Haines House by Christopher Polly in Newtown, Australia

The complete line of WorkShop products, including limited edition items, is available now. New tools for work and brainstorming will periodically refresh the collection.

Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.

“A building can have far greater impact than the space it stands in.”—William Carpenter, architect and resident

The owners toured this home, which surrounds a mature tipu tipu tree, while visiting relatives for the day. The brick is original to the 1947 construction.

Sliding doors by Quantum were made to look like the original panes that couldn't be saved, and they lead to a fire pit outside.

New zoning allowed for a zero-lot-line structure, but required a public storefront, which Carpenter uses as an art gallery.

Resonant Surface 01 by Christine Yogiaman and Ken Tracy This installation and amplification system, built of wood veneer and aluminum, was inspired by the sound of muezzins and the abstract look of Islamic design. Photo by Juan Roldan

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The bathroom integrates a sense of the outdoors.

See Arch restored the exterior fireplace wall and painted it a deep blue hue to match the repainted blue timber cladding.

Suspension 01 by Tim Richartz

While a two-story structure did not meet the zoning code, Richard Neutra bypassed that via his design of a "gloriette," an outdoor room flanked by aluminum louvers. Those panels shelter the home against the harsh desert elements and were recreated as part of the five-year restoration of Richard Neutra's original design. Photo: Tim Street-Porter

The bath’s Kohler Purist fixtures and Frederick Weinberg animal figures sit on a Corian countertop

The Airstream Haus’s interior is minimalist, but comfortable, boasting a fully functional kitchen and queen-size bed that doubles as a couch.

The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.

Kai and Téa brush their teeth in the upstairs bathroom shared by all. “We went with the 1950s thing—a family bathroom,” explains Blatt. The sinks are by Kohler.

The Airstream Haus, parked in Ojai, California. August says that when your dwelling is small, it’s important to make the most of outdoor space.

“I really believe buildings are part of a city as an organism.”—William Carpenter, architect and resident

MH01’s angled roof, black shingles, and Superboard panels bring a modern sensibility to a traditional cottage form.

The cover of the new book Wonderwall Archives 01.

Pleased with the pop-up they designed last summer, Frame approached i29 again this fall to construct a more long-term installation: a shop meant to evoke a 3-D walk through of an issue of their magazine.

Dump Truck by Green Toys, $20.

Black and white kitchen tiles add visual interest to this stunning modern kitchen by IKEA.

Fashion-tech designer Anouk Wipprecht’s white Spider Dress 2.0 was developed with Philip Wilck along the lines of a previous dress she made inspired by arachnids. The 3D-printed robotic garment with eight jointed arms (activated by sensors and Intel Edison chips with artificial bio-signal intelligence) protects the wearer. Depending on the wearer's mood—agitated or pleased—the arms of the dress spring upward to ward off intrusions.

Part of the PIXEL series, the Ripple 2.0 Coffee Table, shown in walnut with powder coated steel pulls, takes the same inspiration of the movement created by a ripple of water and brings it to a different, slightly darker, place by using a different kind of wood and pixelating the motif further.

Neutra's Kaufmann home was initially designed for living just two months out of the year. Yet after the original owner passed, future tenants attempted to retrofit the space for year-long use. An air conditioning unit was placed atop the roof, and square footage was added, enclosing this courtyard. To return it to its original state, the current owner underwent a five-year restoration and reopened this courtyard to honor the original design. Photo: Tim Street-Porter

Floor Plan of Project01 by Instead

The first step was to tear out the existing wall-to-wall carpeting and replace it with cabin-grade, oak flooring to give the house a classic feel and to help anchor the more modern walls and trim. They ordered the flooring from a large company and despite it being the cheapest option offered, the total expense came to $2,300 for materials, making the wood floors—according to Anderson—their biggest splurge.

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The apartment is accessed via an old freight elevator. The cabinetry around the elevator entrance—including a massive bookshelf and storage space—is black, contrasting with the white brick walls and the white oak joinery.

Resonant Surface 01 by Christine Yogiaman and Ken Tracy Stacked like a cubist version of a custom phonograph, Resonant Surface 01 debuted at in this Dubai courtyard in March during the Sikka 2014 art fair. Both teach architecture at the American University of Sharjah, the emirate next to Dubai, and have become engrossed with Islamic design. Photo by Juan Roldan