Black and white kitchen cabinets painted with a triangular pattern add a whimsical touch to this funky kitchen.

Measuring only 180 square feet, this exquisite, off-grid tiny home features a big sense of style.

A salvaged 19th-century soaking tub wrapped in stainless steel is topped by Hudson Reed faucets.

This 19th-century New York factory houses the apartment of Brandon and Amy Phillips as well as the workshop for their company, Miles & May Furniture Works.

Keeping the original mottled, worn-brick walls and outfitting the kitchen with their own custom cabinetry were among this couple’s cost-saving measures.

The bathroom evokes the building’s industrial bones. The pendant light is from Ikea, and the towel racks are repurposed train car luggage racks. The Carrara tiles are mismatched seconds. “It works if you let yourself not try to fix it,” says Brandon.

The home office of 19th St. Residence by Ehrlich Yanai Rhee Chaney Architects peeks into the lush side yard.

The dining area, with a table and hickory chairs from Miles & May, opens onto a kitchen the couple created as part of a DIY gut renovation. The result, says Amy, is an “intentional raw and polished combination.” The lamp is from M&M Electrical Surplus.

We snapped a shot just as workers poured the copper-brass alloy over a Bocci 19 series mold, click through the slideshow to see the rest of the process.

Farnley Hey’s heart is a large, double-height living area, dubbed "the dance floor

This award-winning home by New York–based West Chin Architects is situated on a narrow corner lot in a Long Island neighborhood. The cedar-clad residence features a garage-style glass door that opens to welcome the salty sea breeze from the neighboring beach.

In an effort to create an abundance of light and air flow throughout the space, the home follows an L-shaped floor plan that wraps around outdoor areas. “We designed several open spaces, each with a different feel: the garden and pool, the terrace, and the back patio,” says Cesarman. “The idea was to reduce the area to the most basic and essential [elements].”

Lyng Hansen steamed and framed remnants of 19th-century wallpaper found during the renovation.

This living/bedroom space showcases neutral tones and shades of white to contrast the continued use of natural, treated wood surfaces.

For our In the Modern World section, we shared a process shot of a Bocci 19 series. Here is a finished product of a Bocci 19 series bowl. Photo by Gwenael Lewis.

With library's Cor-Ten shield open, the home’s facade is seen at night. The L shaped pedestrian pathway forces visitors to travel around the perimeter before entry, gradually experiencing the architectural composition step by step.

The board-formed concrete retaining wall holds firewood and is also a bench. Beyond, the garden lounge backs up against the studio and a retaining wall. “It’s a study in how little you can do to define a space,” Thomas says.

Fireplace as it was at time of home purchase

Fireplace after we ripped out many things from the room.

The home includes multiple furnishings and lights designed by Wright, including this dining set and hanging pendant light.

The back of the house serves as the greatest departure from the otherwise preserved proportions of the original Victorian farmhouse. With the thoughtful insertion of a “glass dining cube” and a rehabilitated deck space with sliding doors that can stand open, an outdoor living space creates additional programmatic flexibility while reinforcing the indoor/outdoor connection.

The open living space is surrounded by large, angular pieces of glass and sits on a floor made with Colorundum in a Cherokee Red, a material and color Wright often used in his work. This space also includes a brick wood-burning fireplace.

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