Black and white kitchen cabinets painted with a triangular pattern add a whimsical touch to this funky kitchen.

A salvaged 19th-century soaking tub wrapped in stainless steel is topped by Hudson Reed faucets.

This 19th-century New York factory houses the apartment of Brandon and Amy Phillips as well as the workshop for their company, Miles & May Furniture Works.

Measuring only 180 square feet, this exquisite, off-grid tiny home features a big sense of style.

Keeping the original mottled, worn-brick walls and outfitting the kitchen with their own custom cabinetry were among this couple’s cost-saving measures.

The bathroom evokes the building’s industrial bones. The pendant light is from Ikea, and the towel racks are repurposed train car luggage racks. The Carrara tiles are mismatched seconds. “It works if you let yourself not try to fix it,” says Brandon.

Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.

The home office of 19th St. Residence by Ehrlich Yanai Rhee Chaney Architects peeks into the lush side yard.

Fashion designer Josie and her husband Ken Natori are big fans of traditional Japanese architecture, so when Brooklyn-based practice Tsao & McKown Architects designed their home in Pound Ridge, New York, they used a heavy, exposed-timber structure, and included Japanese-style gardens and landscaping.

The owners of this 2,300-square-foot converted loft in SoHo have a penchant for color and collections. To make way for these elements, BC-OA kept new materials simple and desaturated with super white walls; oil-finished, white oak flooring; and white lacquered cabinetry. In the dining area, a custom designed, built-in, tufted banquette adds soft juxtaposition against the live edge dining table. The velvet upholstery is meant to provide contrast against the exposed, white-washed original brick in both texture and era. Overhead a brass chandelier with exposed Edison bulbs references the former Swan Incandescent Electric Light Co. which occupied the loft after construction was completed in 1897.

A look at the home's front facade. In a Melbourne suburb, Splinter Society Architecture designed the versatile home for Mark and Cara Harbottle and their three young children.

Inspired by modern Japanese minimalism, Hong Kong practice JAAK demolished the walls of this two-bedroom apartment and remodelled it into a studio with an

The living area boasts nearly 10-foot-high ceilings that impart a feeling of airiness and spaciousness. Discreet, built-in storage in the floor at the top of the steps prevents clutter from accumulating.

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"In this project, we got so much benefit out of this 'secret garden' for the master suite along with all of these environmental benefits that the residents were excited to embrace. It's one of the pieces we are happiest about," says architect Jonathan Feldman.

Moonshine is beautifully set in an isolated spot in the English countryside outside of Bath. The dramatic juxtaposition of a stone gamekeeper's cottage and a modern timber framed addition gives the home a quaint, pastoral feel while capitalizing on the dramatic view of St. Catherine's Valley.

Living in between the woods

Behind an unassuming 19th-century facade in Singapore's Joo Chiat neighborhood, Ching Ian and Yang Yeo's renovation of a typical shophouse venerates tradition while looking squarely to the future. Photo by Richard Powers

The dining area, with a table and hickory chairs from Miles & May, opens onto a kitchen the couple created as part of a DIY gut renovation. The result, says Amy, is an “intentional raw and polished combination.” The lamp is from M&M Electrical Surplus.

“We have described the house as an urban cabin and this captures the essential character we were seeking to achieve,” says architect Charles Thomson. “Because the plan is so tight, it was critical that every part was considered carefully. But we also wanted spaces that were simple and flexible to accommodate the typical range of family activities.”

We snapped a shot just as workers poured the copper-brass alloy over a Bocci 19 series mold, click through the slideshow to see the rest of the process.

Farnley Hey’s heart is a large, double-height living area, dubbed "the dance floor

This award-winning home by New York–based West Chin Architects is situated on a narrow corner lot in a Long Island neighborhood. The cedar-clad residence features a garage-style glass door that opens to welcome the salty sea breeze from the neighboring beach.

Lyng Hansen steamed and framed remnants of 19th-century wallpaper found during the renovation.

In their concrete-walled courtyard, Yuka and Aaron watch as twins Emerson and Jasper, daughters Maude and Mirene, and Alfie the dog play. The house is painted in Black Bean Soup by Benjamin Moore, a color in keeping with the period of the original architecture. The garden was designed by Lauren Hall-Behrens of Lilyvilla Gardens.

Day takes a swim in a new lap pool framed by a lush Southern California garden. The lower wall next to the pool is made from stacked Pennsylvania bluestone, which was used for all exterior stone as well.

Niko Architect and landscape firm Ecopochva designed a Moscow home that doesn’t play by the rectilinear rules of conventional architecture. Vegetation blankets the home’s concrete form, and its walls sweep upward and outward to become roofs. Molded floor-to-ceiling windows curve to grant panoramic views of the backyard and swimming pool.

Homeowner Simon Doonan stands next to the front door. "We have flamboyance, and we’re not inhibited about anything. [Architect] Gray Organschi gave [the house] that intellectual rigor needed to make it beautiful. We were well matched."

Karen White, David MacNaughtan, and their sons, Griffin and Finlay, hang out on the front deck, which lines up next to the neighbors' porch.

For our In the Modern World section, we shared a process shot of a Bocci 19 series. Here is a finished product of a Bocci 19 series bowl. Photo by Gwenael Lewis.

The goal for the first floor was to embrace the shade provided by the mature trees, create a rich material moment, and incorporate all of the storage that the family would need.

Thanks to a robust solar panel array, the house is net-zero, with enough energy to charge the couple's electric car as well.

The materials, Japanese-style burnt wood, Canadian dark wood, and concrete, accentuate simplicity while simultaneously adding depth.

“We wanted to make each internal element of the Hytte feel considered and intentional,” explains Little. “Small spaces demand a high level of design consideration to ensure that we maximize every piece of space. We have been deliberate in designing the furniture to be crafted into the fabric of the cabin. Our bed, kitchen, storage and seating has all been imagined as an extension to the structure of the cabin.”

Set in the pine forests and beaches of Lubiatowo, these tiny cottages are an idyllic getaway.