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Burnt Credenza 07 by Rob Zinn
Burnt Credenza 07 by Rob Zinn
The living area features a Le Bombole ’07 sofa by Mario Bellini for B&B Italia, a Chieftan chair by Finn Juhl, and a rotating hanging stove by FireOrb. The poufs are by Tazi Designs.
The living area features a Le Bombole ’07 sofa by Mario Bellini for B&B Italia, a Chieftan chair by Finn Juhl, and a rotating hanging stove by FireOrb. The poufs are by Tazi Designs.
Marcel Breuer, St. John’s Abbey (1961) Designed by a Bauhaus icon, the modernist Minnesota church greets the faithful with a bell tower perched upon a curvaceous concrete stand. Breuer follows up a strong introduction with the church itself, boasting a massive wall of hexagonal stained glass and bold concrete tresses. Photo courtesy Wikimedia Commons
Marcel Breuer, St. John’s Abbey (1961) Designed by a Bauhaus icon, the modernist Minnesota church greets the faithful with a bell tower perched upon a curvaceous concrete stand. Breuer follows up a strong introduction with the church itself, boasting a massive wall of hexagonal stained glass and bold concrete tresses. Photo courtesy Wikimedia Commons
IF House - Photo 07
IF House - Photo 07
Architect Michelle Linden worked with Brothers to create a minimalist house. Inspired by the inward-looking approach of Cistercian abbeys, Linden oriented the U-shaped structure around a courtyard.
Architect Michelle Linden worked with Brothers to create a minimalist house. Inspired by the inward-looking approach of Cistercian abbeys, Linden oriented the U-shaped structure around a courtyard.
A pair of CH07 chairs by Hans Wegner face a stunning view of the Richmond–San Rafael Bridge.
A pair of CH07 chairs by Hans Wegner face a stunning view of the Richmond–San Rafael Bridge.
Church at St. John’s Abbey (Collegeville, Minnesota, 1961) In 1950, Abbot Baldwin Dworschak solicited forward-thinking designs from leading architects to remake his Minnesota church and create a monument to the service of God. Breuer answered the call. There's a certain majesty to the bell tower greeting the faithful, a massive panel supported by a curvaceous stand. That Breuer then follows it up with the church itself, with a massive wall of hexagonal stained glass and concrete tresses, makes this a classic. Photo Credit: Wikimedia Commons
Church at St. John’s Abbey (Collegeville, Minnesota, 1961) In 1950, Abbot Baldwin Dworschak solicited forward-thinking designs from leading architects to remake his Minnesota church and create a monument to the service of God. Breuer answered the call. There's a certain majesty to the bell tower greeting the faithful, a massive panel supported by a curvaceous stand. That Breuer then follows it up with the church itself, with a massive wall of hexagonal stained glass and concrete tresses, makes this a classic. Photo Credit: Wikimedia Commons
A black Arne Jacobsen Series 07 chair from Fritz Hansen, Eames storage shelf from Vitra and white Eames DAX plastic armchairs.
A black Arne Jacobsen Series 07 chair from Fritz Hansen, Eames storage shelf from Vitra and white Eames DAX plastic armchairs.
The family room contains furniture reminiscent of Ligne Roset’s Togo collection and a CH 07 egg-carton lamp by Salvadoran designer Eugenio Menjívar.
The family room contains furniture reminiscent of Ligne Roset’s Togo collection and a CH 07 egg-carton lamp by Salvadoran designer Eugenio Menjívar.
A print of Enzo Mari’s La Mela e La Pera for Danese Milano hangs in the master bedroom. Delta lamps by Robert Abbey sit atop bedside tables from Rams’s 606 shelving system for Vitsœ.
A print of Enzo Mari’s La Mela e La Pera for Danese Milano hangs in the master bedroom. Delta lamps by Robert Abbey sit atop bedside tables from Rams’s 606 shelving system for Vitsœ.
The framed aluminum of the corner window by Natralight breaks up the roof of recycled slate tiles, which is entirely of a piece with the roofs around it. The Scottish oak cladding comes from Abbey Timber and the black aluminum cladding from MSP Scotland.
The framed aluminum of the corner window by Natralight breaks up the roof of recycled slate tiles, which is entirely of a piece with the roofs around it. The Scottish oak cladding comes from Abbey Timber and the black aluminum cladding from MSP Scotland.
(S)_ARCO CC_WORC_ZAICKZ MOZ_07
(S)_ARCO CC_WORC_ZAICKZ MOZ_07
07
07
Downton Abbey methinks... (#garage)
Downton Abbey methinks... (#garage)
For the seating area, the couple selected a Charles sofa by Antonio Citterio for B&B Italia in addition to CH07 Shell chairs by Hans Wegner, a PK61 coffee table by Poul Kjærholm, and a Nesta rug from Design Within Reach. The dining table, an original design by Burnette, is surrounded by stools that belonged to a previous owner.
For the seating area, the couple selected a Charles sofa by Antonio Citterio for B&B Italia in addition to CH07 Shell chairs by Hans Wegner, a PK61 coffee table by Poul Kjærholm, and a Nesta rug from Design Within Reach. The dining table, an original design by Burnette, is surrounded by stools that belonged to a previous owner.
Saint John’s Abbey and University Church, Marcel Breuer, 1961, Collegeville, Minnesota. In the 1950s, the Benedictine monks of Saint John’s Abbey made the daring choice of Bauhaus architect Marcel Breuer for the design of a new church for its growing monastic community and student community located on the joint campuses of the Minnesota’s College of Saint Benedict and Saint John’s University. In response to the clergy’s call for a church that would be “an architectural monument to the service of God,” Breuer deployed a striking combination of concrete and stained glass to create a masterful juxtaposition of levity and mass. The church’s entrance is framed by a weighty bell tower, a dramatic contrast to its perforated, honeycomb façade. Encased stained glass, as well as large interior skylights and windows spanning the building’s sides, flood the church interior with light and balance the massive concrete framing buttresses. Today the structures are the architectural centerpiece of more than a dozen other structures by Breuer on this multi-use complex, forming the largest collection anywhere of a single modernist architect’s work. A Getty grant will support a conservation management plan to guide a long-term preservation strategy for these buildings. Grant support: $150,000
Saint John’s Abbey and University Church, Marcel Breuer, 1961, Collegeville, Minnesota. In the 1950s, the Benedictine monks of Saint John’s Abbey made the daring choice of Bauhaus architect Marcel Breuer for the design of a new church for its growing monastic community and student community located on the joint campuses of the Minnesota’s College of Saint Benedict and Saint John’s University. In response to the clergy’s call for a church that would be “an architectural monument to the service of God,” Breuer deployed a striking combination of concrete and stained glass to create a masterful juxtaposition of levity and mass. The church’s entrance is framed by a weighty bell tower, a dramatic contrast to its perforated, honeycomb façade. Encased stained glass, as well as large interior skylights and windows spanning the building’s sides, flood the church interior with light and balance the massive concrete framing buttresses. Today the structures are the architectural centerpiece of more than a dozen other structures by Breuer on this multi-use complex, forming the largest collection anywhere of a single modernist architect’s work. A Getty grant will support a conservation management plan to guide a long-term preservation strategy for these buildings. Grant support: $150,000
Detail of ornamentation of Westminster Abbey in London, United Kingdom
Detail of ornamentation of Westminster Abbey in London, United Kingdom
Detail of foundation of Westminster Abbey in London, United Kingdom
Detail of foundation of Westminster Abbey in London, United Kingdom
Reflection of Bath Abbey in the waters at the Roman Baths in Bath, United Kingdom
Reflection of Bath Abbey in the waters at the Roman Baths in Bath, United Kingdom
A cement staircase leads to the main Abbey grounds, where the iconic library sits.
A cement staircase leads to the main Abbey grounds, where the iconic library sits.
07 Dining hall corner view with landscape
07 Dining hall corner view with landscape
Two Reader's Bible volumes rest at an angle on the shelf at the Mt. Angel Abbey Library.
Two Reader's Bible volumes rest at an angle on the shelf at the Mt. Angel Abbey Library.
Photo 07
Photo 07
Itapuã House 07
Itapuã House 07
July/August 2016, Vol. 16 Issue 07
July/August 2016, Vol. 16 Issue 07
07 Dining Area and Kitchen
07 Dining Area and Kitchen
IF House - Sketch 07
IF House - Sketch 07
LEBOND WATCHES - LEBOND HOUSE - 07
LEBOND WATCHES - LEBOND HOUSE - 07
Delft Blue No. 07 by Marcel Wanders ∙ moooi
Delft Blue No. 07 by Marcel Wanders ∙ moooi
RENOVATE IT! Modern Homes With Old Bones June 2008, Vol. 08 Issue 07.
RENOVATE IT! Modern Homes With Old Bones June 2008, Vol. 08 Issue 07.
Hues: CLAY .07 and DREAM .04. http://www.colorhousepaint.com/blog/make-this-geometric-dresser/
Hues: CLAY .07 and DREAM .04. www.colorhousepaint.com/blo...
RENOVATE! REUSE! RECYCLE! Breathing New Life Into Old Buildings April 2007, Vol. 07 Issue 05.
RENOVATE! REUSE! RECYCLE! Breathing New Life Into Old Buildings April 2007, Vol. 07 Issue 05.
THE NEW AMERICAN HOME Good Design Makes Good Neighbors October 2007, Vol. 07 Issue 10.
THE NEW AMERICAN HOME Good Design Makes Good Neighbors October 2007, Vol. 07 Issue 10.
Hue: AIR .07 from Earth's Color Collection. http://www.colorhousepaint.com/colors/air-07/
Hue: AIR .07 from Earth's Color Collection. www.colorhousepaint.com/col...
07 triangle mazzanie courtyard. sitting out door connected to indoor. Blend every relationship of the house together.
07 triangle mazzanie courtyard. sitting out door connected to indoor. Blend every relationship of the house together.

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