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2007 Office Pets.

2009Tribute to Camper.

2002 Repeat, for Maharam.

1999 The Kasese Chair.

The addition’s two stories of cedar-framed sliding doors and window provide generous views of the house’s prized jacaranda tree. The addition’s polished concrete floor and white cladding extend into the garden, drawing occupants to the serene rear porch. There, they can relax on stools designed by Alvar Aalto and Charles Wilson while admiring the luscious greenery.

2006 Worker Chair for Vitra.

The W.W. Stool by Philippe Starck.

Belgian studio Ateliers J&J exhibited furniture and shelving with an industrial aesthetic.

Hella Jongerius / Jongeriuslab in Berlin

2005 Cupboard, an experimental one-off for Galerie Kreo.

Michael J Homer Science and Student Life Center, Sacred Heart School, Atherton CA Architects - Leddy Maytum Stacy

The courtyard is a secure space with a double-height window that offers seamless interior-exterior connection. “It gives a nice sense of containment and peace, while still engaging interior spaces,” says Cashman.

Steel strips form a security screen on the street side of the scullery. One can also hang pots and pans from them. A skylight filters illumination through glass block flooring to the basement below.

The kitchen is accessible from a raised courtyard across from the main living space. “The double exhaust hood looks like an old industrial gantry,” remarks Cashman. Sandblasted brick and sandstone from the original warehouse dialogue with floating white and grey cabinetry.

“The biggest design challenge was the facade,” says architect Mark Cashman. “It had to step back from the street and recede to give prominence to the heritage status warehouse facade.” Above the translucent bedroom level, a balcony with a herb garden steps back further. From the rooftop garden, downtown Sydney comes into full view.

Simultaneously sculptural and pragmatic, the undulating form of the W Magazine Stand’s molded plywood is both pleasing and useful. It’s compact enough for small spaces, though you may be loath to cover up the figurative grain pattern of the walnut with your magazines.

The master bedroom features wallpaper by Erika Wakerly. The glass tables next to the Croft House bed were gifts.

Michael J Homer Science and Student Life Center, Sacred Heart School, Atherton CA Architects - Leddy Maytum Stacy

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Michael J Homer Science and Student Life Center, Sacred Heart School, Atherton CA Architects - Leddy Maytum Stacy

2004 Nymphenburg Sketches brings the porcelain animal figures of the German pottery up to date.

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Fireplace as it was at time of home purchase

Fireplace after we ripped out many things from the room.

Project: 355 11th Street, Matarozzi/Pelsinger Building Location: San Francisco, California View: Interior Architect: Aidlin Darling Design Photo by Richard Barnes.

Project: 355 11th Street, Matarozzi/Pelsinger Building Location: San Francisco, California View: Exterior Architect: Aidlin Darling Design AIA summary: "355 Eleventh is a LEED-NC Gold adaptive reuse of a Historic (and previously derelict) turn-of the-century industrial building. Because the project site is on the National Register of Historic Places, the San Francisco Planning Department mandated that the project’s new siding be an “in-kind” replacement of the original (unsalvageable) corrugated metal siding and that the overall window area be consistent between old and new. The design team successfully championed a strategy of introducing subtle perforations into the new zinc cladding to allow light and air into the occupied spaces beyond, maintaining the stoic character of the original building without the visual introduction of new fenestration." Photo by Matthew Millman.

Project: KAUST Location: Thuwal, Kingdom of Saudi Arabia View: Courtyard between buildings Architect: HOK Photo by JB Picoulet.

Project: KAUST Location: Thuwal, Kingdom of Saudi Arabia View: Exterior, single building Architect: HOK Photo by JB Picoulet.

Having spent 16 years living and working in Africa with trips to the States to visit friends and family every year, Elizabeth J.W. Spencer and her husband wanted a home that could move them coast to coast across America.