The office houses the letter “U" as well as cameras.

Located 31 miles north of Lima, the C3 House is set in a windswept Ancón landscape that the architects describe as "martian-like."

This wall shelf, made of powder-coated steel and oak, is available in different sizes and colors, all of which give an almost invisible, shadow-box effect when mounted.

The living room and dining area occupy the heart of the "living" volume and are enclosed on both sides by full-height glazing.

An archival photo shows the interior of the detached studio with drafting tables awash in light through the enormous skylight above.

Built in the early 60s, the separate concrete-and-glass studio echoes the original home.

In the living room, an 18th century jajim, purchased in Istanbul, hangs behind a Molteni & C sofa covered in woven linen with mohair pillows. The wool rug is from California Carpets.

A stone path leads from the backyard, up the hillside, and arrives at the streetside entryway. The rhythmic pattern of the concrete garage, as well as the pedestrian walkway, are front and center. The privacy of the living and sleeping areas, seen at the left through floor-to-ceiling windows, are shielded from public view by the hill and the stone wall.

While the original home was dark, like other homes of its period, the addition allowed Andrews and his team to let in an abundance of natural light.

The four neutral shades of the tile are also suitable for outdoor applications.

Just as the stairs use movement to change how residents experience the space, the walls also provide a new and subtle awareness: concrete ridges—seen right—cast changing shadows that mark the passage of the sun. Features like these, in the words of Carmona, “manipulate your experience, bring [a] different consciousness,” and elevate your awareness of the space.

The house is built into the hillside but its top floor entrance is level with the street. The stone wall provides privacy while the garage and a pedestrian walkway—seen exact center, by the tree—bridge the gap.

The façade of the interwar dwelling was painted bright white and left largely unchanged, with a sole burst of color coming from a yellow DesignByThem “tomtom” letterbox. Though the extension is invisible from the street, architect Christopher Polly says it provides “significant additional freedom for the owners and their three young children to grow into.”

Photos By Rob Turner Photography

Ample floor-to-ceiling windows mean residents rarely have to turn on lights during the day. The living room flooring, seen here, also features oak but in warmer tones.

Designed for an artist and entrepreneur client, this guest house features lots of light, access to the outdoors, and an industrial vibe.

At the base of the first floor landing, black recinto volcanic stones divide the first floor’s informal dining area from the living room. This floor also features a bedroom and kitchen while the floor above holds a master bedroom, master bath, two bedrooms, two bathrooms, an entertainment room, and patio. The stairs—which are all-oak—descend to a ground-floor playroom and outdoor deck.

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Pantone's 102-C

Situated on a sloped-site, each renovated space provides a unique perspective and vista to the dramatic natural surroundings. The office, with its stark modern furnishings and subtle artwork, allows the large window to serve as perhaps the most dramatic, singular frame to the foliage beyond.