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Mint green-painted ironwork and tiles connect the indoors to the outside more fluidly.
Mint green-painted ironwork and tiles connect the indoors to the outside more fluidly.
The Max-A studio is also built with a pine frame, though it has pine panelling on the ceiling, while the main house ceiling is painted a warm white.
The Max-A studio is also built with a pine frame, though it has pine panelling on the ceiling, while the main house ceiling is painted a warm white.
99 by Von Tundra and Lydia Cambron $13,000 Oregon-based Von Tundra’s unit combines three different storage options—a rack, drawers, and boxes—into a multipurpose dresser.
99 by Von Tundra and Lydia Cambron $13,000 Oregon-based Von Tundra’s unit combines three different storage options—a rack, drawers, and boxes—into a multipurpose dresser.
korea 한국 국산 전국구 24시 출장샵【카톡US5882】콜걸 출장부르기 4주년 이벤트 노콘붕가
korea 한국 국산 전국구 24시 출장샵【카톡US5882】콜걸 출장부르기 4주년 이벤트 노콘붕가
korea 한국 국산 전국구 24시 출장샵【카톡US5882】콜걸 출장부르기 4주년 이벤트 노콘붕가
korea 한국 국산 전국구 24시 출장샵【카톡US5882】콜걸 출장부르기 4주년 이벤트 노콘붕가
korea 한국 국산 전국구 24시 출장샵【카톡US5882】콜걸 출장부르기 4주년 이벤트 노콘붕가
korea 한국 국산 전국구 24시 출장샵【카톡US5882】콜걸 출장부르기 4주년 이벤트 노콘붕가
Homes completed in the Biloxi Model Home program include work by (clockwise from top left): Huff & Gooden Architects, Gulf Coast Community Design Studio, Marlon Blackwell Architect, and Brett Zamore Design.
Homes completed in the Biloxi Model Home program include work by (clockwise from top left): Huff & Gooden Architects, Gulf Coast Community Design Studio, Marlon Blackwell Architect, and Brett Zamore Design.
#조건만남#출장아가씨#출장안마#애인대행#콜걸샵#키스방#대빨방#헌팅방#셈팅방#출장안마후기#출장안마강추#출장안마추천#출장안마업소#출장안마서비스#출장안마샵#출장걸#출장마사지후기 #출장마사지추천#출장마사지부산#출장마사지업소#출장마사지샵#출장마사지서비스#출장안마#출장마사지#섹스스토리#섹파할래#입싸#사정지연용품#섹시bj#부산해운대룸싸롱#복종#성인방#섹텍
#조건만남#출장아가씨#출장안마#애인대행#콜걸샵#키스방#대빨방#헌팅방#셈팅방#출장안마후기#출장안마강추#출장안마추천#출장안마업소#출장안마서비스#출장안마샵#출장걸#출장마사지후기 #출장마사지추천#출장마사지부산#출장마사지업소#출장마사지샵#출장마사지서비스#출장안마#출장마사지#섹스스토리#섹파할래#입싸#사정지연용품#섹시bj#부산해운대룸싸롱#복종#성인방#섹텍
Other programming for Design Live You Give a Damn: LIVE! will include panels on the post-Hurricane Sandy reconstruction process, the Sports for Change program in Africa, and the Pillars of Sustainable Education program. Additionally, be sure to catch Architecture for Humanity’s Executive Director, Eric Cesal, who will be participating in a conversation on building for resiliency on October 9.
Other programming for Design Live You Give a Damn: LIVE! will include panels on the post-Hurricane Sandy reconstruction process, the Sports for Change program in Africa, and the Pillars of Sustainable Education program. Additionally, be sure to catch Architecture for Humanity’s Executive Director, Eric Cesal, who will be participating in a conversation on building for resiliency on October 9.
Dwell: First off, when did modern wayfinding come about? What large-scale historic and present-day wayfinding projects did you research and how did these inform the WalkNYC plan? Michael Bierut: Wayfinding is as old as mapmaking, and maps of New York go back almost to its first European settlements. There were probably three useful precedents for the work we did on Walk NYC. First were a series of urban wayfinding programs in Great Britain that many of our team members, including CityID and T-Kartor, have been involved with over the years. Second was a wayfinding system I worked on for the downtown New York business district back in the '90s. This was, at the time, the largest single coordinated wayfinding program in New York City and we learned a lot, not only about how people navigate a complex urban district, but what you have to deal with when you install things like maps on the streets of New York in terms of regulations and maintenance. Finally, there were the graphics that Unimark did for the New York subway system in the late sixties and early seventies. I worked for Massimo Vignelli at the start of my career, and I was always impressed by the way the Unimark system managed to superimpose an abstract visual logic on a city that seems so illogical at every turn. WalkNYC attempts to do the same thing.
Dwell: First off, when did modern wayfinding come about? What large-scale historic and present-day wayfinding projects did you research and how did these inform the WalkNYC plan? Michael Bierut: Wayfinding is as old as mapmaking, and maps of New York go back almost to its first European settlements. There were probably three useful precedents for the work we did on Walk NYC. First were a series of urban wayfinding programs in Great Britain that many of our team members, including CityID and T-Kartor, have been involved with over the years. Second was a wayfinding system I worked on for the downtown New York business district back in the '90s. This was, at the time, the largest single coordinated wayfinding program in New York City and we learned a lot, not only about how people navigate a complex urban district, but what you have to deal with when you install things like maps on the streets of New York in terms of regulations and maintenance. Finally, there were the graphics that Unimark did for the New York subway system in the late sixties and early seventies. I worked for Massimo Vignelli at the start of my career, and I was always impressed by the way the Unimark system managed to superimpose an abstract visual logic on a city that seems so illogical at every turn. WalkNYC attempts to do the same thing.
Dwell: Can you tell us about some of the components of the signs? How did you pick the landmarks to feature? What was the editing process like in terms of deciding what information to relay and what to skip? Bierut: We had a "more is more" attitude about the signs. As opposed to a reductive diagram meant to be taken in at a glance, we wanted the maps to be comprehensive: people need to feel reassured that if they're looking for something, they'll find it on he map. Of course, there is always editing. We picked landmarks from a list of the obvious suspects—destinations that people might be looking for—but we also added some more obscure buildings that may not be well known, but that function as wayfinding aids. As the senior designer on the project here at Pentagram, Hamish Smyth, has pointed out, most people, even New Yorkers, don't know what the Newtown Creek Digester Eggs Sewage Treatment Plant is. It's not on many tourist must see lists. But these big shiny egg-shaped orbs—a beautiful design by Ennead Architects—are visual landmarks in Brooklyn.
Dwell: Can you tell us about some of the components of the signs? How did you pick the landmarks to feature? What was the editing process like in terms of deciding what information to relay and what to skip? Bierut: We had a "more is more" attitude about the signs. As opposed to a reductive diagram meant to be taken in at a glance, we wanted the maps to be comprehensive: people need to feel reassured that if they're looking for something, they'll find it on he map. Of course, there is always editing. We picked landmarks from a list of the obvious suspects—destinations that people might be looking for—but we also added some more obscure buildings that may not be well known, but that function as wayfinding aids. As the senior designer on the project here at Pentagram, Hamish Smyth, has pointed out, most people, even New Yorkers, don't know what the Newtown Creek Digester Eggs Sewage Treatment Plant is. It's not on many tourist must see lists. But these big shiny egg-shaped orbs—a beautiful design by Ennead Architects—are visual landmarks in Brooklyn.
Dwell: How did Universal Design factor into WalkNYC? Bierut: We did a lot of readability tests when we were picking the type sizes and color combinations [the color palette is shown in this slide] to make sure the information was as legible as possible. And I feel strongly that one of the best things about the signs are that you don't need a smart phone to access them: they're right there on the street, as democratic as can be.
Dwell: How did Universal Design factor into WalkNYC? Bierut: We did a lot of readability tests when we were picking the type sizes and color combinations [the color palette is shown in this slide] to make sure the information was as legible as possible. And I feel strongly that one of the best things about the signs are that you don't need a smart phone to access them: they're right there on the street, as democratic as can be.
Dwell: How have smartphones changed the ways people navigate cities? Did that impact the WalkNYC program? Bierut: Smartphones, GPS systems, and digital technology in general probably had the most dramatic impact on the WalkNYC program. Modern GPS has created the expectation that the top of the map you're looking it is the direction you're facing. Our team's wayfinding specialists at CityID did tons of research showing that people found this kind of "heads up" mapping easier to read. At the same time, the cartographers we work with at T-Kartor created a digital system where the data can be rotated into any position and the type and icons all rotate with the map. This seems like a simple thing but it's really a miracle. When we did the downtown system in the late nineties, we basically had a single overall map with north at the top and we stuck that everywhere and we thought we were doing fine. The mapping systems in WalkNYC are so much more advanced.
Dwell: How have smartphones changed the ways people navigate cities? Did that impact the WalkNYC program? Bierut: Smartphones, GPS systems, and digital technology in general probably had the most dramatic impact on the WalkNYC program. Modern GPS has created the expectation that the top of the map you're looking it is the direction you're facing. Our team's wayfinding specialists at CityID did tons of research showing that people found this kind of "heads up" mapping easier to read. At the same time, the cartographers we work with at T-Kartor created a digital system where the data can be rotated into any position and the type and icons all rotate with the map. This seems like a simple thing but it's really a miracle. When we did the downtown system in the late nineties, we basically had a single overall map with north at the top and we stuck that everywhere and we thought we were doing fine. The mapping systems in WalkNYC are so much more advanced.
Bierut (continued): We created some new icons and modified others, for instance changing a generic "gift shop" icon to a shopping bag with Milton Glaser's familiar "I Love New York" logo on it. We also did a bike icon that reflects the unique frame (and bag holder) on the official CitiBike used in the city's bike share program.
Bierut (continued): We created some new icons and modified others, for instance changing a generic "gift shop" icon to a shopping bag with Milton Glaser's familiar "I Love New York" logo on it. We also did a bike icon that reflects the unique frame (and bag holder) on the official CitiBike used in the city's bike share program.
Dwell: In addition to spatial distances, you've also depicted walking times. Is that standard practice? Bierut: One of the many goals of the system is to encourage people to walk more. It's healthier, it's better for the environment, and it's good for business. Using walking times isn't standard, but I think it shows people, particularly New Yorkers, that sometimes destinations are closer than they think they are. Walking can be faster than a bus or subway, or—especially in New York traffic—a taxi or a car.
Dwell: In addition to spatial distances, you've also depicted walking times. Is that standard practice? Bierut: One of the many goals of the system is to encourage people to walk more. It's healthier, it's better for the environment, and it's good for business. Using walking times isn't standard, but I think it shows people, particularly New Yorkers, that sometimes destinations are closer than they think they are. Walking can be faster than a bus or subway, or—especially in New York traffic—a taxi or a car.
Dwell: The PentaCityGroup will eventually expand the system to include new print, mobile, and digital media applications. In a way, you've designed a new user interface and experience for New York through the system. How has the cross-over between print and digital impacted the WalkNYC graphic language? What does the language "say" about New York? Bierut: In general we tried to make the system seem clean and logical and authoritative. It looks "New York" to people, I think, because of the very intentional visual connections we tried to make to the subway graphics. It's possible to do an information system that has lots of personality: up at Wave Hill park in the Bronx, for instance, we had artist Maira Kalman paint a map that's completely fanciful and perfectly suited to that place. But here we wanted something that almost felt like part of the city's infrastructure. Already the map's been adapted for CitiBike, and we're in conversations to adapt them for the neighborhood maps in subway stations. Eventually it may be that this map is simply "the way New York looks," which would be great.
Dwell: The PentaCityGroup will eventually expand the system to include new print, mobile, and digital media applications. In a way, you've designed a new user interface and experience for New York through the system. How has the cross-over between print and digital impacted the WalkNYC graphic language? What does the language "say" about New York? Bierut: In general we tried to make the system seem clean and logical and authoritative. It looks "New York" to people, I think, because of the very intentional visual connections we tried to make to the subway graphics. It's possible to do an information system that has lots of personality: up at Wave Hill park in the Bronx, for instance, we had artist Maira Kalman paint a map that's completely fanciful and perfectly suited to that place. But here we wanted something that almost felt like part of the city's infrastructure. Already the map's been adapted for CitiBike, and we're in conversations to adapt them for the neighborhood maps in subway stations. Eventually it may be that this map is simply "the way New York looks," which would be great.
The winner of the 2012 MoMA/PS1 Young Architects Program, this structure by HWKN has a titanium-nanoparticle-coated skin that absorbs carbon dioxide.
The winner of the 2012 MoMA/PS1 Young Architects Program, this structure by HWKN has a titanium-nanoparticle-coated skin that absorbs carbon dioxide.
Our original notes of space needs for our house program.
Our original notes of space needs for our house program.
Milwaukee studio Vetter Denk Architects designed this eye-catching prefab on the banks of Moose Lake, Wisconsin, as a weekend retreat. The home was based on an idea presented by the home's owner, who was inspired by a screw-top jug of $9.99 red wine.
Milwaukee studio Vetter Denk Architects designed this eye-catching prefab on the banks of Moose Lake, Wisconsin, as a weekend retreat. The home was based on an idea presented by the home's owner, who was inspired by a screw-top jug of $9.99 red wine.
출장안마
출장안마
Spirit of Place/Spirit of Design, a program conceived by The Catholic University of America architecture professor Travis Price, takes students to out-of-the way settings to craft monuments that reflect local folklore.
Spirit of Place/Spirit of Design, a program conceived by The Catholic University of America architecture professor Travis Price, takes students to out-of-the way settings to craft monuments that reflect local folklore.
The updated 620 Chair Program, designed by Dieter Rams for Vitsœ in 1962, has just been reintroduced to the market at $3,340 per unit.
The updated 620 Chair Program, designed by Dieter Rams for Vitsœ in 1962, has just been reintroduced to the market at $3,340 per unit.
세종출장안마火문의톡☎sxpt66火세종48출장샵≫ワ세종출장안마※태국인출장안마※ワ세종키스방ワ세종출장샵세종출장샵
세종출장안마火문의톡☎sxpt66火세종48출장샵≫ワ세종출장안마※태국인출장안마※ワ세종키스방ワ세종출장샵세종출장샵
서울출장샵 【카톡/kow77】 출장마사지 안마추천 콜걸부르기
서울출장샵 【카톡/kow77】 출장마사지 안마추천 콜걸부르기
The 301-square-foot cabin is situated on 99 acres on Bruny Island, an island off the coast of Tasmania. For the exterior, the architects have chosen materials that "comply with the Bushfire Attack Level of 19," they explain, including bushfire resistant wood and zincalume metal. The cabin collects its own rainwater—storage tanks are underground for an uncluttered look—and the roof sports solar panels.
The 301-square-foot cabin is situated on 99 acres on Bruny Island, an island off the coast of Tasmania. For the exterior, the architects have chosen materials that "comply with the Bushfire Attack Level of 19," they explain, including bushfire resistant wood and zincalume metal. The cabin collects its own rainwater—storage tanks are underground for an uncluttered look—and the roof sports solar panels.
In 2001, Price and his students built a meditation structure at the end of a cantilevered walkway that extends off the end of a cliff in Nepal.
In 2001, Price and his students built a meditation structure at the end of a cantilevered walkway that extends off the end of a cliff in Nepal.
The 620's base is constructed from precision-engineered birch ply and houses a traditional coil-sprung construction. This in turn is over-laid with a rubberized-coir molding (a mixture of torn coconut husks and natural rubber). The arms and backs are made from warm-pressed sheet-molding compound, a material similar to, but stronger than, fiberglass. Photo courtesy Vitsœ.
The 620's base is constructed from precision-engineered birch ply and houses a traditional coil-sprung construction. This in turn is over-laid with a rubberized-coir molding (a mixture of torn coconut husks and natural rubber). The arms and backs are made from warm-pressed sheet-molding compound, a material similar to, but stronger than, fiberglass. Photo courtesy Vitsœ.
Spirit of Place returned to Nepal a decade later to build a stone monument inspired by the rituals, culture, and burial practices of the Magar people, one of the country’s oldest ethnic groups.
Spirit of Place returned to Nepal a decade later to build a stone monument inspired by the rituals, culture, and burial practices of the Magar people, one of the country’s oldest ethnic groups.
The structure is calibrated to create a cool micro-climate in the summer by drawing in cool air at the bottom and pushing out hot air at the top. (Perfect for the dance parties which are held throughout the summer!) Overall, the firm promises that the structure will offer "shade, color, light, views, and a future-oriented experience that is designed to be refreshing, thought-provoking, and full of wonder and optimism."
The structure is calibrated to create a cool micro-climate in the summer by drawing in cool air at the bottom and pushing out hot air at the top. (Perfect for the dance parties which are held throughout the summer!) Overall, the firm promises that the structure will offer "shade, color, light, views, and a future-oriented experience that is designed to be refreshing, thought-provoking, and full of wonder and optimism."
One of the students, Jeff Roberson, received a blessing from a Tibetan lama during a five-hour ceremony called a puja before construction began.
One of the students, Jeff Roberson, received a blessing from a Tibetan lama during a five-hour ceremony called a puja before construction began.
The Johns Hopkins Hospital’s new building, the Charlotte R. Bloomberg Children's Center, brought an empathetic and curatorial eye to civic architecture by inviting 70 artists to create more than 500 on-site installations. "The intent (and hope) of the art and architecture program was to uplift the spirit of the patient and the visitor as they arrive here at the hospital, to relieve that initial stress."
The Johns Hopkins Hospital’s new building, the Charlotte R. Bloomberg Children's Center, brought an empathetic and curatorial eye to civic architecture by inviting 70 artists to create more than 500 on-site installations. "The intent (and hope) of the art and architecture program was to uplift the spirit of the patient and the visitor as they arrive here at the hospital, to relieve that initial stress."
Our extensive on-site education program included monthly construction walk-throughs.
Our extensive on-site education program included monthly construction walk-throughs.
The full-grain uncoated leather is available in six colors, including the midnight leather with off-white shell shown here.
The full-grain uncoated leather is available in six colors, including the midnight leather with off-white shell shown here.
LG SIGNATURE Washer/Dryer Combo (model LUWM101HWA, MSRP: $3,199.99) pairs a sleek design with optimal functionality. The​ ​LG SIGNATURE Sidekick Pedestal Washer (model LUWD1CW, MSRP: $799.99) is specially designed for your small, custom-care laundry loads. It can be used on its own or at the same time as the front load washer above.
LG SIGNATURE Washer/Dryer Combo (model LUWM101HWA, MSRP: $3,199.99) pairs a sleek design with optimal functionality. The​ ​LG SIGNATURE Sidekick Pedestal Washer (model LUWD1CW, MSRP: $799.99) is specially designed for your small, custom-care laundry loads. It can be used on its own or at the same time as the front load washer above.
Facing a COVID-19 shutdown, Taylor and Michaella McClendon recruited their family to build a breezy tiny home on the Big Island—which you can now purchase for $99,800.
Facing a COVID-19 shutdown, Taylor and Michaella McClendon recruited their family to build a breezy tiny home on the Big Island—which you can now purchase for $99,800.

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