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For its Fall/Winter 2015 collection, Chilewich released Color Tempo, a series of placemats in five gradient colorways.
For its Fall/Winter 2015 collection, Chilewich released Color Tempo, a series of placemats in five gradient colorways.
A tabletop desk with trestle legs is a modern, customizable, and budget-friendly option for creating a clean surface to work from.
A tabletop desk with trestle legs is a modern, customizable, and budget-friendly option for creating a clean surface to work from.
Welcome to the Tempo Zone
Welcome to the Tempo Zone
Sake Tempo glasses by Umé Studio
Sake Tempo glasses by Umé Studio
By 2009, Deltour was commissioned by Alessi to produce the A Tempo line of wire baskets.
By 2009, Deltour was commissioned by Alessi to produce the A Tempo line of wire baskets.
Il Tempo Della Festa cake and gelatin molds by Mario Trimarchi for Alessi.
Il Tempo Della Festa cake and gelatin molds by Mario Trimarchi for Alessi.
The small version of UMÉ Studio's Paper Table series in stained black with their Sake Tampo.
The small version of UMÉ Studio's Paper Table series in stained black with their Sake Tampo.
A survey of 26 Modern Furniture and Design Books. The titles include an autographed copy of “Sam Maloof: Woodworker” and the beautifully illustrated “Contempo: the American Tempo” from 1929.
A survey of 26 Modern Furniture and Design Books. The titles include an autographed copy of “Sam Maloof: Woodworker” and the beautifully illustrated “Contempo: the American Tempo” from 1929.
At the 2004 Abitare il Tempo show in Verona, six dseigners were invited to create living environments. Studio Iosa Ghini showcased the Casa Fluida, shown here in a rendering.
At the 2004 Abitare il Tempo show in Verona, six dseigners were invited to create living environments. Studio Iosa Ghini showcased the Casa Fluida, shown here in a rendering.
Tempo is a minimalist series of lighting archetypes built into a single system designed by Barcelona-based studio Lievore Altherr for Vibia. Tempo is the result of a challenging idea: different Lighting Archetypes built into a single system. We analyzed and defined archetypes from different cultures and regions, concentrated on three, reduced these to their most essential expression and finally brought them together into a system of fixing elements such as hanging versions and different arms. The challenge was to make it work as one single system, but maintain the identity of each archetype – finding a common balance within a family of individuals. Lightness, the interplay of opacity, translucence and transparency, and atmosphere are central themes for the Tempo collection. Three different glass shapes offer varied lighting effects – one like a classic bulb under a reflector meant to send light to the floor; one like the classic opaline globe reinterpreted with a soft shape and blurred effect that mixes general with floor oriented light; and another is a reduction of the angular opaline lamps offering a diffuse general light. All of them respond to different expressions and lighting situations, and can be used with diverse pendant and arm solutions. The structure can be interpreted in graphite black, broken white, matte gold and a soft grey-green. Together with the lamp shades the system allows endless interpretations.
Tempo is a minimalist series of lighting archetypes built into a single system designed by Barcelona-based studio Lievore Altherr for Vibia. Tempo is the result of a challenging idea: different Lighting Archetypes built into a single system. We analyzed and defined archetypes from different cultures and regions, concentrated on three, reduced these to their most essential expression and finally brought them together into a system of fixing elements such as hanging versions and different arms. The challenge was to make it work as one single system, but maintain the identity of each archetype – finding a common balance within a family of individuals. Lightness, the interplay of opacity, translucence and transparency, and atmosphere are central themes for the Tempo collection. Three different glass shapes offer varied lighting effects – one like a classic bulb under a reflector meant to send light to the floor; one like the classic opaline globe reinterpreted with a soft shape and blurred effect that mixes general with floor oriented light; and another is a reduction of the angular opaline lamps offering a diffuse general light. All of them respond to different expressions and lighting situations, and can be used with diverse pendant and arm solutions. The structure can be interpreted in graphite black, broken white, matte gold and a soft grey-green. Together with the lamp shades the system allows endless interpretations.