terrace soar above the nineteenth-century landscape. Title I developments like this sparked local efforts to protect “Clinton Hill” from urban renewal. World-Telegram & Sun, October 5 1964. (courtesy of the Library of Congress, Prints & Photographs Division, NYTWT&S Collection)

Based in New York, photographer Brian W. Ferry regularly shoots portraits, travel, interiors, and design stories for international clients and publications including Condé Nast Traveler and WSJ Magazine. For this issue, he captured “Outside Providence,” a story about a coastal Rhode Island getaway. “I was blown away by the skylights throughout the home,” he says. “Watching the light and colors change slowly over the course of the two-day shoot was a real treat—it was like a private James Turrell exhibition.” What’s your favorite city to visit in the USA? “I frequently travel to Los Angeles for work and pleasure, and I enjoy every visit. There’s a wonderful art scene, great food, and the ability to spend time outdoors year-round.”

A New York–based photographer who shoots for clients including Condé Nast Traveler and the Wall Street Journal Magazine, Brian W. Ferry loves the perks of Dwell assignments. In one week, he shared lunch alfresco with the owners of the Stanfordville, New York, outbuilding and pizza and wine in São Paulo with the owner and architect of the Jardins apartment.

Tucked away in a corner of Makati, W-17 is an elegant warehouse space showcasing luxe home wares from the Philippines and beyond. Catch Carabao (Philippine water buffalo) horn salad servers, elegant wood serving bowls trimmed in gold, locally crafted dinner ware, and antique Chinese furniture, along with rugs from New York-based Filipino designer Inigo Elizalde.

Style: "Portrait B&W"

From the transitional space between the living area and courtyard, the TV room is visible.

Bil’ak collaborated with Mark Thomson, art director at HarperCollins, on a new set of dictionaries that exclusively employ the Bil’ak-designed font Fedra.