Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.

The owners toured this home, which surrounds a mature tipu tipu tree, while visiting relatives for the day. The brick is original to the 1947 construction.

Sliding doors by Quantum were made to look like the original panes that couldn't be saved, and they lead to a fire pit outside.

The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.

Hangar Meeting Table for MG LAB – This table premiered in 2012. It was designed with a space underneath the tabletop to stow away electronic devices that need to be close at hand without contributing to tabletop clutter.

Based in South Carolina, Jacqueline and Josh LaDue gave their 31-foot RV a makeover on a budget of just $2,000.

Purple thistles, California poppies, clover, and dandelions have all taken root in the roughly 10-inch-deep, lightweight humus and grape-husk soil in this 580-square-foot green roof. Designer Peter Liang says that he "wanted to plant a green roof for its thermal mass, but I wanted it to be as natural as possible."

Maya Sheinberger redesigned the MG House so that each floor would be more cohesive. The first floor was developed alongside the landscape design, the second floor shifts according to the family's needs, and the eldest daughter lives on the third floor.

Haines House by Christopher Polly in Newtown, Australia

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aesarstone counters in the kitchen, which best highlights the homes mix of light and wood. White conversion varnish was used on the sink side of the island for durability, with wood on the side of entertainment.

“A building can have far greater impact than the space it stands in.”—William Carpenter, architect and resident

Architect Ryan Leidner reimagined this 2,500-square-foot home in San Francisco.

New zoning allowed for a zero-lot-line structure, but required a public storefront, which Carpenter uses as an art gallery.

The slim, steel staircase is designed to allow maximum light and sight-lines.

The flooring is terrazzo. Vanbesian designed custom ash-wood cabinetry for storage throughout the home.

The view!

At the top of the stairwell, a sitting area is outfitted with a vintage Eames lounge, a large Jack Goldstein painting, and a 1970s light fixture found by Marcovitz in Paris.

The kitchen features a concrete island topped with marble. Deja-Vu stools by Naoto Fukasawa surround the island. A print by Guy Gormley, as well as a painting bought during holiday in St. Tropez, hang on the walls.

Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.

Take a look at some of the most exciting, sustainable buildings around the world, and you may notice something they have in common: green roofs, or rooftops covered with a thin layer of soil to allow for grasses and other low-lying plants to grow.

New Depths Inspired by a local winery, George Kyprianou wanted a glass top on his subterranean wine cellar. The interior is lit, casting soft light into the living space at night and revealing the 132-year-old stone foundation. The three-quarter-inch glass lid sits flush with the floorboards; it opens with an ingenious device that Kyprianou devised using a 12-volt air compressor and a remote-controlled switch. When you push the button, the glass lifts just enough to be removed by hand.

Light Box Peter created a simple uplight at the top of the wood box by wiring together energy-efficient fluorescent fixtures typically used under cabinets and countertops. “The cheaper magnetic models hum unacceptably loudly, so make sure you get the electronic ballast types,” he warns. He then painted the cavity white to reflect light and covered them with quarter-inch-thick acrylic from TAP Plastics. homedepot.com tapplastics.com

This coffee table retails for $200.

The view of Kapiti Island is fully revealed from the tower.

The bathroom integrates a sense of the outdoors.

See Arch restored the exterior fireplace wall and painted it a deep blue hue to match the repainted blue timber cladding.

Remo Kommnick and Emi Moore wanted a minimalist home that could blend with its site in rural Virginia. “We had to keep things really simple,” says architect Patrick Farley. The cabin is clad in stained western red cedar, and its form is inspired by shelters on the nearby Appalachian Trail.

Designed by Michael Kendrick Architects, the 503-square-foot prefab cabin hovers above the forest floor to reduce its impact on the nationally protected woodland.

Fashion designer Josie and her husband Ken Natori are big fans of traditional Japanese architecture, so when Brooklyn-based practice Tsao & McKown Architects designed their home in Pound Ridge, New York, they used a heavy, exposed-timber structure, and included Japanese-style gardens and landscaping.

The owners of this 2,300-square-foot converted loft in SoHo have a penchant for color and collections. To make way for these elements, BC-OA kept new materials simple and desaturated with super white walls; oil-finished, white oak flooring; and white lacquered cabinetry. In the dining area, a custom designed, built-in, tufted banquette adds soft juxtaposition against the live edge dining table. The velvet upholstery is meant to provide contrast against the exposed, white-washed original brick in both texture and era. Overhead a brass chandelier with exposed Edison bulbs references the former Swan Incandescent Electric Light Co. which occupied the loft after construction was completed in 1897.