Everybody's Gohati, Máze, 2005

The transformation of a 1950s eyesore into an elegant, gallery-like home was a creative challenge for architect Kevan Hoertdoerfer and all involved. The poem “Roll the Dice” by Charles Bukowski is painted on the facade. “It expresses how we felt about the project,” says resident Karen Baldwin. “Everybody roll with it—everybody do their thing.”

“Earth is the building material, but this is also the material that all building materials return to,” says architect Tono Mirai. “Earth is the material that connects everybody on the globe.” Small windows in the earthen walls deliberately frame the surrounding landscape.

Now, a ten-foot long banquette fronted with a West Elm table anchors the eating alcove across from the island, and beckons visitors to have a sit. The family hosts everything from holiday get-togethers, to school and company functions in their new space. "We wanted to make everybody feel welcome," says Shondi.

"Students really designed the building. We sat down with them with a blank sheet of paper, we took everybody’s brainstorms and ideas, and we collaborated and put it all together," says Richert.

“Everybody told me I couldn’t do this in the hot and humid South,

“This exhibition is a glimpse into Charles and Ray’s daily lives,” says Sussman. “They were changing the world, and the way that is expressed in this exhibit is a part of how they changed the world that is not known to everybody.” The quotes interact with everyday objects such as scissors, a rebus drawn by Charles and a re-creation of Ray’s table, flanked by new Eames LCM chairs. “There’s no vintage furniture in the exhibition,” notes Demetrios. “Charles and Ray were continually designing for tomorrow.”

Catherine's favorite space in the house is this second-floor study by the master suite. "It's a great lounge area with a view of the lake," she says. "Everybody wants to go up there and read a book."

“You see the fixture on the wall, but we’re also working behind the wall—with water as a medium, which, as everybody knows, is in growing shortage.” —Antonio Citterio, architect

You can make everybody around you surprised by creating and personalizing Phillies hats on www.hatsline.com/pro...

“We think everybody should have color in their office space,” says Maciagowski. “It’s what keeps us happy and motivated. It’s good for morale. Sometimes you’ll have it in one conference room, but we’ve applied it everywhere.”

Originally from Laos, Van Bo Le-Mentzel came to Germany as a refugee and faced one of the most common problems that transplants encounter—finding a home. "Everybody should have their own house, with a window and a door. And it should stand wherever you want," Le-Mentzel says.

The view from the loft down into the kitchen and dining room. Segulja wanted a long table in the dining room for big gatherings. “It's great to be able to have everybody around that one central table when we’re in the kitchen together,” the architect says. The overhead lights are the Knolls Wood Trimmed Pendant from Serena and Lily and the chairs are discontinued Ikea pulled from storage.

“Walnut is everybody's favorite right now so I work with that a lot—and the smell of it when it's being cut is one of my favorite smells in the world, so that's fine with me. It's a delight to work with. The materiality of this table and the relationship of the brass to the walnut is really what drives this design.”

Before: McDonough #30 in 2016, pre-renovation. "I think what's great about New Orleans is that the history of its buildings are important to everybody here," says Melissa Rome, one of two principals of Rome Office. "They have a lot of great collections for you to find historic photos of whatever building you're working on."

Community First! Village is one of the safest neighborhoods in Austin. “Alan Graham, CEO of Mobile Loaves & Fishes, said that in the beginning, people were apprehensive about the community coming in and didn’t know what it would be like,” McKinney says. “It’s turned out to have one of the lowest incidents of crime because everybody is on the same page and takes care of one another.”

Shoup, his wife, Taya, and daughter, Hannah, relax on the deck off the kitchen with their dog, Stella. “For a high percentage of the year, we just roll open the door, and everybody hangs out in the kitchen, where we can keep an eye on Hannah,” explains Shoup. “There’s kind of a leathery quality to it,” he says of the door, which he fabricated of steel, with glass salvaged from an old sliding door. The sandstone sculpture is called “Mother and Daughter.” Photo by Aya Brackett.

I am friends with the Ghetto Gastro crew. It’s been amazing to have watched these young guys from New York make a name for themselves in the past three years. I went to Target in Pasadena to buy these air fryers for my mom, family, and everybody else. Ghetto Gastro is creating a movement.

Sativa Turner, a local San Francisco designer, has created these wonderful little vinyl identification labels for your Apple device outlet power plugs (rightfully called "Whooz?") so when everybody in the whole office or family is using one power strip, you can tell which one is yours. ($10/pack)

A child showcasing the capability of the LifeStraw water filter. Through the company’s give-back program, for every LifeStraw product purchased, a child in need receives safe water for a year. “LifeStraw is working to make clean water accessible for everybody, and being part of this innovative process, trying to stretch the limits with beautiful products that provide safe drinking water is an immense privilege.”

Here's a view of the interior. Though this photo was shot in the evening, I arrived just as the lunch crowd was settling in. "We allowed the Spanish temperament to meet Scandinavian coolness to create a vivid place that…enhances the eating experience. A place for everybody to be," says Note Design Studio. Clearly their aim to create a place for "everyone to be" worked. Nearly every barstool was occupied and the place was humming with conversation.

Heracleum LED chandelier by Moooi “One of the reasons I chose that was because it’s beautiful. The form itself conducts the electricity. The thing about that light at this moment is, everybody loves the hell out of it. I don’t even have to put any words to it really, everyone who walks in the door thinks it’s beautiful. Even though it’s nearly $4,000, I sell more of that than any single light in the store. I’m not choosing that piece, per se, but the people have spoken.”

Everybody lose more time of daily cleaning because no one love when his home is dirty and unpleasant. There is no need to make your life harder, contact the company for professional cleaning services and save your time, go out with friends, family or just chill. Our company provides a wide variety of effective and affordable cleaning services like carpet cleaning, window cleaning, after builders cleaning, end of tenancy cleaning, antiviral sanitisation cleaning and e.c. in Warwick. Visit our website to see the total information about us. Approach 024 7735 0042.

Edra’s booth was a dark hall of mirrors, like Yayoi Kusama’s Infinity Room goes to the club. Once I slipped beyond the velvet rope, I made a beeline for the Standard, a sofa designed by Francesco Binfarè that’s meant to be everything for everybody. The cushions are filled with a proprietary material, Gellyfoam, and, even better, bend and hold shape, sort of like an adjustable headrest on an airplane seat, but executed with exaggerated lines and a scale that feels luxurious. It’s a couch that you can sink into without requiring assistance to stand up and honestly, what more do you really need?

PK-Bowl - SCULPTURAL DESIGN In 1963, Poul Kjærholm designed the Fredericia Town Hall and created PK-600, a large, 250kg black marble bowl. This form, part sculpture, part functional object, was welcomed with remarkable public success. In response, Kjærholm designed its offspring, the PK-Bowl, so that everybody could enjoy it as a part of theirown household. Made of granite, the PK-Bowl is a stark contrast between square and round as well as the smooth inside and rough outside symbolizes the contrast between the feminine and masculine. ------ Material: Granite bowl in black - Dimensions: 15 x 15 x 7 cm

Careful districting has made West Grand Avenue one of the last places in Chicago’s West Town where factories and family homes still exist side by side. Zoned as a planned manufacturing district (PMD) to bolster local commerce, the south side of the street is populated by brick warehouses, while the northern half is mostly residential. Despite the proximity of live and work spaces, incorporating both elements into a single building is practically unheard of in the area, as Daniel Staackmann and Nicole Sopko discovered when they began researching the arterial as a home for themselves and their vegan food company, Upton’s Naturals. The business, founded by Daniel in 2006, requires space for office and storefront operations, as well as manufacturing for their signature product, seitan, a protein-filled meat alternative made by rinsing the starch from wheat. Daniel knew he wanted to be close at all times, a decision that greatly narrowed their search. “We could find plenty of industrial buildings that we could put a factory in, but they weren’t appropriate for retail and definitely not for living,” he recalls. A vacant lot across from the PMD met all their criteria but necessitated a fresh build. Looking to offset the cost of construction, Daniel and Nicole, Upton’s vice president, turned to architect Martin Felsen and designer Sarah Dunn of UrbanLab. The designers had used prefab elements to make their own live-work space, and set out to create a mixed-use building that wouldn’t shortchange any of Upton’s functions. Going completely prefab, the UrbanLab team reasoned, would mitigate cost but would also sacrifice flexibility. “Everybody’s dream is: You call and order [a home], and two weeks later it arrives,” Dunn says. “Our strategy is to prefab intelligently.”

He Designed the Mile High Illinois, Which Would Still be the World’s Tallest Building Any Chicagoan would be lying if he or she said losing the title of city with the tallest building didn’t make their broad shoulders droop a bit. Well, if the city had built the Illinois, Frank Lloyd Wright’s theoretical skyscraper concept, the Burj Khalifa would just be second best. Make that second by a long shot, since the proposed mile-high skyscraper, meant to have room for more than 100 helicopters, 100,000 people, and atomic-powered elevators, would have dwarfed anything since constructed or conceived. Not a man for small gestures, Wright presented his idea for the tripod-shaped beauty in 1956 with a 26-foot-tall rendering done up in gold ink. When he spoke about the plan with Mike Wallace, he said, “Everybody would have room, peace, comfort, and every establishment would be appropriate to every man. It's an ideal that I think that goes with democracy, isn't it?” Photo courtesy Frank Lloyd Wright Foundation