"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."

Among the first Passive Houses in France, this bamboo-clad farmhouse by the Parisian firm Karawitz Architecture only uses a tenth of the energy a conventionally constructed home does. Photo by Nicholas Calcott.

Seen from a distance, the farmhouse has a time-honored quality, though it’s still clearly a product of the 21st century.

BLAIR NICHE PROJECT At just $167 per square foot, this high-design, low-cost barn in rural Wisconsin is an American idyll.

In this kitchen, an exposed brick wall stands out against the milky smoothness of the marble tile floors.

In the kitchen area and throughout the home, Mads Odgård, shown here, and Mette Lyng Hansen mixed Odgård’s pieces, such as the Odgård kettle for Raadvad and custom table, with Ikea basics and the Workshop pendant lamp by Louis Poulsen.

A picnic table in a matching hue to the Stealth Barn rests between the two structures.

The main entrance is on the house’s south side. It leads to a central hall from which all sections of the home are accessible.

A glass-lined shower with a Hudson Reed showerhead adds a modern touch to the second-floor bathroom. A pane of privacy glass lets natural light enter the room.

The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.

Though the house is sleekly modern—some visitors unaccustomed to contemporary architecture have said it looks like a spaceship—there are winks to old-time Americana throughout the property.

At a fraction of the size of Ochre Barn, Stealth Barn is just one clear shot down the hall from the kitchen to the bedroom. OSB is an even stronger part of the interior here evoking bales of hay.

The long gangplank of a deck runs right out into the fields, a fact that Treanor relishes.

The dwelling showcases the designer’s collection of Danish chairs and loungers from the 1940s, 50s, and 60s — including pieces designed by Kofod Larsen, J.L Moller, Harry Ostergaard, Bruno Mathsson, and Hans J. Wegner.

The Floating Farmhouse’s semitransparent addition has a roofline that matches the pitch of the original 1820s farmhouse. A porch, tucked under the side eaves, is cantilevered over a stream that runs through the property. Ikea loungers are illuminated from the interior by commercial gymnasium lights repurposed as pendant lamps.

Tom Givone's current weekend abode, nicknamed the Floating Farmhouse, is—so far—his capstone project, a synthesis of personal taste, material experimentation, and historically sensitive restoration: a living laboratory for how to bring the vernacular past into the present.

The second-floor office is housed inside a rounded rectangle of concrete that the architect inserted on top of the old farmhouse.

The north wall of the IST home functions as a cut-away, offering a peek inside an efficient yet cozy dwelling. Architect Peter Jurkovič built the home for a woman who had sold her flat in the big city of Bratislava and wanted something that reminded her of the village life of her childhood.

The house’s new lime plaster walls, seen here in the courtyard, contrast with the old brick wall that divides the house from Kolasiński’s adjoining carpentry shop. Though the house itself is small, the outdoor spaces and furniture studio bring its total square footage to nearly 11,000 square feet.

For the bedroom, the designer selected a bed by Muji and floor lamps by Lightyears.

Zoe and Jake horse around in their parents’ new master bedroom. Issa says he vaulted the ceiling to fit under the addition’s angular roofline for “spatial impact.” Paint is Extra White by Sherwin-Williams.

Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.

In 1962, Skidmore, Owings & Merrill architect Arthur Witthoefft won the AIA's highest honor for a home he built in the lush woods of Westchester County. Having fended off a developer's wrecking ball, Todd Goddard and Andrew Mandolene went above and beyond to make this manse mint again.

This barn-like residence enjoys sweeping views from all sides to the picturesque Northern California landscape that surrounds it: Mayacamas Mountains, roaming sheep, and Monterey pines. An L-shaped ipe deck connected the main residence to an art studio and forms a cozy courtyard, complete with pool.

In the DoghousePaul and Shoko's dog, Mei, has lucked into a small prefab home of her own. Making use of a water jet cutter at his office, and using Adobe Illustrator as his design tool, Paul fashioned a series of panels that slot together without any nails or screws.

Before the Moumings built their house, they camped out on their six acres while preparing the land for farming, planting grass and clover in place of soybean stubble. As the house arose from its foundation, soil-fixing plants grew from seed. Now the couple can focus on growing food.

PROD Architecture + Design created a farmhouse in Penafiel, Portugal to fuse the aesthetic of traditional homes in the region with contemporary, floor-to-ceiling windows that respond to the environment. Made up of four distinct structures, the home takes on the shape of an existing gabled-roof structure on the site. To complement the stone building, the home incorporates a series of muted materials including granite for the base, zinc for the roof, and Scandinavian pinewood for cladding.

A raised pool in the northeast corner of the building provides relief on hot, sunny days.

"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod

A door leads out from the romantic courtyard, lush with plants. “Although we live in a big city, it doesn’t feel like it,” Kolasiński says. “The neighborhood and the nature are very relaxing and quiet.”

Michèle Monory’s Chinon farmhouse is an idyllic getaway from her home basein Paris. After she inherited the property and centuries-old structure from her father, she hired Matali Crasset, who runs a cutting-edge architecture and design firm, to update the living spaces.

Monory’s friends, the Leclercs, join her for an alfresco meal on the patio. They’re seated at a custom-made table on Fermob’s Luxembourg chairs.

All of the beds in the house are playful custom one-off designs by Crasset, including the marionette-themed master bed, which a local carpenter fabricated from oak felled in the surrounding forest. The stone fireplace is original.

Hektor is divided into four independent suits and a central communal area.

The modern staircase was built with the same salvaged wall planks that are used as flooring throughout.

"Architecture exists through states of contrast; the building as a bridge between a wooded forest and a field, a strong roof line against a backdrop of trees or mountains. In these states of contrast we truly start to see where we live." -Architect Steve Kredell