Arbel’s “14” sconces spot the wall to ethereal effect in the master bedroom. “I wanted this place to be habitable. One of my greatest criticisms of modern architecture is that it often forgets to make things cozy.”

The 40-foot-long containers hang 16 feet over the ground. The deep balcony, Gooden says, offers solar protection, keeping strong sunlight out but letting natural light in. The home has three bedrooms, a den, and three and half baths.

A 40 foot by 10 foot pool is designed to echo the house’s tower with an almost reflection-like alignment.

A simple, yet elegant vanity doubles as storage.

The distinctive facade references a traditional thatched English cottage.

Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.

Fashion designer Josie and her husband Ken Natori are big fans of traditional Japanese architecture, so when Brooklyn-based practice Tsao & McKown Architects designed their home in Pound Ridge, New York, they used a heavy, exposed-timber structure, and included Japanese-style gardens and landscaping.

The owners of this 2,300-square-foot converted loft in SoHo have a penchant for color and collections. To make way for these elements, BC-OA kept new materials simple and desaturated with super white walls; oil-finished, white oak flooring; and white lacquered cabinetry. In the dining area, a custom designed, built-in, tufted banquette adds soft juxtaposition against the live edge dining table. The velvet upholstery is meant to provide contrast against the exposed, white-washed original brick in both texture and era. Overhead a brass chandelier with exposed Edison bulbs references the former Swan Incandescent Electric Light Co. which occupied the loft after construction was completed in 1897.

A look at the home's front facade. In a Melbourne suburb, Splinter Society Architecture designed the versatile home for Mark and Cara Harbottle and their three young children.

Inspired by modern Japanese minimalism, Hong Kong practice JAAK demolished the walls of this two-bedroom apartment and remodelled it into a studio with an

The living area boasts nearly 10-foot-high ceilings that impart a feeling of airiness and spaciousness. Discreet, built-in storage in the floor at the top of the steps prevents clutter from accumulating.

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"In this project, we got so much benefit out of this 'secret garden' for the master suite along with all of these environmental benefits that the residents were excited to embrace. It's one of the pieces we are happiest about," says architect Jonathan Feldman.

Moonshine is beautifully set in an isolated spot in the English countryside outside of Bath. The dramatic juxtaposition of a stone gamekeeper's cottage and a modern timber framed addition gives the home a quaint, pastoral feel while capitalizing on the dramatic view of St. Catherine's Valley.

Living in between the woods

Behind an unassuming 19th-century facade in Singapore's Joo Chiat neighborhood, Ching Ian and Yang Yeo's renovation of a typical shophouse venerates tradition while looking squarely to the future. Photo by Richard Powers

Los Angeles–based design firm ORA built this family home in the Mar Vista suburb with two separate buildings: a long, linear home “shaped like a boomerang,” and a bright-red accessory dwelling unit. In the main house, a soothing material palette composed of concrete floors, white walls, and wood is punctuated by spots of color, such as the teal tile backsplash and salmon-toned cabinet in the kitchen, or the sunshine-yellow vanity in one of the bathrooms.

The three kids share a bathroom that's also located in the attic. The penguin basket is from Bloomingville.

Two cabins sit in the vast, empty landscape overlooking the Hekla volcano, around three hours’ drive from Reykjavík. The front part of each cabin—for sleeping—is almost entirely glass, while the rear—where the living, kitchen and bathroom spaces are located—is clad in timber for privacy.

Set in a quiet cul-de-sac in Walnut Grove—a small enclave of Eichlers in Walnut Creek, California—this Claude Oakland–designed Model 14 Eichler truly stands out. With a shingled, hipped roof and a "clipped" gable, the home is designed to reference a traditional thatched English cottage—but we think it looks much more modern than that.

At the northern end of the Stockholm archipelago, a humble cottage becomes a gorgeous seaside retreat for a nature-loving family.

“The transparency and continuity of the spaces allows the landscape, the coast, and the sea to be present at all times,” LLaumett says. While most of the home’s furniture was constructed on site, a sofa by The Popular Design sits in the living room.

Pine was used for the exterior siding and the lower perimeter base is lined in reinforced concrete.

LLaumett refers to the extended patio as its own entity—a calm place to sunbathe or stare out to the ocean at any time of day. It is made of pine and covered in an opaque Osmo glaze. The chairs were constructed by the owners.

“The program of enclosures was developed around a courtyard that is protected from the constant wind. The transparency of the main facade brings the presence of the sea inside the house,” LLaumett says.

A huge rock that Liebermann picked out himself as as a diving board into the pool. Liebermann was very proud to design the house in a way that it reflects in the pool when you first walk in through the front gate. The reflection doubles the size of the house.

The look is tradition with a twist.