Mint green-painted ironwork and tiles connect the indoors to the outside more fluidly.

The Max-A studio is also built with a pine frame, though it has pine panelling on the ceiling, while the main house ceiling is painted a warm white.

Day, Hachigian, and Sosi congregate on the back terrace at a dining table designed by Day and his brother-in-law, Garo Hachigian.

99 by Von Tundra and Lydia Cambron $13,000 Oregon-based Von Tundra’s unit combines three different storage options—a rack, drawers, and boxes—into a multipurpose dresser.

Despite a tight site, light floods into every room, including the restroom in the guesthouse.

Residents serve anything they wish, ferrying the food by any number of ways—from lowering sandwiches by basket to inviting patrons into their homes and handing them plates.

Happy Canada Day!

A bentwood Robin Day chair keeps the Herman Miller classics company. Through the office’s door, nestled in the bamboo grove, is an outdoor shower, fashioned after those found in San Onofre, farther south.

Lastly, a master bedroom opens up to the landscape around it and can sleep an extra two guests on day beds.

Robin and Lucienne Day Churchill College at the University of Cambridge commissioned Robin Day for the first time in 1962 for dining room furniture. The results yielded additional projects for himself and his wife, Lucienne, a textile designer. Robin’s black leather Club settees and armchairs and black vinyl–covered Interplan desks and tables still outfit the Senior Combination Room today.

22 Grange Avenue-Home to Toronto artist Charles Pachter and rumoured to be divided into three parts: living space, studio space, and gallery space. Designed by Toronto architects Teeple Architects.

123 Heath Street W-This is an area where Imperial Oil's headquarters used to be, and there are remnants of the 60's 'high life' still in the neighborhood.

The Seven on Seven project pairs seven leading artists with seven influential technologists in teams of two, and challenges them to develop something new—whatever they choose to imagine—over the course of a single day. Here, curator Michael Crawford sits with artist Holly Herndon (right) and Kate Ray at the Ace Hotel, which housed the participants. Photo courtesy Rhizome.

73 Oriole Road

1084 Deta Road in Longbranch, West Toronto

50 Heath Street W-Constructed in 1923, the McNamara House is a rare example of the Prairie School of architecture in Toronto.

387 & 389 Crawford Street

267 Inglewood Drive

On Restaurant Day, customers find restaurants’ addresses online, and pay around $12 per person. Photo by Roy Backstrom.

69 Lawton Blvd.

60 Woodlawn Avenue

The family that works together stays together: Hachigian and Day at his-and-hers workstations in the shared lower-level study.

The set getting filled in on shoot day.

Another day at the Studio Gang office.

Part of a five piece poster series by Mike Perry.

Donna Wilson Field Day Throw, $395 The wool of this blanket is spun and dyed in England and then woven in Wales using a traditional double-cloth weaving technique.

Moster (or Aunt) plate from the Between Us Women series, by Lisa Bengtsson

The expansive windows facing the home's backyard also amplify light in the living room. Grounding grey and russet brown furnishings meld the open, airy space with the light brown fencing just visible outside. Photo by: Scott Hargis

After a day at the beach, an outdoor shower tucked toward the back of the house allows everyone to rinse off without tracking sand indoors.

Milwaukee studio Vetter Denk Architects designed this eye-catching prefab on the banks of Moose Lake, Wisconsin, as a weekend retreat. The home was based on an idea presented by the home's owner, who was inspired by a screw-top jug of $9.99 red wine.

Körner commissioned Container to develop an identity and packaging that both reflected the heritage and granddaughter Rebecca Körner’s wish for a modern multi-tasking range. Seen here, the Radiate Presence Day Cream jar with four individual parts lurking inside.

Robin Day Reclining Chair: Manufactured by twentytwentyone “We worked with Day before he died, and produced furniture together. This is a midcentury classic; such a big, generous chair with a strong personality, with big wooden armrests perfect for a book or a drink, or now, a iPad or remote control. This was one of his favorite pieces, and really expressed his philosophy of comfort first.”

On Opening Day of the 1989 season, the field proudly displayed the franchise’s sixth championship banner—they beat Oakland in a five-game series the preceding fall—on the outfield wall.

Utilizing a marbling technique, Leah Ball blends two colors of porcelain to create the Day-Night Porcelain Mug. With a matte exterior finish and glaze interior, each mug is handmade, ensuring that no two are exactly the same.